https://www.youtube.com/embed/hlKDY7vybT0
(vibrant drum songs) (stable techno drum songs) - Well played, guy, well played. There'' s a great deal of energy because. - Thank you.
- Ladies and also gentlemen, Mr. Peter Szendofi. - Hi.
- Ya. Guy, Hungary'' s obtained a. whole lot of excellent drummers. You ' re not the initial Hungarian.
drummer we'' ve carried Drumeo. -( laughs )Great, cool. -However if you guys wear'' t. recognize that Peter is,'I ' m delighted to introduce you to him and also hopefully you end up being a fan since his drumming.
is really energised; it'' s really, extremely
. well-played,'too.He ' s done a great deal of. things in his life. You ' ve been in over 130 cds, you ' ve done a great deal of stuff with, you ' re a seeing instructor,.
I guess you could say, at the Drummer'' s Cumulative. - Yes'.- You ' ve also won what. they call in Hungary The Golden Drumstick.
Award in 2003 as well as 2004, which resembles ideal.
drummer in Hungary. - Wow, yes. - Which is a substantial honor, male.
- Yes, that'' s it.- So you understand your things.
You additionally play in a. pair bands, also.
Currently the first song you. just bet us now, what ' s the tale behind that? Is that your band?- This is a brand-new. song which will appear on my upcoming solo CD which will certainly release.
in some weeks, I believe in 21st of March.
- Okay. - So, that'' s my new and. Very trendy.
have some terrific musicians, like Will Lee on bass and also.
George Whitty on keyboards, and also numerous other Hungarian.
excellent musicians.So I ' m so satisfied
. to introduce that CD and also play this workshop. as an initial introduction tune.
- Ya, give us a little.
taste of what'' s comin '. - Ya, ya, ya, ya.
- If you guys are. watching this'on YouTube it ' s probably currently launched.
so go and check it out As well as if you want to follow Peter, your primary means of interacting is via Facebook you claimed, your Facebook page.
- Ya, ya. - Which is just.
facebook.com/szendofi, I think.
- Yes, ya.
- So make certain you go and.
follow him on there too. And also a big many thanks.
to the enrollers for.
assisting bring you out. We got Remo, we obtained Tama, Regal.
Pointer, Humes & & Berg ' s cases. So ya, a significant thanks to you people for assisting out with.
- Ya, ya, ya, ya, ya I enjoy it. It'' s a lovely package.
- You got 2 truly great entrapments.
- Ya, thanks. - Really, extremely great. And also if you individuals.
are seeing this on Facebook or you'' re. enjoying this on YouTube as well as you like what you'' re seeing, we do this type of.
stuff constantly within Drumeo Edge. We additionally are going to be recording a distinct training course just.
on drum and also bass as well as forest grooves with Peter that'' ll be unique.
just to Edge members, as well as a meeting.
asking him some concerns, as well as a Q & & A session. So if you people like.
this, directly over to Drumeo.com and also authorize up.You can get a totally free test.
at Drumeo.com/ trial as well as take a look at what.
Let'' s obtain to the lesson.- Jungle grooves and drum as well as bass. Currently there ' s a PDF.
of little exercises or a number of grooves.
that he'' s gon na show.
Additionally, the trendy point. regarding this lesson is all the'tunes you
' re. gon na hear Peter play today are gon na be offered.
as play-alongs in Drumeo in the close to future.So it '
s extremely great,.
- However allow'' s begin out. - You understand, it'' s fascinating. It ' s a rather brand-new point.
The first is from the late '' 60s.
sort of funk grooves with various types of accents, not only to play.
the 2/4 backbeats, however they began to play, they began to.
' 80s as well as the very early
'' 90s, the DJs started to. And they began to place a specific groove. That ' s why they got.
- Ya, since it ' s cut.
and reduce as well as cut up. - Ya, so they.
changed the accents on the kick drum as well as the.
hi-hat and also the snare drum. That'' s why when we pay attention. to a groove such as this, it seems like a big turmoil,. simply'like a big
jungle. That ' s why they call.
it forest grooves due to the fact that you can hear.
a two-bar phrase or a four-bar phrase.
or eight-bar expression, however the accents are. much like a drum solo.
It seems like there is no, any kind of clear system,.
like how to do it. Actually, when I. play forest points, my forest having fun, as an example, in the very first song what you could hear, those.
are 95% of improvisation in between these accents.
- No kidding? Ya, ya, fine.- Ya, ya, ya.So, since it provides me a great deal of freedom, however
the other various other point first of all, I had.
So the difference in between the.
Bass groove, it ' s like
...( steady drum musicSongs? It ' s like one, 2, 3
,.( stable drum music )In the slower pace, like.
( sluggish drum music) Right? If I would certainly say like, alright,.
I wan na alter the accents, I'wan na transform the accent. of the 2/4 backbeats as well as perhaps I wan na put the notes of the kick. drum to one more location, so I ' m just gon na. replay the entrapment as well as the kick part.It appears like this with. a very same component, like ...( stable drum songs) Right? So I play primarily. the very same, like ...( consistent drum music )- Gotcha, ya.- Right? So, this'is the difference.
If I play drum as well as bass.
BPM, until like 220, 230, I wear ' t recognize. That ' s a large obstacle to keep the correct time.
playing continuously during six, 7, 10. mins within one song in fast tempo. So, allow me give you people.
The initial groove,. I attempt to pick five different grooves from the quite extremely. -Advanced, ya, fine.
- So, the very first.
audios like this. Let me reveal you in. slow pace first.Like one, two, 3, 4.( sluggish drum music) Right? A bit much faster.( constant drum music )A bit more much faster. (quickly drum songs) A little bit more faster. (vibrant drum music) A little bit more quicker.
( rapid drum songs )Right? So, that was the very first. groove which is quite simple. For me, when I start to practice the drum with forest points, I had two things what I. had to figure out a great deal. The very first was the dynamic level. When I play, for. instance, funk blend or Latin or jazz things I was exercising during last three years to play as vast.
vibrant array as is feasible. When I play ghost.
notes, that should be simply an actually a.
tiny little notes because we have no outright notes, outright.
pitch on a drum collection, yet we have a substantial dynamic.
degree what we can make use of. So, to make music in the various other designs, we actually have to utilize.
a massive dynamic variety. But when we play the drum.
and also bass forest things, it'' s not feasible because if I would certainly. play the exact same groove what I showed prior to with the dynamic.
level and also wording, if I play, for instance,.
a normal funk tune, it appears like ...
( sluggish drum music) (relocations right into steady drum songs) It appears even more like.
fashionable something, not like a drum and also bass. If I transform, if I.
press the dynamic degree similar to this ... (stable drum music) That seems like an actual.
drum and also bass forest groove due to the fact that this kind of digital songs, we have totally.
various method and also the feature of.
the drum set playing in this sort of songs.
is completely various. That'' s why I turned to this kind of. songs concerning 10 years back, due to the fact that I could locate a.
entirely different course for my having fun and.
they were so amazing to be in a completely.
various part, remain in the music,.
than if I played funk or combination stuff.And likewise, so when I play these things I have much less vibrant.
possibilities on a drum set, yet I can utilize a great deal of.
results, a great deal of noises and likewise a great deal of.
When I play a forest groove, it'' s primarily, a drum solo can be, since I alter.
So I try to produce interesting.
That ' s why I use. In fact, at home when. I do workshop recordings I utilize in fact 4
snare arrest.
- For this type of songs. Like one, two,. 3, there ' s this snare drum below and also here. As well as I make use of just one floor tom due to the fact that this music requires a great deal of. different snare seems, a lot
of different cymbal appears since the DJs produce. this type of songs with a
great deal of pre-created.
patterns and loops as well as drum beats with. different effects.So if I would certainly simply make use of one. hi-hat and one flight cymbal, perhaps there wouldn ' t be sufficient. So that ' s why I try to utilize different stacks. as well as various cymbals, two trip cymbal since, since that kind of music.
really needs these things. Okay, let me offer you.
There'' s a little variation in the second fifty percent. It sounds like ...( sluggish drum music)? (rapid drum music) I also can play the exact same groove, in for example, a.
different snare drum.
numerous possibilities to transform the area of the.
right-hand man and the left hand.Okay, this
groove is a.
little similar than, for instance, if you pay attention to the late '' 60s and also. early ' 70s recordings from James Brown or Allman.
Bro or these bands, I made use of to listen to a great deal of Clyde Stubblefield stuff. You understand, I'' m certain. most of you individuals understand the really famous groove, this is the cool.
drummer groove, which is really a truly popular.
lick for the DJs to remove and also.
speed up the tempo and develop a completely different chaos-oriented groove by the straightforward elements.
of this groove.So it sounds like ...( slow-moving drum music) Alright? So this is basically. a funk groove, however Clyde transformed the accents as well as also, he played. various things on a hi-hat, not only eighth notes or not just sixteenth notes, yet he alters the accents. in between the kick as well as the snare as well as the hi-hat. So that'' s why it ' s. so fascinating stuff. The various other thing from.
Clyde Stubblefield, what I used to listen.
to a lot which is a common break beat or.
fundamental of the jungle grooves because he repeats.
once again, the accents in between the snare.
drum as well as the kick. This is the groove of the tune Cold Sweat which is a popular.
James Brown song which seems like ... (stable drum music) Right? So he did primarily.
the same things while the DJs did later.So he was definitely wizard in terms of the groove playing and also this sort of rhythmic part. So allow ' s see the next groove which is a'two-bar. expression in fact, and also it likewise consists of a little changing in terms of accents,. so it appears like, in slow-moving pace similar to this ...( slow drum songs) Right? So when you guys. pay attention to it first, that can be a. little bit complex since the area.
of the 2/4 backbeats are gon na be changing.So it seems like one,. 2, 3, four, and ... So I place the second entrapment drum accent, in fact for the one,. 2, 3, four, and also. So like ... (slow drum songs) Right? So this part, like, it ' s duplicating three. times, like ... (sluggish drum music )Right? -Okay, I get it. Ya, ya, ya.
- To make sure that ' s a kind of, if I can claim a. 3 versus 4. Like if I play at'. a quicker pace, that seems
awesome, like ... (consistent drum songs )Right?-
Extremely trendy. You obtained ta show us that. on the various other entrapments as well. - Ya. (steady drum music) -That
' s so trendy. - Likewise, the other. referrals for every one of you guys that.
wish to begin to exercise the drum and also bass.
jungle points is to be really, really client.
and invest a whole lot of time with the slow-moving time exercising,
due to the fact that in this sort of songs we have to be additional cautious. of the moment playing.So it ' s not feasible. to play the beats a little behind or for instance, a. little bit rushed from the first and also second and also third and 4th. quarter notes. Due to the fact that generally in this music we make use of a great deal of other loopholes and programming and also.
the edge of the grid. Otherwise, in a much faster tempo.
there will certainly be a substantial turmoil--- Ya, make sure.
that spacing'' s there.
- As well as this very long time. exercising at slow-moving tempo, we really require to get to the faster tempos. As I experienced, the quick pace having fun.
will come immediately when we invest a little bit of time with the various.
grooves in a sluggish pace.
- Cool.
- To ensure that'' s why I would truly suggest you. If you individuals would be unpatient as well as after like 20 minutes simply.
intend to quicken the tempo to 100 to 180, your.
muscle would certainly be tight, your concentration.
would resemble difficult, and you individuals will certainly obtain low. To ensure that'' s why I actually spent two or three years.
from the starting to exercise drum.
and bass things, when I did the initial.
cd, when I played really a genuine drum.
and bass jungle grooves since it--.
- Requires time. - It really takes time to concentrate on the beats.
and also the concentration and also the technological.
- Which makes feeling. It'' s a rather complex.
Let'' s do it. That ' s a little.- Ya, and additionally it ' s appearing a little bit like if I would certainly play a. kind of half-time.
note oriented groove than a straightforward jungle groove. - So can you show us an instance, possibly do it in simply a.
straight in advance time, and afterwards going right into that, so we can listen to the.
distinction as well as really feel? - Yes.
- Ya, ya, ya. I can play eighth notes.
regularly on a hi-hat.
For instance, like ... (consistent drum songs) Right? So I played basically.
the exact same groove, yet if I change.
the hi-hat components, that would be an entirely.
various sounding groove. So that'' s why I typically.
usage improvisation. There are some typical.
drummer bass licks or motions, however I primarily, I pay attention to a great deal of.
this sort of music which basically doesn'' t. consist of online drumming. Due to the fact that if I listen.
to it from DJs, the mind of the DJs.
are completely various which'' s revitalizing of my mind and offers me a.
great deal of fresh concepts since they wear'' t think. regarding the ideal hand as a hi-hat component,. the left hand is-- - Totally man, ya, ya.
- plays three notes. It'' s excessive. No, they just shows as well as.
look for best balance between the programmed drum.
components as well as the various other parts.I received really, a lot.
of wonderful suggestions from DJs. So that'' s why it ' s. so interesting to.
Allow'' s do number five. - Ya, the last one, the number 5 is a little bit, looks like kind.
of a direct point. So, I stop to play the.
eighth notes continuously. So it seems in slow-moving tempo.
like one, 2, three, 4 ... (sluggish drum songs) Right? As soon as once again in an additional--.
- Do it once more really sluggish, '' cause this is a. pleasant seeming beat. - Okay, one, 2, three, 4. (slow-moving drum songs) To play this sort of linear beat oriented.
drum as well as bass grooves, it'' s far more hard. than when I play a drum as well as bass.
groove for instance, with a straight.
8th notes like ... (constant drum songs) Because similar to this, I have my click track.
really on the appropriate side.So I can listen to continuously. the downbeats, however similar to this, it'' s not possible because I play virtually constantly.
the 16th notes in between the.
kick as well as the entrapment, as well as the snare and also the hi-hats, so it'' s switching over continuously. So it sounds like this,.
(constant drum songs) A bit extra quicker. (vibrant drum songs) Or perhaps right here. I'' m trying.
- That is so amazing. (laughs) - So that'' s why I claimed like these type of grooves in actually rapid pace, for me, is far more.
challenging for my mind, not like my hands and also feet. So, I believe to play.
quick tempos as well as by the hand side or feet side, that'' s. possible in 200 BPM if you are simply.
have to play like single stroke rolls.
in a pad or something.But to play this
kind. of linear grooves--
- Oh, it ' s so hard.'I was gon na state it ' s. deceptively hard.
Like, you wear ' t. assume it ' s that hard, but you rest down, not only. To obtain the patterns taking place but to get the. Area in between the notes and after that additionally to get the.
' Reason I got a pair. questions for you after.
These beats are wonderful. -Okay.
- You people, see to it.
you exercise these. You have to enjoy it over once more, that'' s absolutely cool down ' reason. there ' s a whole lot happening there. However let ' s obtain you to. play us another song and afterwards we ' ll reach.
a few of the concerns like how do you.
establish that rate, just how do you tune your drums.
to seem like drum and bass. I obtained a couple of concerns.
from the participants as well. So what song do you desire.
to bet us next? - The next tune called Take One, that'' s. a really rapid one. That tune I assume is 220 BPM.
- Hoo! - Which groove.
has generally only.
single stroke rolls since it'' s too quickly to play, I imply for me.
- No uncertainty. (laughs) - Also fast to play.
any other variations.
- Awesome. Well that'' s sounds--.
- It'' s fun.- Let ' s take a look at Take One. - Ya, ya, Take One.
- Alright, joys. ("" Take One"") That was astounding.
- Thanks. - You had to be so loosened.
to be able to play that at 220 beats per minute. You felt like you were pretty.
chill during, man. - Ya, you recognize, as I said, it'' s a lot a lot more hard for me to keep the perfect equilibrium.
between the 16th notes. - No question.
You ' ve been in over 130 albums, you ' ve done a whole lot of stuff with, you ' re a checking out trainer,.
That'' s why it ' s. so fascinating things. (steady drum music) -That
' s so coolAwesome Like, you wear ' t. think it ' s that hard, yet you sit down, not only. You have to enjoy it over again, that'' s completely cool ' cause.I have a difficult enough
time doing that at 180 beats per min, you'' re doing it at 220.
- Thanks. - However I got a bunch of questions
for you if you wear'' t mind.- Sure, certain, certain. - Something simply for myself, for those who are
curious about this design, I understand it'' s
not like there ' s a great deal of top 40 drum as well as bass tunes out there. So what sort of bands do you advise we look into if we want to dive into this style much more? Or artists, or drummers also, as well? - I would certainly offer you two examples.The very first is Jojo Mayer ' s. playing, obviously.
And after one of the programs we went to a disco. As well as Jojo said to.
me, he was cigarette smoking, and also he paid attention to.
that type of songs which at that time.
for me was so boring. Like a (mimics drum rhythm). This kind of thing,.
and after that he said to me, he really feels something.
with this music and also he will certainly do.
something actually fresh with this sort of songs, and also I definitely.
didn'' t comprehend it. Like what do you indicate,.
what do you intend to do with this type of music. But then when I paid attention.
to his recording I determined to begin.
to play these things.That was around 2005, 2006 and his band is called Nerve. They play the very same. example with a
DJ, a key-board. player, a bass gamer, as well as the drums which'' s. an actually progressive, hard-edged, digital.
blend music. - Type of tribal.
based, tribal things. So Jojo Mayer, the band Nerve.
- Ya, he'' s great.- Maybe another suggestion, another band that you recognize of? - Ya, the other one is.
actually a bass player. His label is Square Pusher.
- Okay, can you spell that? - He'' s a great.
DJ as well as bass player.He does live programs.
with a great deal of laptops and bass guitar. And he does the cutting of the.
loopholes and also editing and enhancing as well as to play bass in online.
circumstance, in actual time. That'' s wonderful.-'What ' s his name once more? - Square Pusher.
- Square Pusher? - Ya, Square Pusher'. - Okay, obtained it.- He ' s great. I bought almost 20 different. recordings from him.
He ' s rather prominent considering that. the late ' 80s, early ' 90s.
So he has at the very least. 25 recordings, and also I truly advise.
every one of you men to pay attention to Square Pusher because in his albums there'' s no any type of pre-created.
or downloaded loops.Each of the notes
was created by Square Pusher.- Really awesome.
- To make sure that'' s fantastic.
- Extremely trendy. Certainly examine out.
those two teams. I know I'' ve paid attention.
to a whole lot of Nerve and Jojo''
s an. incredible drummer. Hopefully we'' ll have
him. on Drumeo eventually, yet a couple more.
questions for ya prior to we finish up, '' cause. we ' re obtaining near completion. There'' s a whole lot of. inquiries in below from various participants.
that are all very comparable and the one inquiry.
I keep seeing a whole lot of so I'' ll ask you is what kind.
of strategy are you using to obtain that type of rate while.
you still look really loosened? Can you simply maybe.
chat a little bit, or maybe offer a.
couple pointers of how drummers that wish to.
enter this style can keep their tension down and also.
to get these type of speeds? - Really, I put on'' t utilize any complicated things.I don ' t usage primarily,. a Moeller or a push-pull or this kind of points. I play essentially, easy.
That'' s it. I never play by muscles.
extremely loosened and relaxed. Otherwise, like 85.
of my concentration would be to play out somehow.
the important things by muscles, by arms. So I try to have fun with wrist as well as fingers as high as is possible. I play actually with these beats basic stickings,.
like singles, doubles, some paradiddle things. I additionally did practicing.
like to play right-hand man basic 8th notes, and also during this.
playing I attempted to change the solitary and also dual.
beats of an entrapment drum. Simply like, if I would say like, like I play 8 8th notes. One as well as two as well as 3 as well as four. (slow drum music) Right? So these little elements,.
these little pieces are the actually essentials of the truly speed tempo. Additionally, I'' m certain if you. people spent enough time with the sluggish time practicing and also you would be added mindful of your hands as well as feet.Like no any
pressure,.
wear'' t choke the sticks since that would certainly be a catch. It'' s not feasible ... - I like that.
would certainly be a catch. - It'' s maybe possible, yet.
I would certainly be suffering a whole lot if I would certainly have.
to play by muscles in these rapid tempos. - Which makes sense. It'' s very loose grip, especially due to the fact that you do it.
done in standard hold also, which is truly crazy. But we'' ll dive a lot more. right into your technique in the training course that we'' re gon na. be recording for Drumeo Edge. And also if you individuals watching this, we'' re gon na do a Q & A tomorrow so you can dive in to.
the more technological side of your strategy therein. Yet the other question.
I get a great deal of is your tuning and also.
your set up for this. You talked a little bit.
regarding having 4 snares on your recordings in the house. Can you discuss why you.
have your setup similar to this and maybe why you chose the.
adjustings for your snares? - Because I think in.
this kind of music we need to use different.
type of snare drums because a lot of the.
time, similar to this music doesn'' t consist of. any long drum solos or something like this.I did a drum solo right.
now in the first tune and also I will certainly do one.
much more in the last tune. That'' s why I make use of. 3 toms right here.
However really, when I. play these type of beats, I indicate,'it ' s not necessary.
to use 3 toms since this music.
needs far more like even more best cymbal sounds.
and also a lot more hi-hat noises as well as even more arrest drum audios. Perhaps even more kick audios. I additionally utilize some triggers during.
the recording sessions to blend it, the electronic trigger sound with the acoustic kick.
sound and also a snare also. So, primarily this.
is the factor. So I typically play.
like one entrapment drum, two as well as three and four when I do drum bass recordings. And also just one floor.
tom here, that'' s it. -Very great,'ya. Well, I ' m delighted to see what you ' re gon na.
offer us tomorrow and also I ' m thrilled to see. you play one more song for us if you put on ' t mind. It is nearly five so we ' re. gon na wrap it up there.- Okay.- A whole lot even more questions came, yet we'' ll do that. tomorrow for the Q & & A.Just intend to thank.
everybody for seeing. Hope you obtained something from it. I absolutely got.
influenced to intend to enter this design of songs a lot more. - Thank you. - You understand, every single time I'' m. on your electronic drum set, you scroll to the.
drum and also bass point as well as you'' re like oh
, I. desire I can play this, yet I can'' t so I
got ta. practice it much more.
So really cool beats,. thanks very a lot.
- Many thanks significantly. for having me right here.
That was an excellent. satisfaction to'be right here.
It ' s a gorgeous location. as well as everything is perfect. -Well, thanks.
You ' re constantly welcome,. always welcome back right here. Make certain you follow him.
- Yes, that'' s right. -Yes, alright so'we ' re gon na. What'' s the song called?
- This tune is called. Shotgun Technique.
-Ya, Shotgun Method because I have a band,. That ' s actually a dual development with an excellent keyboard gamer.
as well as rap artist individual from Hungary. As well as we did our last recording which was taped in Brooklyn.
a number of years prior to as well as we took like.
two or 3 draws from this tune.And every one of
the takes include some big errors. And also we claimed, to the audio man, okay, let'' s do another take. And also he stated, "" Okay,.
shotgun approach."" As well as we similar to it.
- There ya go. - To make sure that'' s why this is
it.- Those are often the most effective stories when it comes.
to the studio, recording. - Ya, ya, ya, definitely. - So, again, many thanks.
every person for watching.If you individuals like this go. to Drumeo.com as well as register.
Also, for those. who are watching, all the tunes that he played,.
or Peter played, sorry, in this lesson are gon na be.
offered as a play-along so you can attempt what he'' s. doing on them as well. So, hello.
- Thanks very much. - No, thanks.
- Many thanks. - We'' ll see you men later. ("" Shotgun Technique"".
by Loop Doctors) ♪ Just listen to the groove.
of the bass and also the drums ♪ Defeating a sonic.
path, currently right here it comes ♪ The art of organizing.
sound to the restriction ♪ Thin airwave design.
within a five- minute blueprint ♪ Restrict the aesthetic ♪ Free your mind, allow.
go of the usual idea ♪ See the music expand.
graphics in your mind ♪ An unique individual blind ♪ Right currently all you.
requirement is imagination ♪ Some inspiration, association ♪ Noise is open to.
interpretation, a.
sonic sensation ♪ Step up to the abstract plate ♪ Open the gateway, never ever underrate ♪ The psychological power.
of critical ♪ Intercontinental music ♪ Which component is fundamental (dynamic drum music).
- He ' s fantastic. - Really, I put on'' t utilize any challenging things.I don ' t usage generally,. Well, I ' m excited to see what you ' re gon na.
It ' s a stunning area. That ' s really a double development with a great keyboard player.
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