Jonfoly Djembe ● Transitioning from Slow to Fast Wolosodon ● Mali Djembe & Dunun Lesson w/ Mariam

https://www.youtube.com/embed/1qXp4HkbJ44

There is something I wish to improve for individuals There isn't just one WOLOSO dancing We dance the sluggish variation initial After we've danced that for some time then we speed it up But, this is all part of the WOLOSO dancing You can not state that just the first part is "WOLOSODON" WOLOSODON Includes the rapid variation we show you in this lesson (sings dunun component) This rapid variation is also WOLOSODON Some may call the rapid version "JONFOLY" And the sluggish version "WOLOSODON" Yet it's not such as that It is all WOLOSOFOLY (or WOLOSODON) Some call this JONFOLY Some say JONFOLY, some state WOLOSOFOLY It'' s the exact same point Simply with slow and also quick variations I wish you get a lot from this understanding See you next time Love you, like you Might God be with you in your knowing!

learn djembe here - click

https://howtoplaythedjembedrums.com/jonfoly-djembe-%e2%97%8f-transitioning-from-slow-to-fast-wolosodon-%e2%97%8f-mali-djembe-dunun-lesson-w-mariam-2/

MHD - AFRO TRAP Part.7 (La Puissance)

https://www.youtube.com/embed/bWHR0fS9jvQ

The power, only the power I sanctuary'' t seen defeat given that I was birthed Brother, I'' m doing penalty, am I a wonder male? Talk french, speak in cash or disappear Bring me back the head of the network when we take a seat to supper Why are you talking to me? In your location, you'' re simply a spotter Those who believe they understand me wear'' t understand me Currently I ' m tracked like the anti-crime team in my area You'' re in difficulty, I ' m in the back of a V.I.P box while these bastards are damaged You'' re my challenger, you'' re unfortunate, you can weep for aid Where are the genuine ones? Those that talk little and strike hard on the lockout for every single service Stand back and let me do it When the opposites draw in, that'' s where the bullets obtain shed Just that they obtain lost and also also you, you'' re shed Always awaited as a ray of sunlight Bro, it'' s the power, only the power Respect the procedure, brother, there'' s obvious The power Bro, it'' s the power, it'' s the power The power Bro, it'' s the power, it'' s the power The power Brother, it ' s the power , it ' s the power The power Brother, it ' s the power, it ' s the power It comes back more powerful, I ' m still the exact same It ' s myself against myself, you end up on the flooring My phone ' s calling, I ' m in airplane mode If you want me to stop, you need to reduce off my singing chords It harms, MHD, Afro Trap part 7, the project remains in the stores I have the craze to overcome, whatever'' s great, every little thing'' s crazy.The Moula Gang will not forget I didn'' t see anything, I didn ' t listen to anything, I didn ' t claim anything, but I promise you filthy things You were awaiting me, soothe down, I'' m coming, 2017, I go back to hostilities They intended to boycott me yet they couldn'' t Just God can secure me from it It'' s a lengthy way, I satisfy a lot more adversaries than allies I'' m alone, I wear ' t need anybody Mother prays for me, offensive is the battle, they'' ll obtain it eventually The power Brother, it'' s the power, it'' s the power The power Brother, it'' s the power, it'' s the power The power Brother, it ' s the power, it ' s the power The power Brother, it ' s the power, it ' s the power. I sanctuary'' t seen defeat considering that I was born Brother, I'' m doing penalty, am I a miracle guy? In your area, you'' re just a watchman Those who think they recognize me put on'' t recognize me Currently I ' m tracked like the anti-crime team in my location You'' re in trouble, I ' m in the back of a V.I.P box while these bastards are broke You'' re my opponent, you'' re unfortunate, you can cry for aid Where are the real ones? Brother, it ' s the power, it ' s the power.

learn djembe here - click

https://howtoplaythedjembedrums.com/mhd-afro-trap-part-7-la-puissance-2/

Kelvin and Oti's sizzling Samba turns up the heat 🔥👏 - BBC Strictly

don't see the sender have the glitchet and ot livers Wow what a reaction we quani doesn't sound right he pulls that out the back goodness me talk about being thrown in the deep end oh I'm sorry I'm not surprised are we oh my god well are we not happy you stepped in seriously you have good assets guys I'm talking stop I'm talking about that spine I'm talking about that hip rotation I'm talking about that pools in this in your body rhythmic he'll that was so fun you are strong but you have really the right amount of quantity so you're like bam bam and it gets there your art that was so fun to what I enjoyed that I love that oh my god it was electrifying I'm a little bit lost for words I'm the oldest here so darling I need my fan of my beads but nevermind your synchronized you're coordinated you're powerful but you've got something else as well it's very difficult for a man to be in touch with his feminine side and you are in touch with yours so the sensual way that you touch let me tell you to be a great dancer to be a great masculine dancer you have to be in touch with your feminine side you understand not only about your own body movements but that of your partner you are out standing here we go this hongki's on fire a chain reaction of hot flashes anything calm down is required this is the best Samba I have seen on a debut show here in America in Australia your hands bothered me the wells absolutely needs work hits on the hole stationary Samba was very jagged but God works in mysterious ways amazing well the judges booty Kelvin while you were dancing Kevin Clifton came up to me and he went genuinely he needs to teach me some of that you should only ever have two weeks notice for everything did you love that yeah it was there's a scariest thing I've ever done but it was just sucker crying so just absolutely overjoyed I really am he was regardless of the comments it was just good to you build up some for two weeks and then release it but you both have exactly the same work ethic genui believe you only lunch at 4:00 I mean it sometimes don't get it I mean she works very hard okay fair enough all right scores Rick ladies and gentlemen the judges have their scores krieg Revel Horwood eight Bruno Tonioli so in five years

African instruments here

https://howtoplaythedjembedrums.com/kelvin-and-otis-sizzling-samba-turns-up-the-heat-%f0%9f%94%a5%f0%9f%91%8f-bbc-strictly-2/

Tom Petty And The Heartbreakers - Mary Jane's Last Dance (Official Music Video)

(subtle guitar music) (mid-tempo rock music) ♪ She grew up in an Indiana town ♪ ♪ Had a good lookin' mama who never was around ♪ ♪ But she grew up tall and she grew up right ♪ ♪ With them Indiana boys on them Indiana nights ♪ (lively harmonica music) ♪ Well, she moved down here at the age of 18 ♪ ♪ She blew the boys away, was more than they'd seen ♪ ♪ I was introduced and we both started groovin' ♪ ♪ She said, I dig you baby, but I got to keep movin' on ♪ ♪ Keep movin' on ♪ (upbeat rock music) ♪ Last dance with Mary Jane, one more time to kill the pain ♪ ♪ I feel summer creepin' in and I'm tired of this town again ♪ (lively harmonica music) ♪ Well, I don't know, but I've been told ♪ ♪ You never slow down, you never grow old ♪ ♪ I'm tired of screwin' up, tired of going down ♪ ♪ Tired of myself, tired of this town ♪ ♪ Oh, my, my, oh, hell yes ♪ ♪ Honey, put on that party dress ♪ ♪ Buy me a drink, sing me a song ♪ ♪ Take me as I come 'cause I can't stay long ♪ ♪ Last dance with Mary Jane, one more time to kill the pain ♪ ♪ I feel summer creepin' in and I'm tired of this town again ♪ (upbeat rock guitar music) ♪ There's pigeons down on Market Square ♪ ♪ She's standin' in her underwear ♪ ♪ Lookin' down from a hotel room ♪ ♪ The nightfall will be comin' soon ♪ ♪ Oh, my, my, oh, hell yes ♪ ♪ You got to put on that party dress ♪ ♪ It was too cold to cry when I woke up alone ♪ ♪ I hit my last number and walked to the road ♪ ♪ Last dance with Mary Jane, one more time to kill the pain ♪ ♪ I feel summer creepin' in and I'm tired of this town again ♪ (lively harmonica music) (upbeat rock music) (seagulls squawking) (waves crashing)

African instruments here

https://howtoplaythedjembedrums.com/tom-petty-and-the-heartbreakers-mary-janes-last-dance-official-music-video/

Drum Lesson #2 - Your First Drum Beat - How To Start Playing Drums | PMT College

https://www.youtube.com/embed/mot_B7V6OiM

hello there welcome to PMT College my name'' s. Russ Tarly from drumheadz.co.uk and also today we'' re going to be discovering our . first drum beat so we'' re mosting likely to be checking out some steps on exactly how we can. develop that rhythm up currently there'' s fairly a whole lot going on because rhythm so we require. to break it down into a slightly less complex rhythm one that we see rather regularly. anyway yet it'' s a little much easier to play as well as that ' s similar to this to play that. rhythm firstly we require to see to it we can play the high hat as well as the bass. drum at the very same time so that'' s what I ' d like you to do initial is shot and also play the. bass drum and the high hat at the very same time and likewise state one one when you'' re. comfortable keeping that we need to be able to play the hi-hat and also the snare drum at. the same time and this time state 2 two and also when you'' re pleased with that said we need. to be able to go between those 2 beats between one and 2 with no. hesitations so this is where we need to take things genuine sluggish take our time be. patient think of what we'' re mosting likely to play next before we play it one 2 one. two one-two-one in our modern music we. normally play to songs that'' s in a 4/4 time trademark which basically suggests. that there are 4 beats in a bar so in a lot of music that we pay attention to we would. count one 2 three four one 2 three 4 so if we take both beats that we. were playing one and also 2 and also duplicate them yet then matter 3 and 4 that will. give us one entire bar of that groove in a 4/4 measure signature one two 3 four. one two 3 four one of the most crucial thing you can do at this phase is go. slow and take your time the slower you go the quicker you'' re finding out if we go. a little also fast at this stage we'' re most likely to obtain in a little of a. jumble so points that we wear'' t want to do is play 3 things at the same time. inadvertently or we wear'' t desire the hi-hat all the entrapment drum to what ' s called. pounding to make sure that would appear like this all in between the high hat and the bass. drum we want to do our ideal to attempt and line up the high hat as well as the bass drum. so they'' re great and also limited with each other as well as the very same with the entrapment drum as well as the.'hi-hat now that ' s what method is everything about we ' re not just going to take a seat. and it ' s going to appear remarkable immediately so now we recognize what to do. we can spend our time as well as technique this so at some point it'' s going to appear nice the next thing that we intend to be able. to do is when we'' re comfy playing our rhythm is to take the tempo or speed. up very a little as well as once again as soon as you'' re comfy with that said tempo you can take. the quicken just a little quicker all right taking that rhythm and also proceeding to the. next action would certainly be to add an extra hi-hat in between those beats that we'' ve. simply played so we'' re mosting likely to reduce every little thing down once again as well as when we play. an added hi-hat in between those beats we'' re mosting likely to call it therefore we'' re. in fact mosting likely to say one and two and also three and also four therefore currently we can include the. bass drum as well as snare drum to our high hats on beats one 2 three and also 4 as. we did already once again we'' re mosting likely to go really slowly simply so we can get the. notes aligned in order and also we can obtain the coordination of the appropriate limbs. lining up at the same time one and also 2 as well as three and also four and also if you can get. that much you'' re doing fantastic you'' re doing wonderful that'' s a great deal of information. as well as that'' s a great deal of points to take on board when you'' re just starting so. once more take your time go slow usage your voice matter the numbers one and 2 as well as. 3 as well as four and also as you resolve it and see if you can obtain the rhythm to. return round on itself so you can attempt and also play it in a. constant style make that an objective and a difficulty for you. to practice a work on being able to play that rhythm four times pleasantly one. and two as well as 3 as well as 4 as well as one and also two as well as 3 and also 4 as well as one and two. and 3 and 4 and also one and also 2 and 3 and also 4 as well as once you'' re. comfy playing that rhythm wonderful as well as slow-moving. 4 times rounded and also round we can start to enhance the tempo just get it a. little quicker so there we have it there'' s our typical 8th note rock. groove that'' s basically the foundational rhythm that we find across. today'' s contemporary songs that can be applied to rock hip-hop funk R&B dance songs. everything that we pay attention to is typically mosting likely to originate from that. fundamental rhythm so in the next lesson we'' re mosting likely to be checking out some. preferred bass drum patterns to make our rhythms a little bit much more different as well as. interesting thank you for watching truly wish you discovered this lesson beneficial. put on'' t forget for a big selection of drums and also cymbals you can see PMT. online uk if you have any kind of concerns whatsoever about this lesson please feel. free to contact me by means of the drumheads website and also if your neighborhood record Smith. in South Sea you'' re greater than welcome to publication in a lesson with me at the drumhead. workshop thank you once again for watching see you once again on the following lesson.

get djembe here - click

https://howtoplaythedjembedrums.com/drum-lesson-2-your-first-drum-beat-how-to-start-playing-drums-pmt-college-2/

How to Play Slaps on Djembe | African Drums

https://www.youtube.com/embed/G1czfBkxbBk

Speaker 1: Just how do we play the add the djembe? The put is the highest possible pitched sound, it'' s. not the loudest, they must all be equal in quantity, but the slap has the higher pitch. The means I make that slap is I open my fingers. simply a bit. I make certain my thumb runs out the means, as well as. I make certain I take off the drum by moving from the arm joint all like one device, like. this. Everyone'' s put is a bit various, everyone ' s. hand is different, every person'' s drum is different.I always note from the pad of my hand all. the way to the pointers of my fingers, all the size of my finger. Audio speaker 2: Mine is the very same, but a little. different due to the fact that I obtained a small hand, so my technique is various. Yet at some point, you got a huge hand, you got. a tiny hand, the means you make the sound does originate from you. Look just how I make my sound. Speaker 1: Both of us are unwinded, as well as we. always take off the drum. Speaker 2: You see, I'' m relaxing, yet I can. You can play slow-moving. You could play loud, you can play soft. slap like a 8 matter. Speaker 1: Which'' s just how you play the put. audio on the djembe. The means I make that put is I open my fingers. Look exactly how I make my noise. Audio speaker 1: Both of us are unwinded, as well as we. You can play sluggish. You can play loud, you can play soft.

learn djembe here - click

https://howtoplaythedjembedrums.com/how-to-play-slaps-on-djembe-african-drums/

Davido - Stand Strong (Official Video) ft. Sunday Service Choir

https://www.youtube.com/embed/KyR6Sd2-afI

FALSE:: ERROR: UNSUPPORTED ENCODING

learn djembe here - click

https://howtoplaythedjembedrums.com/davido-stand-strong-official-video-ft-sunday-service-choir/