The Djembe Drum

The Djembe drum is a hand held drum used in many African and Caribbean cultures. It is often played by hand, but can also be played with sticks or other implements. The name Djembe is derived from the Mandinka word "djambi", which means "to beat".

The Djembe has two main parts; the head and the shell. The head is made of a wooden disk with a thin skin stretched over it. The skin is usually made of animal hide or sheepskin, but may also be made of rubber, plastic or even cloth. The shell is made of a variety of materials such as wood, bamboo or metal. The shell is often decorated with carvings, and painted with designs or pictures.

Djembe drums are traditionally made from the hardwood species Dendropelis sp. (African mahogany). They are usually between 7 to 10 inches in diameter, and between 3 to 5 inches thick. The head is usually 1 inch thick, and the shell is between 2 and 4 inches thick. The shell is typically made of either bamboo or metal, while the head is usually made of hardwood. The head is usually covered with a thin skin that is stretched over the wood. The skin is usually made from animal hide or sheepskin.

The Djembe is most often used to accompany songs and chants. It is also often used to accompany dance performances. In many cultures, the Djembe is often played by hand, though it can also be played with sticks. The Djembe is often played in groups of three or more. Each person plays a different part, and all parts are important. The drummers have their own specific roles.

The Djembes are usually played in a circular fashion, and the players move around the circle. The drums are usually played in sets of three. Each set of three consists of one drummer, and two drummers. The first drummer plays the first part of the song. The second drummer plays the second part of the song. The third drummer plays the last part of the song. The three drums are played at the same time.

The drum is played by hitting the skin with the hand, and by slapping the drum. The drummers use a variety of techniques to play the drum. The most common technique is to strike the drum with the palm of the hand. This is done with a closed fist, and is called "palm strike". The palm strike is used to create a loud sound, and is used to accompany singing. The drum is also played by slapping the drum. This is done with the back of the hand, and is called "slap." Slapping is used to create a soft sound, and is used to create a rhythm. The drum is also played using the fingers. This is done by pressing the fingers into the skin of the drum. This is called "finger-pluck". Finger-pluck is used to create a softer sound, and is used to accent a particular part of a song.

The Djembs are also played by striking the head of the drum with a stick. This is called "stick-slap". Stick-slap is used to create a loud, deep sound, and is used to add emphasis to a particular part of a song.

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Mesa redonda Cooperações, disputas e estratégias

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How to play an ancient rock gong

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My name'' s Liam Williamson. I ' ve played drums for about 15 years now. I'' m currently in an indie rock band called Felines on the Coastline. This is without a doubt the earliest set I'' ve ever before played. Just how do we understand that this was really used as a rock gong? Is it simply from the patterns and also the anxieties ... Since we have these archaeological traces, we have the wear of the rock gong, and that'' s not all-natural wear to make sure that is really artificial put on from striking the rock with difficult implements.Ok.

Implements possibly much harder than these wooden hammer blocks that we have. Occasionally we discover little stones extremely close to these rock gongs, with proof of play. So little bits missing, the wear traces that inform us they most likely used these hammer stones to play the rock gong. Yeah, I was mosting likely to ask whether these were situated nearby when these rock gongs were discovered? Yeah, maybe people picked them up somewhere else, kinda included a strategy or individuals just selected them up locally as well as then went to play. So it'' s also something that we ' re trying to understand - what would certainly be the context in which individuals made use of to play them. Would it be something like a ritual or something to signify or something for fun - or every one of that! At the 4th Cataract this piece was basically propped up on a much larger rock, so you might either rest on that stone or generally squat in front of the rock gong. So, the body placement you would certainly take would, regardless be something like that. You would play the rock gong either with one hand or with two hands - most likely with a rock - a. little hammer stone.The hammer

stone, if you strike this rock for. a very long time would certainly leave these traces that we see below, like little clinical depressions, mug marks. So, if you see mug marks on these pieces or. boulders it tells you that this has actually been made use of for audio. making in the past as well as possibly for a long duration of. time. So you could just hit this rock, or with two. hands.Basically we attempt to understand, from the traces. that we locate on these blocks exactly how the people of. the past might have played this. I see. You can see that there ' s indentations here'. and also there. Absolutely, absolutely. The even more dark they are, the longer ago the. playing event was or occurred. So, it'' s a very long time ago that people played. this as well as a really, really long time ago that people. played this below, because It'' s fully patinated so we wear'' t. have any recent evidence of play. The even more light these traces are, the a lot more. recent individuals played this rock gong or components of this. That ' s exactly how we attempt to understand exactly how these. Once again with this piece you have two different. You can think is it feasible as well as feasible. To get various kinds of noises from the. Playing with these stones contrasted to sticks. I kind of presumed, I suggest from the wear, how. to touch and play using these rocks. The reaction from the rock gong itself is. fairly uncommon because normally on drums you have a certain. This rock gong actually comes from a various. It ' s the method that those kind of sounds play. We ' re thinking regarding how you would play. Do you make use of two hands or do you use simply one. That ' s something we ' re trying to recognize. To have different noises so each various. Yeah, precisely, exactly.For me, it ' s tough to see these rocks. It ' s a really different experience seeing and also. I am an excavator and also rock art expert. I ' m based in Berlin at Humboldt College. and I belonged to the goal of the Sudan Archaeological. Research study Culture- that ' s based here at the British. Gallery. Throughout their operate at the Fourth Nile Cataract. in Sudan, where a huge dam was being constructed, that was. mosting likely to flood a large stretch of the Middle Nile Valley. So a great deal of historical missions, among. them the Sudan Archaeological Research Study Culture. went to attempt to salvage as much understanding and some. I think Liam did really well and he should be. Hi people, I ' m Liam Williamson and we ' re below. I'' ve simply been playing some rock gong. Please sign up for this channel to learn. much more. I'' m presently in an indie rock band called Felines on the Beach. How do we recognize that this was really made use of as a rock gong? The response from the rock gong itself is. Yeah, exactly, exactly.For me, it ' s tough to see these rocks. I'' ve just been playing some rock gong.

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When You Believe | Cover by One Voice Children's Choir

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Lots of evenings we'' ve hoped With no evidence anyone might listen to In our hearts a confident song We barely recognized Currently we are not terrified Although we understand there'' s much to fear We were relocating mountains long prior to We knew we could There can be miracles When you think When hope is frail It'' s difficult to eliminate That understands what miracles You can attain When you think Somehow you will certainly You will certainly when you count on this time around of concern When prayer so commonly verified in vain Hope appeared like a summer season bird As well quickly flown away Yet currently I'' m standing here With heart so complete I can'' t describe Seeking belief as well as speaking words I never assumed I'' d state There can be wonders When you believe Though hope is sickly It's hard to eliminate Who understands what wonders You can attain When you believe Somehow you will You will certainly when you think Ashira I'' adonai; ki gaoh ga-ah Ashira I'' adonai; ki gaoh ga-ah Mi-cha-mo-cha ba-e-lim adonai Mi kamocha nedar bachelor's degree kodesh Nachita v'' chas-d '- cha am zu ga-alta'Nachita v ' chas-d '- cha am zu ga-alta Ashira,'ashira, ashira Ashira I'' adonai; ki gaoh ga-ah Ashira I ' adonai; ki gaoh ga-ah Mi chamocha baelim adonai Mi kamocha nedar bachelor's degree kodesh Nachita v''- chas-d ' cha am zu ga-alta Nachita v ' - chas-d ' cha am zu ga-alta Ashira, ashira, ashira On peut faire des miracles Avec la foi Avec la foi Gardons espoir Il faut y croire La foi peut faire tomber Tous les obstacles La foi fait faire Tant de miracles On en fait quand on croit fait quand on croit On en fait quand on croit Aaaaahhhhh aaaaahhhhhhh aaaaaahhhhhhh

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Redemption Song feat. Stephen Marley | Playing For Change | Song Around The World

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Old pirates, yes, they burglarize i marketed i to the merchant ships minutes after they took i from the endless pit yet my hand was made strong by the hand of the almighty we forward in this generation triumphantly. won'' t you assist to sing an additional song of flexibility? ' cause all i ever before had: redemption tunes redemption songs. liberate yourselves from psychological slavery none however ourselves can release our minds. have no fear for atomic energy '' reason none can stop the time. how long shall they kill our prophets, while we stand aside as well as look? some claim it'' s simply a component of it: well we'' ve reached accomplish guide. won'' t you aid to sing another tune of freedom? it'' s all i ever had ♪ ooh yeah redemption tunes; redemption tunes; redemption songs. come on with me people come on with me children emancipate yourselves from psychological enslavement; none however ourselves can free our mind. have no worry for atomic power, '' reason none of them-a can-a stop-a the time.how long shall

they kill our prophets, while we stand aside and look? some say it'' s just a part of it: we'' ve got to accomplish the book. so you ever sing? one more track of freedom, yeah it'' s all i ever before had oh yeah redemption songs; indeed girl redemption tunes; redemption songs; redemption tracks;.

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BACKBEAT – jeden z nejpopulárnějších a nejrozšířenějších rytmů vás naučí Tomáš Kerle.

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Hi, I'' m Tomáš Kerle and I welcome you to the initial online lesson, which will be committed to playing this instrument, which is called the Carton Cajon. As you can see, it is a paper box, but at the very same time it is a musical instrument, which you will absolutely make use of when dipping into house, or throughout songs education with kids. In this video, we'' re going to cover one of one of the most undesirable and also widespread rhythms ever before, which is called the Backbeat. This rhythm originates from a drum kit and also appears across numerous designs of music. You will absolutely listen to backbeat in styles such as pop, rock, funk, or perhaps hip-hop. Also prior to we begin playing the cajon, we will certainly sing the very fundamental version of Backbeat. It'' s a four beat rhythm and it goes like this, one, two, 3, 4. Dun - Then - Dun Dun - Then Dun - After that - Dun Dun - Then Dun - Then - Dun Dun - Then As you can possibly listen to, that high sound is constantly on the 2nd and 4th beats. Dun - Pak - Dun Dun - Pak On drums, this is the noise of a drum.It ' s an accented loud audio, as well as whatever happens around it, the 2nd and also 4th always have this high accent. That'' s crucial! It makes the beat predictable and also it can be made use of in a lot of various categories since it'' s a good structure for a great deal of other musical techniques. Really straightforward. We can include another audio and also that is touch or it is likewise in some cases called touching on other percussions. These are unaccented beats, something that is not quite plainly heard, yet it is there, and it needs to be dynamically as far as the quantity is concerned, extremely reduced, and afterwards it can seem like this. You can hear the taps make the beat fill out, obtain fuller, and also perhaps even relocate a little bit more. After that it doesn'' t sound so minor anymore. If we increase it more and start to alter the basic shape of the rhythm a little bit, we will certainly overlook the initial of the two basses that remain in the second component of the rhythm and also it will certainly sound like this. So that'' s the basis as well as now we can continue with other variants, how to maintain the rhythm moving in some way.For example,

such as this, one, 2, 3, four ... Dun - After that - That Dun - Then Dun - After that - That Dun - After that Dun - Then - That Dun - Then Dun - Then - That Dun - Then Dun One, two, three, 4 ... It'' s great to attempt playing it at different paces as well. For instance, one, 2, three, four ... You can see that the rhythm is fairly clear so far.You could additionally be a bit familiar with it since you hear it on the radio daily. Allow'' s state this sort of backbeat composes 80-90% of There are various other ways, but we will certainly attempt to focus on this hand to hand strategy, because later we can utilize it for other rhythms. If we then desire to continue working with that rhythm, it is feasible to include even more variants, double various bass appears or add some high audios someplace. One, two, three, four ... At a faster pace, the rhythm can sound like this. In this video clip, we'' re going to cover one of the most undesirable and also widespread rhythms ever before, which is called the Backbeat. It'' s a 4 beat rhythm and it goes like this, one, 2, 3, four. Dun - After that - Dun Dun - After that Dun - Then - Dun Dun - Then Dun - After that - Dun Dun - Then As you can probably hear, that high noise is always on the 2nd and fourth beats. Dun - Pak - Dun Dun - Pak On drums, this is the sound of a drum.It ' s an accented loud sound, and no matter what happens around it, the second as well as 4th always have this high accent. It doesn'' t noise so unimportant any longer.

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Peter Szendofi: Drum 'n' Bass & Jungle Grooves - FULL DRUM LESSON (Drumeo)

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(vibrant drum songs) (stable techno drum songs) - Well played, guy, well played. There'' s a great deal of energy because. - Thank you. - Ladies and also gentlemen, Mr. Peter Szendofi. - Hi. - Ya. Guy, Hungary'' s obtained a. whole lot of excellent drummers. You ' re not the initial Hungarian. drummer we'' ve carried Drumeo. -( laughs )Great, cool. -However if you guys wear'' t. recognize that Peter is,'I ' m delighted to introduce you to him and also hopefully you end up being a fan since his drumming. is really energised; it'' s really, extremely

. well-played,'too.He ' s done a great deal of. things in his life. You ' ve been in over 130 cds, you ' ve done a great deal of stuff with, you ' re a seeing instructor,. I guess you could say, at the Drummer'' s Cumulative. - Yes'.- You ' ve also won what. they call in Hungary The Golden Drumstick. Award in 2003 as well as 2004, which resembles ideal. drummer in Hungary. - Wow, yes. - Which is a substantial honor, male. - Yes, that'' s it.- So you understand your things. You additionally play in a. pair bands, also. Currently the first song you. just bet us now, what ' s the tale behind that? Is that your band?- This is a brand-new. song which will appear on my upcoming solo CD which will certainly release. in some weeks, I believe in 21st of March. - Okay. - So, that'' s my new and. Very trendy. have some terrific musicians, like Will Lee on bass and also. George Whitty on keyboards, and also numerous other Hungarian. excellent musicians.So I ' m so satisfied

. to introduce that CD and also play this workshop. as an initial introduction tune. - Ya, give us a little. taste of what'' s comin '. - Ya, ya, ya, ya. - If you guys are. watching this'on YouTube it ' s probably currently launched. so go and check it out As well as if you want to follow Peter, your primary means of interacting is via Facebook you claimed, your Facebook page. - Ya, ya. - Which is just. facebook.com/szendofi, I think. - Yes, ya.

- So make certain you go and. follow him on there too. And also a big many thanks. to the enrollers for. assisting bring you out. We got Remo, we obtained Tama, Regal. Pointer, Humes & & Berg ' s cases. So ya, a significant thanks to you people for assisting out with. - Ya, ya, ya, ya, ya I enjoy it. It'' s a lovely package. - You got 2 truly great entrapments. - Ya, thanks. - Really, extremely great. And also if you individuals. are seeing this on Facebook or you'' re. enjoying this on YouTube as well as you like what you'' re seeing, we do this type of. stuff constantly within Drumeo Edge. We additionally are going to be recording a distinct training course just. on drum and also bass as well as forest grooves with Peter that'' ll be unique. just to Edge members, as well as a meeting. asking him some concerns, as well as a Q & & A session. So if you people like. this, directly over to Drumeo.com and also authorize up.You can get a totally free test. at Drumeo.com/ trial as well as take a look at what. Let'' s obtain to the lesson.- Jungle grooves and drum as well as bass. Currently there ' s a PDF. of little exercises or a number of grooves. that he'' s gon na show. Additionally, the trendy point. regarding this lesson is all the'tunes you ' re. gon na hear Peter play today are gon na be offered. as play-alongs in Drumeo in the close to future.So it '

s extremely great,. - However allow'' s begin out. - You understand, it'' s fascinating. It ' s a rather brand-new point. The first is from the late '' 60s. sort of funk grooves with various types of accents, not only to play. the 2/4 backbeats, however they began to play, they began to. ' 80s as well as the very early '' 90s, the DJs started to. And they began to place a specific groove. That ' s why they got. - Ya, since it ' s cut. and reduce as well as cut up. - Ya, so they. changed the accents on the kick drum as well as the. hi-hat and also the snare drum. That'' s why when we pay attention. to a groove such as this, it seems like a big turmoil,. simply'like a big jungle. That ' s why they call. it forest grooves due to the fact that you can hear. a two-bar phrase or a four-bar phrase. or eight-bar expression, however the accents are. much like a drum solo. It seems like there is no, any kind of clear system,. like how to do it. Actually, when I. play forest points, my forest having fun, as an example, in the very first song what you could hear, those. are 95% of improvisation in between these accents. - No kidding? Ya, ya, fine.- Ya, ya, ya.So, since it provides me a great deal of freedom, however the other various other point first of all, I had. So the difference in between the. Bass groove, it ' s like ...( steady drum musicSongs? It ' s like one, 2, 3 ,.( stable drum music )In the slower pace, like. ( sluggish drum music) Right? If I would certainly say like, alright,. I wan na alter the accents, I'wan na transform the accent. of the 2/4 backbeats as well as perhaps I wan na put the notes of the kick. drum to one more location, so I ' m just gon na. replay the entrapment as well as the kick part.It appears like this with. a very same component, like ...( stable drum songs) Right? So I play primarily. the very same, like ...( consistent drum music )- Gotcha, ya.- Right? So, this'is the difference. If I play drum as well as bass. BPM, until like 220, 230, I wear ' t recognize. That ' s a large obstacle to keep the correct time. playing continuously during six, 7, 10. mins within one song in fast tempo. So, allow me give you people. The initial groove,. I attempt to pick five different grooves from the quite extremely. -Advanced, ya, fine. - So, the very first.

audios like this. Let me reveal you in. slow pace first.Like one, two, 3, 4.( sluggish drum music) Right? A bit much faster.( constant drum music )A bit more much faster. (quickly drum songs) A little bit more faster. (vibrant drum music) A little bit more quicker. ( rapid drum songs )Right? So, that was the very first. groove which is quite simple. For me, when I start to practice the drum with forest points, I had two things what I. had to figure out a great deal. The very first was the dynamic level. When I play, for. instance, funk blend or Latin or jazz things I was exercising during last three years to play as vast. vibrant array as is feasible. When I play ghost. notes, that should be simply an actually a. tiny little notes because we have no outright notes, outright. pitch on a drum collection, yet we have a substantial dynamic. degree what we can make use of. So, to make music in the various other designs, we actually have to utilize. a massive dynamic variety. But when we play the drum. and also bass forest things, it'' s not feasible because if I would certainly. play the exact same groove what I showed prior to with the dynamic. level and also wording, if I play, for instance,. a normal funk tune, it appears like ...

( sluggish drum music) (relocations right into steady drum songs) It appears even more like. fashionable something, not like a drum and also bass. If I transform, if I. press the dynamic degree similar to this ... (stable drum music) That seems like an actual. drum and also bass forest groove due to the fact that this kind of digital songs, we have totally. various method and also the feature of. the drum set playing in this sort of songs. is completely various. That'' s why I turned to this kind of. songs concerning 10 years back, due to the fact that I could locate a. entirely different course for my having fun and. they were so amazing to be in a completely. various part, remain in the music,. than if I played funk or combination stuff.And likewise, so when I play these things I have much less vibrant. possibilities on a drum set, yet I can utilize a great deal of. results, a great deal of noises and likewise a great deal of. When I play a forest groove, it'' s primarily, a drum solo can be, since I alter. So I try to produce interesting. That ' s why I use. In fact, at home when. I do workshop recordings I utilize in fact 4 snare arrest. - For this type of songs. Like one, two,. 3, there ' s this snare drum below and also here. As well as I make use of just one floor tom due to the fact that this music requires a great deal of. different snare seems, a lot of different cymbal appears since the DJs produce. this type of songs with a great deal of pre-created.

patterns and loops as well as drum beats with. different effects.So if I would certainly simply make use of one. hi-hat and one flight cymbal, perhaps there wouldn ' t be sufficient. So that ' s why I try to utilize different stacks. as well as various cymbals, two trip cymbal since, since that kind of music. really needs these things. Okay, let me offer you. There'' s a little variation in the second fifty percent. It sounds like ...( sluggish drum music)? (rapid drum music) I also can play the exact same groove, in for example, a. different snare drum. numerous possibilities to transform the area of the. right-hand man and the left hand.Okay, this

groove is a. little similar than, for instance, if you pay attention to the late '' 60s and also. early ' 70s recordings from James Brown or Allman. Bro or these bands, I made use of to listen to a great deal of Clyde Stubblefield stuff. You understand, I'' m certain. most of you individuals understand the really famous groove, this is the cool. drummer groove, which is really a truly popular. lick for the DJs to remove and also. speed up the tempo and develop a completely different chaos-oriented groove by the straightforward elements. of this groove.So it sounds like ...( slow-moving drum music) Alright? So this is basically. a funk groove, however Clyde transformed the accents as well as also, he played. various things on a hi-hat, not only eighth notes or not just sixteenth notes, yet he alters the accents. in between the kick as well as the snare as well as the hi-hat. So that'' s why it ' s. so fascinating stuff. The various other thing from. Clyde Stubblefield, what I used to listen. to a lot which is a common break beat or. fundamental of the jungle grooves because he repeats. once again, the accents in between the snare. drum as well as the kick. This is the groove of the tune Cold Sweat which is a popular. James Brown song which seems like ... (stable drum music) Right? So he did primarily. the same things while the DJs did later.So he was definitely wizard in terms of the groove playing and also this sort of rhythmic part. So allow ' s see the next groove which is a'two-bar. expression in fact, and also it likewise consists of a little changing in terms of accents,. so it appears like, in slow-moving pace similar to this ...( slow drum songs) Right? So when you guys. pay attention to it first, that can be a. little bit complex since the area. of the 2/4 backbeats are gon na be changing.So it seems like one,. 2, 3, four, and ... So I place the second entrapment drum accent, in fact for the one,. 2, 3, four, and also. So like ... (slow drum songs) Right? So this part, like, it ' s duplicating three. times, like ... (sluggish drum music )Right? -Okay, I get it. Ya, ya, ya. - To make sure that ' s a kind of, if I can claim a. 3 versus 4. Like if I play at'. a quicker pace, that seems awesome, like ... (consistent drum songs )Right?- Extremely trendy. You obtained ta show us that. on the various other entrapments as well. - Ya. (steady drum music) -That ' s so trendy. - Likewise, the other. referrals for every one of you guys that. wish to begin to exercise the drum and also bass. jungle points is to be really, really client. and invest a whole lot of time with the slow-moving time exercising, due to the fact that in this sort of songs we have to be additional cautious. of the moment playing.So it ' s not feasible. to play the beats a little behind or for instance, a. little bit rushed from the first and also second and also third and 4th. quarter notes. Due to the fact that generally in this music we make use of a great deal of other loopholes and programming and also. the edge of the grid. Otherwise, in a much faster tempo. there will certainly be a substantial turmoil--- Ya, make sure. that spacing'' s there. - As well as this very long time. exercising at slow-moving tempo, we really require to get to the faster tempos. As I experienced, the quick pace having fun. will come immediately when we invest a little bit of time with the various. grooves in a sluggish pace.

- Cool. - To ensure that'' s why I would truly suggest you. If you individuals would be unpatient as well as after like 20 minutes simply. intend to quicken the tempo to 100 to 180, your. muscle would certainly be tight, your concentration. would resemble difficult, and you individuals will certainly obtain low. To ensure that'' s why I actually spent two or three years. from the starting to exercise drum. and bass things, when I did the initial. cd, when I played really a genuine drum. and bass jungle grooves since it--. - Requires time. - It really takes time to concentrate on the beats. and also the concentration and also the technological. - Which makes feeling. It'' s a rather complex. Let'' s do it. That ' s a little.- Ya, and additionally it ' s appearing a little bit like if I would certainly play a. kind of half-time. note oriented groove than a straightforward jungle groove. - So can you show us an instance, possibly do it in simply a. straight in advance time, and afterwards going right into that, so we can listen to the. distinction as well as really feel? - Yes. - Ya, ya, ya. I can play eighth notes. regularly on a hi-hat.

For instance, like ... (consistent drum songs) Right? So I played basically. the exact same groove, yet if I change. the hi-hat components, that would be an entirely. various sounding groove. So that'' s why I typically. usage improvisation. There are some typical. drummer bass licks or motions, however I primarily, I pay attention to a great deal of. this sort of music which basically doesn'' t. consist of online drumming. Due to the fact that if I listen. to it from DJs, the mind of the DJs. are completely various which'' s revitalizing of my mind and offers me a. great deal of fresh concepts since they wear'' t think. regarding the ideal hand as a hi-hat component,. the left hand is-- - Totally man, ya, ya. - plays three notes. It'' s excessive. No, they just shows as well as. look for best balance between the programmed drum. components as well as the various other parts.I received really, a lot. of wonderful suggestions from DJs. So that'' s why it ' s. so interesting to. Allow'' s do number five. - Ya, the last one, the number 5 is a little bit, looks like kind. of a direct point. So, I stop to play the. eighth notes continuously. So it seems in slow-moving tempo. like one, 2, three, 4 ... (sluggish drum songs) Right? As soon as once again in an additional--. - Do it once more really sluggish, '' cause this is a. pleasant seeming beat. - Okay, one, 2, three, 4. (slow-moving drum songs) To play this sort of linear beat oriented. drum as well as bass grooves, it'' s far more hard. than when I play a drum as well as bass. groove for instance, with a straight. 8th notes like ... (constant drum songs) Because similar to this, I have my click track. really on the appropriate side.So I can listen to continuously. the downbeats, however similar to this, it'' s not possible because I play virtually constantly. the 16th notes in between the. kick as well as the entrapment, as well as the snare and also the hi-hats, so it'' s switching over continuously. So it sounds like this,. (constant drum songs) A bit extra quicker. (vibrant drum songs) Or perhaps right here. I'' m trying. - That is so amazing. (laughs) - So that'' s why I claimed like these type of grooves in actually rapid pace, for me, is far more. challenging for my mind, not like my hands and also feet. So, I believe to play. quick tempos as well as by the hand side or feet side, that'' s. possible in 200 BPM if you are simply. have to play like single stroke rolls. in a pad or something.But to play this

kind. of linear grooves-- - Oh, it ' s so hard.'I was gon na state it ' s. deceptively hard. Like, you wear ' t. assume it ' s that hard, but you rest down, not only. To obtain the patterns taking place but to get the. Area in between the notes and after that additionally to get the. ' Reason I got a pair. questions for you after. These beats are wonderful. -Okay. - You people, see to it. you exercise these. You have to enjoy it over once more, that'' s absolutely cool down ' reason. there ' s a whole lot happening there. However let ' s obtain you to. play us another song and afterwards we ' ll reach. a few of the concerns like how do you. establish that rate, just how do you tune your drums. to seem like drum and bass. I obtained a couple of concerns. from the participants as well. So what song do you desire. to bet us next? - The next tune called Take One, that'' s. a really rapid one. That tune I assume is 220 BPM. - Hoo! - Which groove. has generally only. single stroke rolls since it'' s too quickly to play, I imply for me. - No uncertainty. (laughs) - Also fast to play. any other variations.

- Awesome. Well that'' s sounds--. - It'' s fun.- Let ' s take a look at Take One. - Ya, ya, Take One. - Alright, joys. ("" Take One"") That was astounding. - Thanks. - You had to be so loosened. to be able to play that at 220 beats per minute. You felt like you were pretty. chill during, man. - Ya, you recognize, as I said, it'' s a lot a lot more hard for me to keep the perfect equilibrium. between the 16th notes. - No question. You ' ve been in over 130 albums, you ' ve done a whole lot of stuff with, you ' re a checking out trainer,. That'' s why it ' s. so fascinating things. (steady drum music) -That ' s so coolAwesome Like, you wear ' t. think it ' s that hard, yet you sit down, not only. You have to enjoy it over again, that'' s completely cool ' cause.I have a difficult enough time doing that at 180 beats per min, you'' re doing it at 220. - Thanks. - However I got a bunch of questions for you if you wear'' t mind.- Sure, certain, certain. - Something simply for myself, for those who are curious about this design, I understand it'' s not like there ' s a great deal of top 40 drum as well as bass tunes out there. So what sort of bands do you advise we look into if we want to dive into this style much more? Or artists, or drummers also, as well? - I would certainly offer you two examples.The very first is Jojo Mayer ' s. playing, obviously. And after one of the programs we went to a disco. As well as Jojo said to. me, he was cigarette smoking, and also he paid attention to. that type of songs which at that time. for me was so boring. Like a (mimics drum rhythm). This kind of thing,. and after that he said to me, he really feels something. with this music and also he will certainly do. something actually fresh with this sort of songs, and also I definitely. didn'' t comprehend it. Like what do you indicate,. what do you intend to do with this type of music. But then when I paid attention. to his recording I determined to begin. to play these things.That was around 2005, 2006 and his band is called Nerve. They play the very same. example with a DJ, a key-board. player, a bass gamer, as well as the drums which'' s. an actually progressive, hard-edged, digital. blend music. - Type of tribal. based, tribal things. So Jojo Mayer, the band Nerve. - Ya, he'' s great.- Maybe another suggestion, another band that you recognize of? - Ya, the other one is. actually a bass player. His label is Square Pusher. - Okay, can you spell that? - He'' s a great.

DJ as well as bass player.He does live programs. with a great deal of laptops and bass guitar. And he does the cutting of the. loopholes and also editing and enhancing as well as to play bass in online. circumstance, in actual time. That'' s wonderful.-'What ' s his name once more? - Square Pusher. - Square Pusher? - Ya, Square Pusher'. - Okay, obtained it.- He ' s great. I bought almost 20 different. recordings from him. He ' s rather prominent considering that. the late ' 80s, early ' 90s. So he has at the very least. 25 recordings, and also I truly advise. every one of you men to pay attention to Square Pusher because in his albums there'' s no any type of pre-created. or downloaded loops.Each of the notes

was created by Square Pusher.- Really awesome. - To make sure that'' s fantastic. - Extremely trendy. Certainly examine out. those two teams. I know I'' ve paid attention. to a whole lot of Nerve and Jojo'' s an. incredible drummer. Hopefully we'' ll have him. on Drumeo eventually, yet a couple more. questions for ya prior to we finish up, '' cause. we ' re obtaining near completion. There'' s a whole lot of. inquiries in below from various participants. that are all very comparable and the one inquiry. I keep seeing a whole lot of so I'' ll ask you is what kind. of strategy are you using to obtain that type of rate while. you still look really loosened? Can you simply maybe. chat a little bit, or maybe offer a. couple pointers of how drummers that wish to. enter this style can keep their tension down and also. to get these type of speeds? - Really, I put on'' t utilize any complicated things.I don ' t usage primarily,. a Moeller or a push-pull or this kind of points. I play essentially, easy. That'' s it. I never play by muscles. extremely loosened and relaxed. Otherwise, like 85. of my concentration would be to play out somehow. the important things by muscles, by arms. So I try to have fun with wrist as well as fingers as high as is possible. I play actually with these beats basic stickings,. like singles, doubles, some paradiddle things. I additionally did practicing. like to play right-hand man basic 8th notes, and also during this. playing I attempted to change the solitary and also dual. beats of an entrapment drum. Simply like, if I would say like, like I play 8 8th notes. One as well as two as well as 3 as well as four. (slow drum music) Right? So these little elements,. these little pieces are the actually essentials of the truly speed tempo. Additionally, I'' m certain if you. people spent enough time with the sluggish time practicing and also you would be added mindful of your hands as well as feet.Like no any

pressure,. wear'' t choke the sticks since that would certainly be a catch. It'' s not feasible ... - I like that. would certainly be a catch. - It'' s maybe possible, yet. I would certainly be suffering a whole lot if I would certainly have. to play by muscles in these rapid tempos. - Which makes sense. It'' s very loose grip, especially due to the fact that you do it. done in standard hold also, which is truly crazy. But we'' ll dive a lot more. right into your technique in the training course that we'' re gon na. be recording for Drumeo Edge. And also if you individuals watching this, we'' re gon na do a Q & A tomorrow so you can dive in to. the more technological side of your strategy therein. Yet the other question. I get a great deal of is your tuning and also. your set up for this. You talked a little bit. regarding having 4 snares on your recordings in the house. Can you discuss why you. have your setup similar to this and maybe why you chose the. adjustings for your snares? - Because I think in. this kind of music we need to use different. type of snare drums because a lot of the. time, similar to this music doesn'' t consist of. any long drum solos or something like this.I did a drum solo right. now in the first tune and also I will certainly do one. much more in the last tune. That'' s why I make use of. 3 toms right here. However really, when I. play these type of beats, I indicate,'it ' s not necessary. to use 3 toms since this music. needs far more like even more best cymbal sounds. and also a lot more hi-hat noises as well as even more arrest drum audios. Perhaps even more kick audios. I additionally utilize some triggers during. the recording sessions to blend it, the electronic trigger sound with the acoustic kick. sound and also a snare also. So, primarily this. is the factor. So I typically play. like one entrapment drum, two as well as three and four when I do drum bass recordings. And also just one floor. tom here, that'' s it. -Very great,'ya. Well, I ' m delighted to see what you ' re gon na. offer us tomorrow and also I ' m thrilled to see. you play one more song for us if you put on ' t mind. It is nearly five so we ' re. gon na wrap it up there.- Okay.- A whole lot even more questions came, yet we'' ll do that. tomorrow for the Q & & A.Just intend to thank. everybody for seeing. Hope you obtained something from it. I absolutely got. influenced to intend to enter this design of songs a lot more. - Thank you. - You understand, every single time I'' m. on your electronic drum set, you scroll to the. drum and also bass point as well as you'' re like oh , I. desire I can play this, yet I can'' t so I got ta. practice it much more. So really cool beats,. thanks very a lot. - Many thanks significantly. for having me right here. That was an excellent. satisfaction to'be right here. It ' s a gorgeous location. as well as everything is perfect. -Well, thanks. You ' re constantly welcome,. always welcome back right here. Make certain you follow him. - Yes, that'' s right. -Yes, alright so'we ' re gon na. What'' s the song called? - This tune is called. Shotgun Technique. -Ya, Shotgun Method because I have a band,. That ' s actually a dual development with an excellent keyboard gamer. as well as rap artist individual from Hungary. As well as we did our last recording which was taped in Brooklyn. a number of years prior to as well as we took like. two or 3 draws from this tune.And every one of

the takes include some big errors. And also we claimed, to the audio man, okay, let'' s do another take. And also he stated, "" Okay,. shotgun approach."" As well as we similar to it. - There ya go. - To make sure that'' s why this is it.- Those are often the most effective stories when it comes. to the studio, recording. - Ya, ya, ya, definitely. - So, again, many thanks. every person for watching.If you individuals like this go. to Drumeo.com as well as register. Also, for those. who are watching, all the tunes that he played,. or Peter played, sorry, in this lesson are gon na be. offered as a play-along so you can attempt what he'' s. doing on them as well. So, hello. - Thanks very much. - No, thanks. - Many thanks. - We'' ll see you men later. ("" Shotgun Technique"". by Loop Doctors) ♪ Just listen to the groove. of the bass and also the drums ♪ Defeating a sonic. path, currently right here it comes ♪ The art of organizing. sound to the restriction ♪ Thin airwave design. within a five- minute blueprint ♪ Restrict the aesthetic ♪ Free your mind, allow. go of the usual idea ♪ See the music expand. graphics in your mind ♪ An unique individual blind ♪ Right currently all you. requirement is imagination ♪ Some inspiration, association ♪ Noise is open to. interpretation, a. sonic sensation ♪ Step up to the abstract plate ♪ Open the gateway, never ever underrate ♪ The psychological power. of critical ♪ Intercontinental music ♪ Which component is fundamental (dynamic drum music). - He ' s fantastic. - Really, I put on'' t utilize any challenging things.I don ' t usage generally,. Well, I ' m excited to see what you ' re gon na. It ' s a stunning area. That ' s really a double development with a great keyboard player.

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Drum Teacher Reacts: Flo Mounier - Drummer of Cryptopsy

https://www.youtube.com/embed/zULwEJ_F4RE

speak about one of the godfathers of steel. drumming lord of the rings then he would be gandalf variation where he switches from playing. with the right-hand man on the hi-hat to the snare and put on'' t forget the lord of the rings. allegory if Flo Mounier is gandalf because tale who'' s marthyn drumming community today we'' re gon na. speak about one of the godfathers of metal drumming yes we'' re gon na chat about the one as well as only. Flo Mounier of cryptopsy in this image right below you can see from entrusted to appropriate eugene ryabchenko. myself ken bedeni kevin paradis as well as the one as well as only flo mounier was a huge impact on every. drummer on that photo possibly also himself if you compare this photo to the fellowship of the ring. lord of the rings then he would be gandalf and i would certainly be i put on'' t recognize so you can comment listed below. the character that you think fits best for me as well as wear'' t write smeagol alright okay so. let'' s start enjoying some flo mounier at work yes indeed okay i have to quit already alrighty. so this is the quintessence of cryptopsy their success formula and also this hasn'' t. altered from the initial document to now in cryptopsy they have the ability to integrate full mayhem like. you heard it in the beginning like there'' s a lot stuff occurring if you hear it for the. very first time in fact you wear'' t actually recognize what'' s happening because there ' s a lot. stuff happening and right afterwards it introduces this ahead driving hostile. component so it leads from turmoil to aggressiveness and after that at one factor back to disorder again so. let'' s listen to the introductory part once again mayhem as well as now by the method right behind flo sitting there is. rafael that'' s the mastermind of drummers from hell reveal his network some love due to the fact that. this video clip is from his youtube network and also i enjoy the vocals yes i actually. do ah let'' s listen to that fill once again one point that'' s actually interesting'about. flo ' s drumming is that he ' s coordinating his drum fills out a really fascinating way so. let ' s pay attention to this fill again in slow movement so this basic fill in sluggish motion resembles this most metal drummers including myself would certainly just. coordinate this fill on entrapment as well as tom'' s however in his case he likes to integrate the hi-hat rather. commonly in drum loads like in this one one various other variant that you can see on a regular basis is when. he'' s playing a mid tempo blast beat like this he likewise suches as to switch primarily a. solitary stroke roll in between right as well as left hand he suches as to switch from the. hi-hat to the snare with the appropriate hand from the snare to the hi-hat the. elevation off beat on the left hand so actually fascinating orchestration. right there alrighty let'' s proceed axis a long boards pearl devil drive beaters right below you can see that he'' s struggling a bit. with the dual bass component perhaps he'' s not warmed up up yet you can see that specifically with the left foot. he'' s shedding touch with the footboard with both his feet are sliding back as well as currently you'' re going. to see the brilliant of flo mounier fine maybe he'' s not heated up yet takes place to every person and currently. he simply changes technique quite effortlessly he simply switched over to heel toe and the really fascinating stuff is that obviously. this was not planned to switch from normal single strokes to doubles maybe he was not ready yet. heated up of whatever we will never understand that just tells you just how sophisticated this guy is just changing. from singles to heel toe like it was absolutely nothing let'' s listen to it again and also pay attention very closely to the kick. drum since the trendy component lacks the video clip i personally i believe you wouldn'' t be either be. able to hear the difference in between his single strokes kicks as well as the heel toe kicks cause the. drum running start at stopping placement yeah allow'' s talk concerning that sticking right. there allow ' s listen to that a person fill once again yeah that'' s the one so the fundamental basic. behind this fill is a flam accent a little bit much faster so you can see it right here this aspect. in cryptopsy frequently additionally in other bands like spencer from archspire uses this one frequently. so allow'' s discuss this sticking this rudiment on the method pad arrangement of course got my green smoothie. i wish to remain healthy and balanced right alrighty alrighty so let'' s discuss this. fundamental sticking or aspect the flam accent so this basic is based upon triplets right. left right left ideal left appropriate left left so in the starting you obtained the flam with your left as well as. the accent with your right and also right below you got another accent with the left and the flam played. with the best hand so consolidated seem like this so if you wish to practice that as well as if. you desire to play it like flo mounier in this example you need to play this flam as a. level flam so you wear'' t struck one after one more such as this yet you hit them at the exact same. time the level flam seems like this as well as then last active ingredient dual kick. so whenever you hit the pad you additionally have fun with your feet so the hard part regarding. this basic especially if you play it as level flams is that you want to strike at the specific. exact same time with right hand left hand and also the kick when you obtained the basic sticking. down you just increase the pace one final point that i would certainly such as to include is that. in this example flo played it in a 3 over four feeling so he didn'' t play it in a triplet. subdivision but in a 16 note community so if the pace was like this 3 four one. two three so he didn'' t play those triplets yet he played a bit much faster as well as a 16 note. community sounds like the same sticking trendy aspect of this aspect or sticking. or this little method right below is that you obtain a great deal of gas mileage out of it you can use this. on cymbals on toms you can play it in a 3 over 4 sensation and more alrighty allowed'' s. head back to the drum package once again there are countless possibilities keeping that sticking you. can manage it on the cymbals as an example the awesome aspect of that basic is. when you obtained that standard sticking down there are simply two various other variations which open up. unlimited opportunities right currently i'' m speaking about that quick blasting things that you listen to with archspire. as an example frequently with cryptopsy also if you wish to discover more regarding these three. simple mixes and exactly how to initial method them and just how to apply them to the drum package then. see to it to check out the complete lesson at the drum method academy subscription zone simply register. at drumtechniqueacademy.net okie dokie allow'' s proceed i like the vocals i know a few of you dislike. him but i like those vocals he'' s amazing once more simply really feel right there you might. see this traditional blast beat variation where he switches over from having fun with the. right-hand man on the hi-hat to the entrapment as well as left hand from the snare to the hi-hat. allow'' s see that a person once again actual quick this blast beat variation is likewise actually. fascinating i'' m discussing this set essentially triplet subdivision initially. the hands played with each other together complied with by kick kick right. left hands left hands right left if you have a difficult time completing. those voids in between the hands with your feet to ensure that you obtain this. triplet class'' s outcome something that i truly like. to do is i begin with a routine bomb blast which goes something similar to this so primarily you'' re playing your hands. as well as your right foot are playing together and after that you complete the spaces with your left foot. when you obtained that down and also it'' s tight after that simply try to postpone the appropriate foot a bit so the. right foot strikes right after your hand once it'' s limited it appears incredibly fast as well as insane but once again not. that very easy to play that tight alrighty allow'' s continue once more the variation blast typical. blast rate switching from high head to snare once again this blast beat variant. and now i have an active blast in fact that was not a hyperblast. it was a routine hammer blast again single strokes intriguing orchestration so amazing flo mounier thank you so much for the. years of ideas i still remember enjoying his initial dvd that was greater than 10 15 years earlier. his dvd on dual bass as well as hand method so if you sanctuary'' t got that go inspect it out joys to. flo mounier and also thanks so a lot alrighty drumming area make certain to inspect out the complete lesson. with those 3 sticking mixes at the drum method academy subscription zone you can. locate the web link below drumtechniqueacademy.net don'' t neglect about the lord of the rings. metaphor if flo mounier is gandalf because tale that'' s marthynand incidentally who'' s eugene which. personality is eugene in that one alrighty drumming neighborhood that'' s it for today ' s video i ' m gon na. see you quickly make sure joys from vienna au revoir.

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The Importance Of Music To Africans

The Music of Africa has been around since the dawn of time. It has survived many changes and can be found in many forms today. From the rhythms of the drum, to the sounds of the flute, music has always played an important part in the lives of Africans. In fact, the word "music" comes from the Latin word "musica", which means "making". This makes sense when you think about it because music is so much more than just a bunch of notes or sounds.

In Africa, music is used to celebrate life, death, love, friendship, peace, war, and other things. It is also used to teach children about life, love, and many other things. Many people believe that music is the most powerful thing in the world. This is why it is so important for Africans to have access to good music. They need to hear the sounds that will make them feel better. They need to hear the music that will help them learn. They need to hear the beautiful music that will help them heal their hearts.

Music is very important to Africans because they are able to express themselves through it. They can use music to communicate with others. They can use music to show others how they feel. They can use music to tell others about what is happening in their lives. They can even use music to get others to listen to them.

Many people have said that music is a universal language. This is true. All humans understand music. We all respond to it. When we listen to music, we feel good. We feel happy, peaceful, and strong. We also feel sad, lonely, and weak. Music can bring out these feelings in us. We can use music to communicate with each other. We can use music to connect with ourselves. We can use music to help us relax. We can use music to make us feel better. We can use music to heal us. We can use music as a way to express who we are.

Music is important to Africans because it helps them feel better about themselves. It helps them feel stronger and more connected to their emotions. It helps them feel happier and more confident. It helps them feel less lonely and more loved. It helps them feel more peaceful and less stressed. Music can make them feel like they are alive. It can make them feel like they have purpose. It can make them feel more connected to their spirituality. It can make them feel closer to God. It can make them feel stronger and more powerful.

Africans are known to have a very strong connection to their culture and their religion. They believe that everything they do has meaning and significance. This is why music is so important to them. They use music to help them find their place in the world. They use music to help bring out the best in them. They use music to connect them to their ancestors. They use music to teach them about life, love, and other things. They use music to teach others about life, love, and so many other things. They use music as a way to heal themselves. They use music as a form of therapy. They use music to make them feel better about themselves.

Music is very special to Africans because it is a gift that they were given by their ancestors. They feel connected to their culture and their religion because they were taught about these things by their ancestors. They were taught about music by their ancestors. Their ancestors passed this knowledge down to them. They learned how to play the drums, the flutes, the guitar, and other instruments from their ancestors.

Music is very meaningful to Africans because they know that it was created by their ancestors. They know that their ancestors had a purpose for creating it. They know that their ancestors wanted them to learn about life, love, and all the other things that are important in their lives. They know that their ancestors created music to help them feel better about themselves. They know that music helped them connect with their spiritual selves. They know that music helped their ancestors teach them about life, love and other things. They know that music helped make them feel stronger, happier, and more confident. They know that music helped to make them feel less lonely and more connected to others.

Music is very powerful to Africans because they know that they are connected to their ancestors. They know that music is something that they were given. They know that music is a gift that their ancestors gave to them. They know that music is the voice of their ancestors. They know that the music of their ancestors is still inside of them. They know that the music is still alive and well. They know that the music can help them heal their hearts and minds. They know that the music will help them feel better about themselves and about life. They know that the music and the music alone can make them feel better about themselves and the world. They know that music can help them connect to their spirituality. They know that music can give them strength and power. They know that music can make them feel more confident. They know that they can use music to help them connect with others. They know that they can listen to music and feel better about themselves.

When Africans talk about music, they are talking about more than just music. They are talking about life, love, and spirituality. They are talking about healing, hope, peace, and happiness. They are talking about connecting with their ancestors. They are talking about finding their place in the world. Music is the voice of their ancestors.

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Kelsie Dolin's First Time Singing For People And She Makes Lionel Richie Cry - American Idol 2022

https://www.youtube.com/embed/BnC2Khkxo9o

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african instruments

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Gimme Shelter (The Rolling Stones) feat. Taj Mahal | Playing For Change | Song Around The World

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Musical Instruments Vocabulary - Names of musical instruments in English

https://www.youtube.com/embed/BTznZSTEceY

The girl is playing the groove. The male is playing a saxophone.The crocodile is playing the drums. The frog is playing an electrical guitar. If you did click like as well as subscribe to our channel so you understand when we produce brand-new videos to assist you improve your English. Have a remarkable day! you. The woman is playing the groove. She is playing a French horn. The guy is playing a saxophone.The crocodile is playing the drums. The frog is playing an electrical guitar.

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Instrument: Piccolo

https://www.youtube.com/embed/ivQpiJos1Sw

hi I'' m Keith Bragg as well as I'' m the piccolo gamer in the your band this is my tool the piccolo it'' s the tiniest instrument in the flute area and also it'' s approximately half the length of a regular concert groove the notes that it plays are an octave greater than those of the show flute as well as it'' s a shifting instrument which means that when you continue reading the stave say a C the third area of the treble stave and play that the note that is really heard is an octave greater to ledger lines over the stave it has 3 distinct colors of register the reduced register is soft as well as mellifluous between register it comes to be instead sprightly perky rather rather and also then in the high register it can come to be extremely strident and also actually can reduce with the sound of a whole Band having fun at full blast and also add a type of edge to the sound it'' s truly an instrumental tool much more than a solo instrument there are some solar works written for the piccolo but in culinary terms I think about the piccolo as resembling the seasoning in the band like the chili as well as whereas people would love to eat a meal that has chili in it they'' d rather not eat a dish which is completely Chilean therefore I believe it goes to its ideal when played in the symphony orchestra it'' s made of african blackwood as well as the secrets are silver and also although it'' s in the groove family members as well as it'' s half the length of lute is really really different to the groove in terms of construction due to the fact that the concert groove has a round body and a conical head which tapers and also the piccolo is the opposite way around the head is cylindrical and the body tapers and so boils down to a thin factor there it simply flares at the end so although it looks exactly the exact same it'' s really rather different individuals have attempted to make grooves on the very same boars Piccolo'' s on the same birthed as a flute regarding state with a cylinder body and once it does a whole lot of points effectively it simply doesn'' t fairly play harmonic in addition to this this old system which is essentially from even more back from when the flutes were made in in the 18th century which was this was the way they were made as well as no one'' s truly took care of to come up with a schematic for the for the body of the flute of the piccolo cylindrical II which works also the embouchure is very similar to the flute as well as that'' s really similar to blowing across the top of a container so if you primarily cover half the top of a container with your reduced lip as well as impact against the contrary side you produce a fipple which splits the air and also starts the air shaking which'' s just how the audio on the groove is made and the Sam on the piccolo'is made in the same way you ' re just covering a few of this hole as well as blowing versus the opposite edge some people believe the piccolo ought to be had fun with a much tighter embouchure since it'' s smaller sized I rather preferred the technique which where you simply apply virtually the exact same embouchure that you utilize on the flute to the piccolo and also generate the sound this way when I was 12 I was asked in a college class what tool would you like to pledge you might play any kind of one and also I put my hand up and said the piccolo and also they stated well you you can'' t do that you can ' t discover the piccolo first you need to begin with the flute because that'' s the means people are educated always on the groove first so at some point I began the groove much more or much less neglected about the piccolo and throughout my university years you understand was a groove gamer and simply looking to be a groove gamer yet I wound up getting a work as a piccolo player in a ballet Orchestra the Bally arsenal is really particular and has a horrible lot of piccolo solos in so this was the excellent task in which to find out to become a specialist piccolo player as well as at some point I did as well as the job in the philemon you turned up as well as I auditioned and got it and afterwards it type of hit me then that that had been my starting factor when I was 13 when I first sent my hand in the air to say that was the tool I intended to play there'' s that there ' s an old adage it ' s the the the standard duty of a piccolo due to the fact that you get a lot of remainder there are a great deal'of times when you'' re not playing when you ' re just counting the ball and also after that you'obtain these little rushes where you ' re unexpectedly extremely audible and also the old expression is that you'' re either frightened to fatality or burnt out to fatality as a bit latter since you'' re checking you recognize you can be counting for ages yet after that when you in fact play it'' s type of fairly frightening if you take the complete symphony of Tchaikovsky you do not play in the very first 2 motions in any way the initial point you plays in the Scherzo as well as it'' s an extremely hairy solo that comes rattling in you require to start on the groove you need to become an excellent groove gamer first of all since the flutes the tool it'' s the type of bass instrument of the household and also it teaches you all the basic concepts of exactly how to play the groove and just how to to make the family work if you like then you require to have the chance to have experience on the piccolo and also you require to have excellent pitch because you'' re so often stuck at the top of the chord and if your pitches his method word then you truly can be very challenging there'' s comparable abilities to those of a flute gamer yet this this idea of this idea of being prepared to rest for a very long time and maintain your concentration to make sure that when you do finally come in as well as you can play your finest I suppose that'' s a relatively distinct ability that you need as a piccolo player since of this thing I was claiming earlier about the sphere being not rather so well arranged out if you like as the groove you do require to have even more adaptability in using different fingerings so because that not all the notes normally drop in the best place in the method they do rather much on the groove so hi-c for instance has a tendency to be fairly a level note unless you'' re playing it really loud so I have several fingerings for Topsy so I would start with then they'' re all that one ' s a little bit sharper or high c-sharp would certainly be each one of those is simply a fraction higher than the previous one which enables me to play the C sharp in the area it fits in the dynamic within the core without needing to do excessive with my lips so in general I'' d say you use a whole lot much more unusual fingerings on the piccolo than you do on the groove it would certainly be single tonguing with me simply saying - then double small will be that'' s going teka teka teka teka in - after that triple would be as well as then 2 against three dual versus triple will certainly be those are all absolutely standard for the groove as well as for the piccolo and also undoubtedly for the alto and also the bass the various other tools in our family members if you'' ve appreciated finding out about the tools in the band why not try our iPad application the Orchestra featuring essa Peka Salonen in the Phil Omonia Band fully interactive video playback allows you see the band from all angles and also the revolutionary beat map shows you who is playing when adhere to together with integrated scores here the within scoop in audio commentaries as well as obtain a 360 level sight of all the instruments available for download in the Application Store on iTunes

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The Love Drums at 12th & Porter #1

https://www.youtube.com/embed/-lNTer7RA8E

>>> >. Thomas & & Biko warm up djembes with the professional dancers during band established up.

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Moribayassa Djembe Rhythm: Learn How to Play 4 Patterns & Play-Along the Groove

https://www.youtube.com/embed/_E5G1dz7eL0

The drum sounds when the hawk appears with a rabbit - Nigerian claiming This is how the full rhythm appears at medium rate Now, let'' s damage it down djembe 1 Now a little bit quicker ... djembe 2 Currently a little bit faster ... djembe 3 Now a bit much faster ... Dundun & & bell Currently a little bit faster ... Drum-Along: allow'' s start by inspecting just how each drum line sits in the full rhythm Currently just keep drumming.

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Djembé - mémoire musicale africaine dance

https://www.youtube.com/embed/EhPTUwbfLHg

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How to Find a Good Drum Circle

If you are looking for ways to relax and have fun then you should consider going to a drum circle. The best thing about a drum circle is that you can just bring your own drum kit, or if you don't have one yet, you can get a kit from a local store. This will allow you to take part in a drum circle without having to spend a lot of money. Drum circles can be held at any time of day, and they can be held at any place as long as there is an area that has a lot of room. There are many different types of drum circles, and each type of drum circle has its own unique rhythm.

There are two main types of drum circles, the free form drum circle, and the structured drum circle. A free form drum circle is a group of people who come together to drum and enjoy each other's company. A structured drum circle is a group of individuals who are all playing the same beat. A structured drum circle is usually done by a group of musicians who are trying to learn how to play together. These drum circles are usually held at night, because most people work during the day. If you want to join a structured drum circle, you will need to find a local group that is willing to teach you how to play. Most groups are very strict when it comes to their members, and they will only let in people who have been trained in the basics of drumming.

There are many different types of drumming styles that you can learn from a drum circle. You can learn how to play the drums by yourself, or you can learn from a group of people. Some people like to learn from others because they like to have someone to practice with. Other people like to learn from others so that they can be exposed to a variety of drumming styles. It is important to choose a drum circle that is right for you, and that you feel comfortable with. If you don't feel comfortable with the style of drumming that you are learning from the drum circle, then you should look for another one.

You can find a good drum circle through the internet, or you can find one locally. You should be careful when choosing a drum circle because not all drum circles are created equal. You should find out what the reputation of the drum circle is before you sign up. You should also check the credentials of the drum circle before you join. A good way to check the credentials of a drum circle is to look them up on the internet. There are many websites that will give you a list of drum circles in your area, and will tell you the reputation of each drum circle. This will help you decide which drum circle is right for you.

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Why You Should Learn More About African Music

When you look up the word music, what comes to your mind? Do you think of Mozart's "Requiem" or the Beatles' "Strawberry Fields Forever"? Or do you think of the blues or rock n' roll? What about rap? Or hip-hop? Or even country music?

But what about African music?

What exactly is African music? It can be defined as the music of the African people. But it can also refer to the music of any region with African influence.

African music has been influenced by many different cultures over time. For example, the music of the Yoruba people in Nigeria is heavily influenced by the Islamic culture. The music of the Bantu people in Southern Africa is strongly influenced by the Zulu culture. And the music of the Ewe people in Ghana is heavily influenced by the Portuguese culture.

African music has also been influenced by many other cultures. For example, the music from South Africa is influenced by the Dutch culture. The music from West Africa is influenced by the Arab culture. And the music from Central Africa is influenced by the Chinese culture.

In fact, the music from each of these regions is so distinct from the others that it can be considered its own genre. For example, the music in West Africa is often referred to as "Afro-Fusion." This means that the music has taken elements from the various African cultures and blended them into a new style.

Another term that is sometimes used for this type of music is "world music." This term was originally used to describe the music of India and other Asian countries. However, it has now come to mean any music from any part of the world that has an African influence.

But why is it important to know about African music? There are several reasons for learning more about this type of music.

First of all, it is important to learn about this music because it is so diverse. Even though African music has been influenced by other cultures, it has also developed in its own unique way. It has become one of the most widely played types of music in the world. So if you want to know about this type of music, you should know more about it.

Secondly, it is important to learn more about African music because it is often associated with cultural pride. Many people consider African music to be the true heritage of the African people. They feel that it represents the best of who they are as a people.

Thirdly, it is important to learn this music because it is so beautiful. It has been described as "music for the soul." People who listen to it have said that it makes them feel good. So if you want to experience something that will make you feel good, then you should learn more about this type of music.

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How to Play the Djembe Drum

There are several ways of playing the djembe drum. It can be played using your hands, feet or both. The most popular method is to use both hands. If you want to play the djembe using your hands, you will need to have two sticks. The first stick is used to strike the drum and the other one is used to control the beat. For a beginner, the best way to learn how to play the djembee drum is to use your feet.

In this case, you will need to have a pair of drumsticks. One of them is used to hit the drum and the other one to control the rhythm. When you want to play the djembead with your feet, you should try to keep your knees slightly bent and your ankles close together. You should also stand in a comfortable position. You should avoid placing your feet too close to each other. In order to learn how to play the drum, you should first find out the basic rhythms that are used in the drum. There are several different djembe drum rhythms. You can either learn them from an instructor or you can find them online.

It is important to know the basics before you start playing the djembe. This will help you understand how the drum works and how it sounds. Once you know the basic rhythm, you can then try to create your own patterns and rhythms. You can also improvise the drum beats. However, you should not try to play the djembe if you are not familiar with the basics. You should always have a teacher or an experienced drummer to show you the proper way of playing the djembe.

Another thing that you should consider when learning how to play the djemebead is the quality of the drum. This is because you will need to maintain the drum properly. It should be cleaned regularly and you should also replace the drum head when it starts to wear out. The drum head is the part of the drum that produces the sound. It is usually made of animal skin. It is also possible to buy synthetic drum heads. These are more durable than the natural ones. The drum head should be tightened properly before every use. You should tighten it so that the drum will produce a good sound. You should also check the drum head for cracks. If you find any, you should replace it immediately.

You should also get a good djembe drum bag. This is because you will have to carry the drum around. If you don't have one, you should try to get a bag that is big enough to hold the drum. The bag should also be sturdy enough to protect the drum. You should also get a bag that is easy to carry. You should also get a good carrying case. This is because you will be taking the drum to different places. You should also get a case that is easy to open and close. You should also get a carrying case that has compartments. This will allow you to store your drum sticks and other accessories.

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African Drums

The drum is a very important part of African culture. The African people have a long history of drumming, and it is still practiced today in many African countries. The word "drum" is derived from the Arabic word "darb" which means "to beat". This word was adopted into the English language as "drum".

The drum has been used throughout the history of Africa for a variety of purposes. It is used for entertainment, as a way to communicate, as a religious tool, and as a method of keeping time. There are a number of different types of drums that can be found in Africa. Some of the most popular are the djembe, the dundun, the kora, and the talking drum.

The djembe is the most popular type of African drum. It is made of wood and usually measures about 12 inches in diameter. It is usually played with two sticks. The djembe is often played in pairs or groups. The djembe is one of the oldest drums, and was used by the ancient Egyptians. It is also one of the most important drums in the history of African music. The djembe is used in religious ceremonies, and is sometimes used during funeral rites.

The dundun is a type of drum used by the Yoruba people. It is made of wood, and is shaped like a small drum. It is used primarily for entertainment purposes. The dundun is not very loud, and is usually played in groups. The dundun is usually played during festivals and celebrations.

The kora is an African stringed instrument that is similar to a guitar. It is usually played with a bow. The kora is used for entertainment, and is often played during parties. The kora is usually played by a single musician.

The talking drum is an African drum that is used in ceremonies and rituals. It is a large drum that is used to communicate messages between people. The talking drum is usually played by a group of people.

There are many other types of African drums, including the tambourine, the sistrum, and the djembé.

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Modern Music

What is modern music?

Modern music is a term used to describe music which was created after 1900. It is also referred to as new music or contemporary music. Modern music is often used to refer to music which is popular, but it can also be used to refer to any type of music.

Modern music is usually written in Western styles such as rock, jazz, and pop. It is also very popular in other countries such as Korea and Japan.

Popular Afrika Music

Popular Afrika music is music that is listened to by many people. Popular music is usually played in clubs, on the radio, and on television. Popular music is usually played by well known artists who are popular. Popular music is usually written in styles such as rock, jazz and pop.

Afrika popular music has been influenced by many different things. The most important thing that has influenced popular afrika music is the music of the United States. Popular music from the United States has been brought to Africa through the music of American black musicians such as James Brown, Aretha Franklin, and Bob Marley.

Afrika popular musicians have also influenced popular music in Africa. These musicians include Fela Kuti, Youssou N'Dour, and Miriam Makeba.

Modern South African Music

Modern South African music is a style of music which was popular in South Africa in the late 20th century. This style of music was influenced by many different types of music. Some of these influences include blues, rock, jazz, and soul music.

Modern South African music was also influenced by the music of the United States, especially the music of black Americans.

Modern North African Music

Modern North African music is a style of popular music which was popular in North Africa in the 20th century. This style was influenced by many different styles of music. Some of these styles include traditional Arabic music, European classical music, and European popular music.

Modern North African music was also influenced by African popular music. Popular music from Africa influenced this style of music.

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White Guy Shocks Nigerians by Speaking African Language

https://www.youtube.com/embed/COhSs7o1XLU

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Lizzo's Flute & Twerk Lesson | 2 Dope Queens | Season 2

https://www.youtube.com/embed/Nc5Oy1BdFZI

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1. Odnalezione instrumenty cz.I Rediscovered Instruments part I

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ジャンベ大好きで、気持ちよく叩いてます

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Djembe Drum

The word "drum" is derived from the Latin word "druon", which means to beat or pound. The earliest known drum was found in a tomb of an Egyptian Pharaoh and dates back to the year 2000 BC. The drum is a cylindrical object with a flat bottom and a rounded top, and is usually made of wood, metal, or other materials.

Djembe

The djembe drum is a very important African instrument that has been used for centuries. It is a large drum that is played by hand. The djembe drum is usually made from hardwood, such as mahogany, ebony, or other hardwoods. The djembe is also made from soft woods, such as pine, spruce, or cedar. Djembe drums can be made from metal, plastic, or any other material. The djembe drum has a variety of uses. It is used to celebrate weddings, funerals, and other special occasions. It is also used in religious ceremonies, as well as being used for entertainment.

The djembe is played by one person who sits cross-legged while holding the djembe in his or her lap. He or she beats the djembe with a stick, usually using the right hand to strike the djembe and the left hand to hold it. The djembe is held vertically, so that the player's hands face each other. The djembe drum can be played by two people, but this is usually only done for entertainment purposes.

The djembes have a wide range of sounds, depending on the way they are struck. They can be beaten by a single person, or by two people. Djembe drummers can also use the djembe to produce various different sounds. The djembe is usually played with a single stroke of the stick, or with two strokes. Djembe drumming is usually played by one person, but there are some exceptions. The djembe can be played with a small number of strokes, or with many strokes. The djembe can also be played in a variety of ways, including with a steady beat, a fast beat, a slow beat, a fast/slow beat, or a triplet beat.

Rhythms

There are many different types of djembe drum rhythms. Some of these rhythms include:

• A fast rhythm that is played at a steady rate. This rhythm is usually played by a single person, or sometimes by two people. • A slow rhythm that is played at a slower rate than the fast rhythm. This rhythm is usually played at a slower rate than a steady beat. • A fast/slow rhythm that is played at a faster rate than the fast rhythm. • A slow/fast rhythm that is played at a much slower rate than the slow rhythm. • A triplet rhythm that is played at a rate three times faster than the normal rhythm.

African Drumming

The djembe was originally an African instrument, and was originally played by Africans. It was brought to America by African slaves, and was used to entertain the slaves. Many American slaves would use the djembe to entertain their masters. The djembe was also used in religious ceremonies and to keep time for dancing. The djembe is still used today in Africa, and has become popular in America and Europe.

Djembes

There are several different types of djembe drums, including the kusun, the mbira, and the djembe. The kusun is a small, portable djembe that is often used by children. The mbira is a larger djembe that is played by two people. The djembe is played by hand, with one person holding the djembe in the lap while the other person beats the djembe. The djembe is used for entertainment, but is also used in religious ceremonies.

The djembee is a larger drum that is played by two people, or by one person if they are skilled enough. The djembe is a popular instrument in many countries, including the United States, Canada, France, Germany, Japan, China, South Korea, and Taiwan. It is also popular in Australia, New Zealand, and the UK.

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Stromae - Fils de joie (Official Music Video)

https://www.youtube.com/embed/M7Z2tgJo8Hg

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Snare Drum Double Hit Variations : Left Hand Isolated Double Drum Beats: Strokes 1, 2 & 3

https://www.youtube.com/embed/lEbBhAYRvWg

Here we have dual left strokes on one, two, as well as three, right, left, right, left, right, left, right, left. The very first 2nd and third times we are going to play a dual on the left hand. It is frequently referred to as the drummer kid rhythm. Let'' s go in advance as well as relocate the right-hand man around a bit on the toms while maintaining the left hand on the entrapment.

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Stray Kids "Hellevator" M/V

https://www.youtube.com/embed/AdfIfFGCqgo

My life's at a record low's cliff, I'm walking in a dark passage I'' m holding up this harsh, terrible day alone My institution corridor is fading away, on this unknown method I'm so unfortunate, I don't have any type of map to tell me whether this roadway is best There'' s no chance to rise, what I have actually been through is a labyrinth I never want to return to I'm calming myself losing bloody sweats instead of bloody tears They tell me such hillsides are just passing showers If you desire success, placed snares that are called failures So indeed, I bite the baits that are called pain I'm straying around, with my tired wings of passions briefly folded My life's at an all-time low's high cliff, I'm strolling in a dark passage I'' m standing up this cruel, terrible day alone Though I get to out my hand, there's no one to hold it They're going up riding on my discomfort, my splits I'' m on a Hellevator My Hellevator I'' m on a Hellevator My Hellevator I ' m on a Hellevator There's nothing for me, nobody actually respects me No fears for me, just rock chilly "Surrender on your nonsense dreams" Their words on providing up hit my ears, my despair only grows Treatment the skies called hope with the hands of the people beside me I'm wishing myself to hold on, to save myself from their unkind looks They're suggesting if I'm crazy or otherwise, I'll be somebody's clown also if I make it through that's what you're going to be, stop trying to be a singer I push myself through more hearing them chat My life's at an all-time low's cliff, I'm walking in a dark tunnel I'' m holding up this terrible, distressing day alone Though I get to out my hand, there's no one to hold it They're increasing riding on my pain, my rips I'' m on a Hellevator My Hellevator I'' m on a Hellevator My Hellevator I ' m on a Hellevator I'm mosting likely to figure out where the leave is To conserve me from being locked in the darkness I frantically try to, flee I get on the Hellevator, I'm increasing I'm escaping my dark past, lighting up my dark road ahead I run as I could forget those tiresome minutes The bell of the new start that they have actually been ignoring rings I hopped on my Hellevator that'll hold my hand and take me to the penthouse I'' m on a Hellevator My Hellevator I ' m on a Hellevator

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