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hello everyone today'' s video is on the 3 basic. sound of djembe currently today djembe is played widely all over the world it is being used in. modern music in drum circle too as traditional djembe classes and also djembe neighborhoods. what i'' m mosting likely to reveal you today are the three fundamental audio of just how it is. to be used the djembe we'' ll be discovering bass sound, tone. audio and also slap audio alright you ready djembe bass that'' s it looks very easy right currently the crucial point below. is facility of our hand onto the facility of our drum now in most of my novice classes, pupils. often tend to place their fingers together but i would certainly urge you to relax your finger actually. because our hands or rather our hand needs to be loosened up, crucial thing here is as well as this component. our palm needs to fulfill the center of the drum to attain that full bass sound on our djembe all right now remember these are the. incorrect setting to play our base currently the djembe i have below is a i will certainly call it a reasonably tuned djembe. so bass will certainly sound like this this is just how bass sound like. on the djembe that is not tuned this is bass played on a djembe. that'' s tuned to a really high pitch usually in my classes when we discover djembe rhythms. i will ask my pupil to sing bass on the best hand "" Bom"" left hand "" Gu"" great these are the. usual uh syllables that i will certainly make use of as well as later on on this will certainly work for us to play a specific. tone sound currently firstly our fingers should be close together such as this and also our knuckle. bone relaxes just outside the side of the drum as a guide look at the circle of the drum. like a clock so we position our right hand at the five o'' clock placement fingers aiming. to center of the drum thumb is constantly outside alright knuckle bone shouldn'' t be. inside due to the fact that if it ' s inside you ' ll be injuring your knucker bone because. you ' ll be hitting it against the wood edge of the drum but we put on ' t intend to position it too far. out as well appear will certainly be extremely slim so right here watch once more the second component we wish to consider is exactly how to. swing our lower arm down so do bear in mind elbow is repaired we move our lower arm up all right we do. bend our wrist a bit fine and also turn down if we put on'' t bend our wrist. we ' ll be playing like a robotic which we put on'' t want and if you don ' t action. our lower arm only wrist there'' s very little uh weight or intensity in that momentum as. well so a mix of lower arm as well as wrist currently i understand there'' s a whole lot of. technical explanation right here so put it just struck it like you will certainly strike as well as finish of insect. that'' s it you have your tone noise currently typically in my class i will ask students to sing. right-hand man tone as "" Pe"" left hand tone as "" Te"" in some djembe neighborhood they sing both hands as. "" Tu"" for tone "" tu-tu another detail right here that a lot of students uh may not know about playing. tone or generating an excellent tone is this when we land great how our palm angle plays a substantial. function in whether you'' re going to create an excellent sound or not okay so uh what i would suggest. is your hand needs to turn a little to towards you inwards all right to make sure that the intensity of. your uh tone is stressed on your center finger as well as your index finger alright but certainly that. doesn'' t mean that we ' re gon na play tone just with this 2 finger okay it ' s simply that to angle our. hand a lot more towards such as this instead than such as this i will certainly reveal you the distinction. when it ' s angled like this'noise it ' s not regular often you obtain a level. noise however if you angle in the direction of similar to this the consistency of the tone noise is better currently. this is a tone audio on a modularly tuned djembe this is a tone audio on a djembe that is not tuned this is tone audio on a djembe. that'' s tuned to an extremely high pitch next we check out the slap noise of the djembe currently. the slap sound is played at the exact same position as the tone sound so what makes both sound. various the crucial thing below is in how you put your hand so let'' s take recommendation from our tone. currently this is tone 3 steps we relocate right into the placement of our slap noise very first step release. your fingers or open this way 2nd step tilt to practically a 90 degree angle all right and afterwards. next just move somewhat up a bit to make sure that your knuckle bone is not against the edge of the. drum fine this is to stop hurting yourself so at this position we likewise desire to ensure. our thumb all right is beyond the side since we put on'' t desire to be injuring. our thumb versus the side also now when we play put this is where our hand. will land and our fingers should be unwinded in such a means that when we hit similar to this our. fingertips will be put onto the drum currently the slap is a method that takes technique. all right and also you can just obtain better at it now one thing to bear in mind all of us have various. hand sizes and additionally we are playing on different drums so what i simply show you is essentially a. basic overview to playing drum currently for some of you that may have a larger hands or longer fingers all. right i would certainly recommend that you move down a little little bit okay as well as it likewise depends upon the kind of drum. that you are playing if the edge is a great angle that fits to your hand so the bottom regulation is we. wear'' t desire to be hurting our hand no bones against timber okay no bones no any kind of part of your bones. hitting versus any component of the timber on the drum all appropriate and also the contact factor should be. just center of your palm as well as fingertips now we'' re going to compare the put. noise on various kinds of drum drum a on a moderately tuned djembe now put used drum B, a djembe. that is not tuned in all slap on the djembe that'' s tuned to a high pitch normally in my course for put sound i. would ask trainees to sing "" Ta"" or "" Ka"" alright currently at the end of the day it doesn'' t matter what. kinds of vowel words you use for bass tone as well as slap as long as the 3 various noises. are distinctively different from each other the three standard sounds of djembe are. like the vowels for the language of the djembe currently as an example as we talk we uh if. our vowels a e i o u are not obvious uh clearly then we won'' t be able to share ourselves. uh in a clear way exact same thing every standard rhythm okay based upon a three various noise has. its own desired musicality inside so if your three audios are not clear then the meant. rhythm wouldn'' t have the ability to share plainly a very straightforward instance of a rhythm placing. all 3 noises together would certainly be a rhythm we call Kuku an incredibly popular. rhythm in many djembe areas so picture if playing this rhythm without a plainly specified bass or tone or. put sound it would seem like this as compared to the exact same can be done play. on a djembe that'' s not tuned as well as the same Kuku rhythm use a. djembe that'' s tuned to a really high pitch another instance for you where we. integrate base tone and puts with each other so likewise if your bass tone and puts are. not clear it'' s gon na appear just similar to this the same rhythm play on a djembe that'' s not tuned as well as the exact same djembe rhythm played. on a djembe that'' s very tuned and also after that there are specific sound in. conventional djembe rhythms where we incorporate 2 noises together alright for instance this is a mix of bass and also tone as well as after that bass with slap or we likewise have noises where we combine 2. of the very same noise together like 2 tone or two puts one last option we have. is we incorporate tone and concoct where in one circumstances you listen to both tone. and also slap yet kind of takes place one after one more currently i will show you uh example of a couple of. rhythms where we can hear a consolidated noise in his uh rhythm phrase so one such rhythm is called. N'' goron it goes like this one 2 3 four very same rhythm play on a djembe that'' s not tuned exact same rhythm played on a shrill djembe one more example is a rhythm called. Lekule one 2 3 four same rhythm on a djembe that'' s not tuned same rhythm play on a high-pitched djembe currently the djembe is one playing surface yet 3. various noises we can create on it although there'' s only 3 different noises. there are so much configuration we can obtain from these 3 audios in regards to. rhythm expression in terms of solo phrase there'' s just so much vocabulary for us to discover. what do you think of this video clip is there any kind of question you'' d like to ask us around. tone bass as well as put as well as the rhythms that you might have experienced that uh that'' s. testing for you that you intend to speak with here inform us in the comment section okay or merely. reveal us some enjoy see you at our next video.
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