https://www.youtube.com/embed/hlKDY7vybT0
(dynamic drum music) (consistent techno drum music) - Well played, male, well played. There'' s a great deal of power in that. - Thank you.
- Ladies and gents, Mr. Peter Szendofi. - Hi.
- Ya. Welcome to Drumeo. - Thank you. It'' s an excellent enjoyment to be here.- Peter has come all the method of Hungary, Budapest, deal with?- Yes.-'As well as he ' s joining us here for a live lesson, obviously, on drum and also bass as well as jungle grooves, so it ' s an honor to have you out.
We ' ve really chatted a fair bit over the last pair years.
Guy, Hungary ' s obtained a.
lot great deal great wonderful. You'' re not the very first Hungarian. -Yet if you men don'' t. know who Peter is,'I ' m happy to present you to him and ideally you end up being a fan due to the fact that his drumming.
You ' ve been in over 130 cds, you ' ve done a lot of things with, you ' re a going to trainer,.
I presume you might claim, at the Drummer'' s Collective.- You ' ve additionally won what.
Honor in 2003 as well as 2004, which is like ideal.
drummer in Hungary. - Wow, yes. - Which is a significant honor, man.
- Yes, that'' s it.- So you recognize your stuff.
You additionally play in a. couple bands, also.
Now the initial song you.- This is a brand name new.
in some weeks, I believe in 21st of March.
- Okay.
- So, that'' s my new and. original composition. - Extremely great. - And on this album, we will.
have some fantastic musicians, like Will Lee on bass as well as.
George Whitty on key-boards, and lots of various other Hungarian.
excellent artists. So I'' m so pleased.
to launch that CD and play this workshop.
as a very first introductory song. - Ya, give us a little.
preference of what'' s comin '. - Ya, ya, ya, ya.
- If you men are. watching this'on YouTube it ' s possibly already released.
so go as well as check it out And also if you intend to adhere to Peter, your primary method of communicating is through Facebook you claimed, your Facebook page.
- Ya, ya. - Which is simply.
facebook.com/szendofi, I think.
- Yes, ya. - So ensure you go and.
follow him on there as well. And a substantial thanks.
to the enrollers for.
helping bring you out. We got Remo, we obtained Tama, Regal.
Tip, Humes & & Berg ' s cases. So ya, a big thanks to you individuals for assisting out with.
this lesson as well.The kit appears
incredible. - Ya, ya, ya, ya, ya I like it. It'' s a lovely package.
- You got 2 truly amazing snares.
- Ya, thanks. - Extremely, really trendy. And if you guys.
are enjoying this on Facebook or you'' re. watching this on YouTube and also you like what you'' re seeing, we do this sort of.
stuff all the time inside of Drumeo Side. We additionally are mosting likely to be recording an one-of-a-kind training course simply.
on drum and also bass as well as forest grooves with Peter that'' ll be special.
only to Edge members, along with an interview.
asking him some questions, and a Q & & A session. So if you men like.
this, directly over to Drumeo.com and join. You can obtain a complimentary test.
at Drumeo.com/ test and also inspect out what.
Allow'' s get to the lesson.- Jungle grooves as well as drum and bass. Now there ' s a PDF.
of little exercises or a number of grooves.
that he'' s gon na teach.Also, the amazing thing.
regarding this lesson is all the tracks you'' re. gon na hear Peter play today are gon na be offered.
It'' s really great,. - Yet allow'' s begin out. - You recognize, it'' s interesting.
The initial is from the late '' 60s.
sort of funk grooves with different kinds of accents, not only to play.
the 2/4 backbeats, but they started to play, they started to.
' 80s and the very early
'' 90s, the DJs started began. And also they began to place a specific groove. If we have a two-bar phrase, it includes like, the first bar is 16 of 60 notes, the second bar is the very same.
five, six different cuts from a two-bar expression, and also.
then they altered up the order. So they actually put.
it once more together just like in a random order. That'' s why they
got. lastly, this, the groove with the same elements, however they were seeming.
- Ya, due to the fact that it'' s
cut.- Ya, so they.
That ' s why when we listen.
or eight-bar phrase, yet the accents are. similar to a drum solo.
It appears like there is no, any type of clear system,.
like exactly how to do it. Actually, when I. play jungle things, my forest having fun, as an example, in the first tune what you might hear, those.
are 95% of improvisation in between these accents.
Ya, ya, okay.- Ya, ya, ya. Due to the fact that it provides me a great deal of flexibility, but
the other various other is first of all, I had.
So the difference in between the.
-If I play a basic drum as well as. Bass groove, it ' s like
...( steady drum music)? It ' s like one, two, three
,.
( slow-moving drum songs) Right? If I would say like, okay,.
It sounds like this with.
a very same element, like ...( steady drum music) Right? So I play essentially.
the same, like ...( stable drum songs) -Gotcha, ya.
- Right? So, this is the distinction. between the forest and the drum and bass.
If I play drum and also bass. beats, that ' s basic due to the fact that we have 2/4. backbeats, some ghost'notes, rather basic points, yet it ' s difficult to play. because the drum and bass beats tempo starts from one to 60, 70. BPM, up till like 220, 230, I don ' t know.
That ' s a big difficulty to keep the right time.
playing constantly during six, 7, 10.
mins within one song in
quick pace. So, let me provide you men. a number of examples what I brought.
The very first groove,. what I wan na play, it ' s an easy drum. and also bass groove.I attempt to select 5
different grooves from the fairly very.
starting degree to the up like more breakthrough levels. -Advanced, ya, alright.- So, the first. seem like this. Let me show you in. slow tempo first. Like one, two, three, four.( slow-moving drum songs) Right? A little bit much faster.( steady drum songs) A little bit much more faster.
( quickly drum songs) A little bit extra faster.( dynamic drum songs) A little bit more much faster.
groove which is rather simple.For me, when I start to practice the drum with forest points, I had
two points what I. needed to figure out a whole lot. The initial was the vibrant degree. When I play, for.
instance, funk blend or Latin or jazz points I was practicing during last 3 years to play as broad.
When I play ghost.
So, to make music in the various other styles, we actually need to make use of.
a massive vibrant range.But when we play the drum. and also bass forest things, it ' s not feasible because if I would.
play the same groove what I showed before with the dynamic. degree and also wording, if I play, as an example,. a typical funk song, it seems like ...( slow drum songs) (steps right into consistent drum music) It seems even more like.
fashionable something, not like a drum and also bass. If I alter, if I. press the vibrant level similar to this ...( steady drum songs) That seems like a genuine. drum and also bass jungle groove because
this kind of digital songs, we have completely.
they were so amazing to be in an absolutely.
various component, be in the songs,.
than if I played funk or fusion things. And additionally, so when I play these things I have less dynamic.
opportunities on a drum set, yet I can utilize a great deal of.
effects, a great deal of audios and likewise a great deal of.
When I play a forest groove, it'' s basically, a drum solo might be, due to the fact that I transform.
So I attempt to develop interesting.
That ' s why I use. Actually, at residence when.- No method.
- For this sort of music.Like one, 2,. 3, there ' s this snare drum here and also right here. And I use just one floor tom
due to the fact that this music requires a great deal of. various snare sounds, a lot of different cymbal seems since the DJs create. this sort of songs with a lot of pre-created. patterns as well as loops and drum beats with. different impacts. So if I would simply make use of
one. hi-hat and one trip cymbal, maybe there wouldn ' t be enough.'So that ' s why I attempt to make use of various heaps. and different cymbals, 2 flight cymbal since, because that kind of songs.
really needs these points. Okay, let me give you.
There'' s a little variant in the second fifty percent. It seems like ...( slow-moving drum songs)?( rapid drum music) I likewise can play the exact same groove, in for instance, a.
different various drum.
numerous possibilities to transform the area of the.
right-hand man and the left hand. Okay, this groove is a.
little comparable than, for example, if you listen to the late '' 60s and. early ' 70s recordings from James Brown or Allman.
Brothers or these bands, I made use of to pay attention to a great deal of Clyde Stubblefield things. You know, I'' m sure. many of you people know the truly renowned groove, this is the cool.
drummer groove, which is really a really prominent.
lick for the DJs to reduce away and also.
accelerate the tempo and also produce an absolutely different chaos-oriented groove by the simple aspects.
of this groove. So it seems like ... (slow drum songs) Alright? So this is generally.
a funk groove, however Clyde transformed the accents and additionally, he played.
different points on a hi-hat, not just eighth notes or otherwise only 16th notes, however he alters the accents.
in between the kick and also the snare and the hi-hat.
So that'' s why it ' s. so intriguing stuff. The other thing from.
Clyde Stubblefield, what I made use of to pay attention.
to a lot which is a normal break beat or.
basic of the jungle grooves because he replays.
once again, the accents between the snare.
drum as well as the kick. This is the groove of the tune Fear which is a famous.
James Brown tune which seems like ...
( stable drum music) Right? So he did primarily.
the exact same things while the DJs did later. So he was definitely brilliant in terms of the groove having fun and also this kind of rhythmic part. So let'' s see the following groove which is a two-bar.
phrase really, and it additionally consists of a little altering in regards to accents,.
so it sounds like, in slow tempo like this ... (slow-moving drum music) Right? So when you men.
listen to it first, that can be a.
bit complex due to the fact that the location.
of the 2/4 backbeats are gon na be changing.So it seems like one,. two, three, four, and ... So I put the 2nd snare drum accent, in fact for the one,.
2, 3, four, and. So like ... (slow drum songs) Right? So this component, like, it'' s repeating 3.
Times, like ... (slow-moving drum songs)? - So that'' s a kind of, if I can state a. 3 against 4.
a faster pace, that appears awesome, like ... (consistent drum music) Right? - Very great. You obtained ta show us that.
on the other snares too. - Ya. (steady drum songs) - That'' s so trendy.
- Also, the other. recommendations for all of you guys who.
want to begin to exercise the drum as well as bass.
forest things is to be truly, actually person.
and invest a great deal of time with the sluggish time practicing, due to the fact that in this sort of songs we need to be added careful.
of the moment playing.So it ' s
not feasible.
to play the beats a bit behind or for instance, a.
little bit rushed from the very first and second as well as third and also 4th.
quarter notes. Due to the fact that generally in this music we utilize a great deal of other loopholes as well as shows and.
arpeggios from the keyboards. So we need to.
spend a great deal of time with slow time exercising, and also play each note to.
the edge of the grid. Or else, in a much faster tempo.
there will certainly be a massive disorder-- - I can see it, ya. - In terms of the moment playing. So think it or not, I invested like 95% of.
all of my practicing, when I practiced.
drum and bass things, with really straightforward points.
and in actually slow pace. As well as I maintain my.
focus frequently to play each notes.
Ya, make certain.
that spacing'' s there.
- And also this long period of time. exercising at sluggish pace, we truly require to reach the much faster paces. As I experienced, the quick pace playing.
will certainly come automatically when we invest a bit of time with the various.
grooves in a slow-moving tempo. - Cool.
- To make sure that'' s why I would really suggest you. If you people would be unpatient as well as after like 20 mins just.
desire to speed up the pace to 100 to 180, your.
muscle mass would be limited, your focus.
would certainly be like challenging, and also you men will certainly get reduced. To make sure that'' s why I in fact invested two or three years.
from the beginning to practice drum.
and bass things, when I did the very first.
cd, when I played really a real drum.
as well as bass forest grooves because it--.
- Requires time. - It really takes some time to concentrate on the beats.
as well as the focus and the technical.
side as well as everything. - That makes sense. It'' s a rather detailed. style of music to play-- - Definitely.
- With all those.
little notes there. Allow'' s look into number four. -Okay, alright. Let'' s do it. So, that ' s a little. bit a lot more complicated, not way too much, just a bit. So, allow me play it. again, a bit slower. Like one, two, three, four. (slow drum songs) Right? A little much faster.( stable drum songs
) A little bit quicker. (lively drum songs) Right? -That is an awesome beat. The displaced. downbeat on the and of the 2nd bar of line one truly makes it appear in a timely manner. a little bit but it ' s not.- Ya, as well as likewise it ' s sounding a little like if I would play a. kind of half-time. oriented point like ...( constant drum music) To make sure that ' s a kind of combination of half-time sixteenth.
note oriented groove than a basic forest groove. - So can you show us an example, perhaps do it in just a.
straight in advance time, and also then entering into that, so we can hear the.
distinction as well as really feel? - Yes.
- Something extremely easy.
- Ya, ya, ya. I likewise could alter a bit for instance, the hi-hat component. I can play eighth notes.
regularly on a hi-hat. For example, like ... (consistent drum songs) Right? So I played basically.
the exact same groove, however if I alter.
the hi-hat components, that would certainly be a completely.
different sounding groove. To ensure that'' s why I generally.
usage improvisation. There are some typical.
drummer bass licks or motions, but I generally, I pay attention to a great deal of.
this sort of music which basically doesn'' t. consist of real-time drumming.Because if I pay attention. to it from DJs, the mind of the
DJs. are totally different which ' s revitalizing of my mind and also provides me a. whole lot of fresh concepts because they put on ' t think. about the right'hand as a hi-hat component,. the left hand is--- Absolutely man, ya, ya.- plays 3 notes.
It ' s excessive. No, they just programming as well as.
look for excellent balance between the programmed drum.
components as well as the other parts. I obtained actually, a great deal.
of great concepts from DJs. So that'' s why it ' s. so interesting to.
Let'' s do number five. - Ya, the last one, the number 5 is a little bit, looks like kind.
of a direct thing. So, I quit to play the.
Like one, two, 3, 4 ...( slow drum music )?- Do it once more truly sluggish, ' cause this is a. wonderful seeming beat.
- Okay, one, two, three, 4. (sluggish drum music) To play this kind of linear beat oriented.
drum and bass grooves, it'' s much a lot more hard. than when I play a drum and bass.
groove for instance, with a straight.
eighth notes like ... (consistent drum songs) Due to the fact that like this, I have my click track.
in fact on the ideal side. So I can listen to constantly.
the downbeats, but similar to this, it'' s not feasible because I play nearly frequently.
the sixteenth notes in between the.
kick as well as the entrapment, and also the snare and also the hi-hats, so it'' s switching over continuously. So it seems like this,.
a little bit much faster. Like one, 2, three, 4. (steady drum music) A little bit much more quicker. (lively drum music) Or possibly right here. (lively drum songs) A bit a lot more quicker. I'' m attempting. (laughs) (rapid drum songs) Right?
- That is so awesome. (laughs) - To make sure that'' s why I stated like these sort of grooves in really fast tempo, for me, is a lot more.
challenging for my brain, not like my hands and also feet.So, I believe to play.
fast paces as well as by the hand side or feet side, that'' s. possible in 200 BPM if you are simply.
have to play like solitary stroke rolls.
in a pad or something. Yet to play this kind.
of straight grooves-- - Oh, it'' s so difficult.
I was gon na say it ' s. deceptively hard. Like, you wear'' t. think it ' s that hard, however
you take a seat, not just. to get the patterns occurring however to get the right.
area in between the notes and afterwards likewise to get the right.
sound that you desire from it, due to the fact that it'' s an unique.
kind of texture that you have going on there. Do you mind having fun.
us one more tune? - Yes, certain, certain.
- I would enjoy that. '' Reason I got a couple.
These beats are fantastic
.- You people, make sure.
you practice these. You have to see it over once more, that'' s completely cool ' cause. there ' s a lot happening there. Yet let ' s get you to. play us another tune and after that we ' ll reach.
several of the inquiries like how do you.
establish that rate, exactly how do you tune your drums.
to sound like drum and bass.I obtained a few inquiries.
from the members too. So what tune do you want.
to bet us next? - The following tune called Take One, that'' s. an actually quick one. That tune I believe is 220 BPM.
- Hoo! - Which groove.
contains primarily just.
single stroke rolls because it'' s too fast to play, I imply for me.
- No doubt. (laughs) - As well fast to play.
any other variations. - Awesome. Well that'' s appears--.
- It'' s fun.- Let ' s look into Take One. - Ya, ya, Take One.
- Alright, cheers. ("" Take One"") That boggled the mind.
- Thanks. - You had to be so loosened.
to be able to play that at 220 beats per minute. You appeared like you were pretty.
chill the whole time, guy.
- Ya, you understand, as I stated, it'' s a lot more challenging for me to keep the perfect balance.
between the 16th notes. - No uncertainty.
You ' ve been in over 130 albums, you ' ve done a lot of stuff with, you ' re a checking out trainer,.
When I play a jungle groove, it'' s basically, a drum solo can be, due to the fact that I transform. That'' s why it ' s. so fascinating things. Like, you don'' t. assume it ' s that hard, but
you sit rest, not onlyJust You have to watch it over once again, that'' s totally cool ' cause.I have a tough enough
time doing that at 180 beats per minute, you'' re doing it at 220.
- Thank you. - Yet I got a number of questions
for you if you put on'' t mind.- Sure, sure, certain. - Something just for myself, for those who are
- I would provide you 2 instances. The very first is Jojo Mayer'' s. playing, of program. We are terrific pals with.
Jojo since even more than 20 years, and also it was intriguing because there was a couple of.
As well as Jojo said to.
Like a( mimics drum rhythm ). This kind of thing,. and afterwards he said to me, he feels something. with this music and he will certainly do. something really fresh with this sort of songs, as well as I absolutely. didn ' t understand it.
Like'what do you indicate,. what do you intend to
finish with this type of music. But after that when I paid attention.
to his recording I made a decision to begin.
to play these things. That was around 2005, 2006 and his band is called Nerve.They play the very same. kind of points with a DJ,
a keyboard. player, a bass gamer, and also the drums which'' s. a really dynamic, hard-edged, electronic.
fusion songs. - Kind of tribal.
based, tribal stuff. So Jojo Mayer, the band Nerve.
- Ya, he'' s great.- Possibly another tip, another band that you know of? - Ya, the other one is.
actually a bass player.His label is Square Pusher.
- Okay, can you lead to that? - He'' s a superb. DJ as well as bass gamer.
He does live programs. with a great deal of laptops as well as bass guitar. And also he does the cutting of the.
loops as well as modifying and to play bass in live.
situation, in actual time. That'' s amazing.-'What ' s his name once again? - Square Pusher.
- Square Pusher? - Okay, obtained it.- He ' s fantastic.
He ' s rather prominent because. the late ' 80s, early ' 90s.
So he has at least. 25 recordings, as well as I truly suggest.
all of you guys to pay attention to Square Pusher because in his cds there'' s no any pre-created.
or downloaded and install loopholes. Each of the notes was created by Square Pusher.
- Really amazing. - To make sure that'' s wonderful.
- Very great. Definitely look into.
those two teams. I recognize I'' ve listened.
Ideally we'' ll have
him.
questions for ya before we conclude, '' cause. we ' re obtaining near the end.There ' s a great deal of. questions in here from various participants. that are all extremely similar and also the one concern. I keep seeing a great deal of so I ' ll ask you is what kind'. of strategy are you making use of
to obtain that type of rate while. you still look very loosened? Can you simply perhaps. speak a bit, or possibly provide a. pair tips of just how drummers that desire to. get involved in this design can keep their stress down and also. to get these sort of rates?- Actually, I put on ' t make use of any type of complicated things.I don ' t use primarily',. a Moeller or a push-pull or this kind of points.
I play basically, basic. wrist and finger control. That ' s it.
The only point is I constantly look for'the ideal balance in between the drum set and also myself. So I never ever play by muscles. I try to be always. extremely loose and relaxed. Or else, like 85.
of my focus would certainly be to play out in some way.
the important things by muscles, by arms. So I attempt to play with wrist and also fingers as high as is possible. I play actually with these beats simple stickings,. like songs, increases, some paradiddle points.
I additionally did practicing. like to play right-hand man simple 8th notes, as well as throughout this. playing I tried to change the solitary and dual.
One and also 2 as well as three as well as four.( slow drum music )?
I ' m certain if you. - It ' s perhaps possible. It ' s extremely loosened hold, particularly because you do it.
We ' ll dive a lot more. And if you guys'enjoying this, we ' re gon na do a Q & A tomorrow so you can dive in to.
You spoke a bit.
regarding having 4 snares on your recordings in your home.
Can you speak about why you. have your setup such as this and perhaps why you selected the. tunings for your snares?- Due to the fact that I think in. this type of music we have to use different.
kind of entrapment drums because a lot of the. time, such as this music doesn ' t have. any kind of long drum solos or'something such as this. I did a drum solo right. now in the first tune as well as I will certainly do one. much more in the last tune.That ' s why I utilize.
3 toms here.
However actually, when I. play these type of beats, I imply, it ' s not necessary. to make use of three toms due to the fact that this music. demands a lot more like even more best
cymbal audios. and also a lot more hi-hat sounds and even more snare drum audios. Possibly more kick audios. I also use some triggers during. the recording sessions to mix it
, the electronic trigger noise with the acoustic kick. sound as well as a snare as well.
So, generally this. is the reason.
So I usually play.
like one snare drum, two and also three and four when I do drum bass recordings. As well as just one floor.
tom here, that'' s it. -Extremely trendy,'ya. Well, I ' m excited to see what you ' re gon na.
It is virtually 5 so we ' re.- Okay.- A whole lot more concerns came, however we'' ll do that.
everyone for seeing. Hope you obtained something from it. I most definitely got.
influenced to desire to obtain into this design of songs a lot more. - Thanks. - You recognize, every time I'' m. on your digital drum established, you scroll to the.
drum and also bass point as well as you'' re like oh
, I. desire I might play this, yet I can'' t so I
got ta. method it a lot more.
So really amazing beats,. thank you very a lot.
- Thanks quite. for having me here.
That was a wonderful. satisfaction to'be here.
It ' s an attractive area. as well as everything is ideal. -Well, thank you.
You ' re constantly welcome,
. always welcome back here.Make certain you follow him.
on Facebook if you sanctuary'' t, just facebook.com/szendofi. as well as his name is S-Z-E-N-D-O-F-I. - Yes, that'' s proper.- Yes! I did it!- You got it! -Yes, alright so'we ' re gon na. leave you with one even more tune. What'' s the song called?
- This song is called. Shotgun Strategy.
- Shotgun Approach? -Ya, Shotgun Strategy due to the fact that I have a band,. it ' s called Loophole Medical professionals. That ' s actually a double development with a terrific key-board gamer.
and rapper individual from Hungary. And also we did our last recording which was recorded in Brooklyn.
a number of years before and also we took like.
2 or three takes from this song. As well as all of the takes consist of some huge blunders. And also we claimed, to the audio man, fine, let'' s do one more take. As well as he said, "" Okay,.
shotgun approach."" And we similar to it.
- There ya go. - To ensure that'' s why this is
it.- Those are occasionally the most effective tales when it comes.
to the studio, recording.
- Ya, ya, ya, absolutely. - So, once more, many thanks.
everybody for watching. If you men similar to this go.
to Drumeo.com as well as join. Likewise, for those.
who are enjoying, all the tunes that he played,.
or Peter played, sorry, in this lesson are gon na be.
offered as a play-along so you can attempt what he'' s. doing on them too. So, hi there.
- Thanks quite. - No, thank you.
- Thanks. - We'' ll see you men later. ("" Shotgun Technique"".
by Loop Doctors) ♪ Simply pay attention to the groove.
of the bass and the drums ♪ Beating a sonic.
path, currently below it comes ♪ The art of setting up.
noise to the restriction ♪ Thin airwave design.
within a 5- minute blueprint ♪ Forbid the aesthetic ♪ Free your mind, allow.
go of the usual concept ♪ See the music expand.
graphics in your mind ♪ An unique individual blind ♪ Today all you.
demand is creativity ♪ Some inspiration, association ♪ Noise is open to.
analysis, a.
sonic sensation ♪ Step up to the abstract plate ♪ Open eviction, never undervalue ♪ The mental power.
of important ♪ Intercontinental songs ♪ Which aspect is basic (lively drum songs).
- He ' s great. - It ' s perhaps feasible. In fact, when I. play these kind of beats, I mean, it ' s not needed. Well, I ' m thrilled to see what you ' re gon na.
That ' s actually a dual formation with a fantastic key-board gamer.
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