MHD - Bébé (feat. Dadju)

https://www.youtube.com/embed/xO2y82caN4U

I started my life without you I'm not gon na wind up without you We leave one an additional, come back together It's the exact same point over as well as over have actually claimed way too much, say goodbye to 2nd opportunities with you All the little tantrums you have actually placed me through She keeps in mind every 2nd, our very first days covert She said I swept her up like a wave That she prepares to follow me to my serious Don't speak with me about love, I've provided way too much Sorry if my heart's as well chilly, it's lost that soft touch And in her head it's "" Cafu Cafu"" Do not look any kind of better, I'm the one for you, for you Your buddies look at me like I'm a fool, a fool From top to base like a dancing step by katchou, katchou They're attempting to enter our means Listening to others hurts Do not wan na understand what they say, I'm the one speaking with you. With each other we make a pair Stop living for other individuals. Find some ground in the center Don't listen to what they claim, I'm the one speaking with you.Together we make a pair To my child, to my child, to my infant, my infant To my infant, baby, baby, to my infant. To my infant, baby, babay, to my child To my baby, my baby, my infant, my infant If you desire points to obtain far better you require to grow out of your covering If you keep repeating on your own, it's not gon na end well If you listen to them all, we're not gon na last You give as well much power to those we require to fend off And everybody's speaking about "" Dadju, Dadju"" Can't you see they're all envious of me, of you All that gossip is out to obtain you, get you From entrusted to right like the actions in shaku, shaku They're attempting to enter our way. Listening to others hurts Do not wan na know what they claim, I'm the one talking with you.Together we make a pair Stop living for other individuals. Find some ground in the center Do not listen to what they state, I'm the one speaking with you. With each other we make a couple To my baby, to my infant, to my infant, my infant To my child, baby, infant, to my baby. To my child, baby, baby, to my child To my child, baby, child, my child Hey, infant, allow 'em state what they claim You beam brilliant, you're the one who lights my way Hey, child, allow 'em state what they claim You beam intense, you're the one who lights my way To my child, my infant, my child, my baby To my infant, child, baby, to my child. To my infant, to my baby, to my child To my child, baby, infant, my baby.

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How To - Tune Djembe with different techniques!

https://www.youtube.com/embed/RkXePbwyTsE

hello everyone in this video i would like to share  with you how to tune our rope tuned traditional   djembe okay now uh there's a few techniques  in tuning uh our rope-tuned traditional djembe   so uh different types of tuning uh  strategy will be used for different   type of drums and different types of situation  okay if you're ready let's just jump right in first i want to show you some of the tools that  i use usually before i show you the tools i also   want to let you know that if in the event you  don't have these tools you still can tune your   djembe as well just that you will do it in a in  a more difficult way in a more challenging way so   it's not impossible if you don't have tools okay  so let's look at here now first of all i have this   we call this a djembe puller or djembe rope puller  or a djembe puller bar all right they all refer to   the same thing now usually you can get these from  uh online shop selling djembe uh you probably can   get it Amazon i'm not sure but online djembe shops  like Rhythm Traders in the U.S.

Uh drumskulls.com um   and Wula Drums as well so it looks something like  this i will show you how to use it later part   the video next is the clipper now these two  items are to be used together very important   okay i will show you and if you don't have these  two items there's another item which is a more   efficient item it's this new invention here by  a close friend of mine from China and he owns a   brand called Zebra Djembe this tool is basically  a replacement of these two tools here okay and   for this product it comes with this little  animal looking thing okay it looks very cute   but it's very useful i will show you later on and  if all else fails if you don't have all these nice   you know super solid tools that i just mentioned  if you only have a dunun stick that will work as   well okay but for this to work you need to pair  this up with very strong hands very strong hands so now let's explore the first tuning technique  otherwise also known as the Tying The Knot   technique which is a very common way of tuning  the djembe so what i have here is a traditionally   made djembe from Guinea west africa now  there are also other djembe coming from   Ivory Coast, Burkina Faso, Mali, Senegal, Gambia  now if you have djembe from these region   chances are they are what i would say well made  and you can see that the way the rope is being   weaved into the drum are evenly spaced out okay  now this is important because when we start to   apply the Knot Technique that  means every knot that we apply   it will contribute to a certain tension to the  djembe skin so every knot that we're gonna apply   basically is worth our effort for pulling the knot  okay as you will see later now uh this djembe   the skin is newly placed onto the drum so  you see there are no knots okay every rope is   evenly distributed so in case you're wondering  okay this green color rope the whole thing you're   seeing here is one long rope all right and this  is the opening end okay meaning it started from   here and goes all the way up and down round to the  drum and it kind of ended up here okay so we're   gonna find the other end of the rope okay which  is the only other end of the rope because the   other end of the rope is here if you  can see okay it's here right and this is   the other end of the rope now so while  here we're gonna go back under this okay all right now make sure we pull all  the way out first like this and put it   tight we don't have any slacks here now we  want to have this end come back here okay to   go through the next two ropes all right so when i pull this okay this rope will go over  this rope okay or in other words this rope here   will go under this rope thereby forming a knot  okay so as you're seeing now i'm pulling in my   bare hands okay this is a situation where you  don't have any tools all right now make sure okay   leave all the slacks out first okay once you  are in position then we pull a knot all right   i'm gonna do it now see this is our first knot  okay this is our first note okay uh some of   you who are watching may be wondering but how  do we know which two ropes to start off with   right okay because once we start out with  the wrong two ropes okay it's gonna um be uh   be very troublesome later on so i'm gonna loosen  this out so that you can see in the case where   the last vertical rope is in position see see  this last vertical rope is coming from the whole   complete weaving of the drum the complete round  and now this is the last vertical row in position   all right and then we wanna come in to the  next double rope okay when you look at the   double rope okay we look on top here we want  to have this double rope not these two because   this would be the same two we don't want the same  column or rather two ropes from the same column   we want a two row from a different column so  this two is the uh two ropes that are nearest   to the last vertical placement okay now we do  this right so we are aiming for this two ropes   okay now again i'll demonstrate what  i did earlier on turn back like this   okay now make sure we don't want to turn we don't  want to do this step like this immediately we want   to pull off the slack first always pull off the  slack first very important okay so now i'm gonna   get the tag end of the rope okay you know i  kept saying the other end the other end right   now so technically we can pull the knot like this  already see if i pull that all right but if i just   pull from this point it's a little bit difficult  so a more intelligent way is to go through   prepare the next pair of vertical rope first okay  remember we have to go underneath it prepare first   so same thing pull up all the slack make sure  you pull down okay do not pull like this do not   put a knot like this in this way no always pull  down all right so we wanna minimize the slack   and that's it that's the first knot we have  okay so once we have it we're gonna prepare   the next knot by doing this okay so like i said  we don't want to pull this immediately technically   we can but we want to prepare the next pair  first all right and then we're gonna pull again   all right and make sure we pull  hard so that we have it too not so as you have seen the first two knots i use  my bare hands to pull the rope all right it's   not impossible okay but your hands might hurt or  you want an easier way out all right a tool that   we can use is our dunun stick so what do i mean  so let's say now i prepare the next knot now okay instead of using my bare hands which  can be painful now i'm going to use   a dunun stick how do we do  that okay watch like this just all right okay we kind of pull our this  rope around all right because the rope   has friction we use a friction to stop the this  rope from uh slipping away and there we have it   we can hold on to the uh dunun stick  as a uh strength puller but you see   this is too much right i'm basically holding  up my stick here so that's not practical so   what can we do we want to  do it lower that's it okay and now i can just pull like this   yep much easier okay so i'm gonna do next knot  again okay minimize slack prepare for the next   now realize i'm usually using this  technique instead of using the tag end to   to go under so this djembe is nicely made so it's  easy for tag end to go under but sometimes some   ropes are so near to the shell that it's hard  to squeeze in so we use this technique okay   this technique to prepare the next  column okay same thing minimize the slack   i'm going to use my dunun stick again  sometimes i'll go at least two rounds   to prevent the rope slipping now i can apply  strength using the dunun stick and pull so that's one way if you wanna don't wanna use  your bare hand the other two that you can use   is this uh so well sometimes we call it djembe  puller as well um this is one made from uh the   company called Zebra djembe you can find other  similar type products in the online djembe   shops as well in fact any kind of rope puller that  has a groove okay in this tool here the   groove here is to prevent the rope from slipping away  so in this case i'm gonna just like this see it's   not slipping away anymore so i actually can hold  on to this uh tool which is easy for the hand   to pull so it's not so painful for the hand  because you're going to be doing so many knots   at the end of the day you're going to have  calluses if you don't have these tools all right   so i'm going to prepare the next knot now and i'm  going to be pulling the next knot with this uh   this little tool here in position see it's not  moving now okay and then just grabbing it and pull that's it all right so i will continue this way  i'm using these two right and then at the end of it when i  finish complete round i will show you   uh what's the result of the tune djembe this is the djembe that has been  tuned with the first technique   which is tying a knot with two ropes flipping  over one another this is the end result so now we're going to explore the  second type of tuning technique for our   rope-tuned djembe now before i show you  that i just want to share with you that   um from my experience if you have a djembe from  West African countries like Guinea uh Burkina Faso   Mali, Senegal, Gambia, Ivory Coast chances are those  djembe are like the one that i showed in my   first tuning technique demonstration okay where  the vertical ropes are uh spaced apart uh enough   that when you tie a knot it's gonna contribute  tension on the djembe skin but in this case like for   this djembe here the vertical ropes are very close  to one another so the first technique of tuning   the djembe is not going to work so this is the  second technique now to start off with this is the   remaining of the rope right we're going to  use to do our second tuning technique in   the first technique i mentioned we had to  first identify the first two ropes right   that's it in this technique same  thing identify the first two rope okay   we go under but this time round is not just  two ropes but we go under three ropes all right also earlier i mentioned that we need to minimize  the slack but for the sake of demonstration   i'm gonna leave the slack there so you can see how  the rope um runs through these three ropes okay   so underneath all three ropes and  then bring back the tag end again   over the third rope and then underneath  again back through the second half first like this okay and bring back the  tag end over the first rope again   underneath second row and on  top finally of the third row okay see like this right yeah so what we  are doing is basically flipping the third   and the first rope over one another  okay that's the second tuning technique   i'm gonna minimize the slack now to do the  actual flipping of the first and third rope okay that's it okay you see the first knot here okay  you see the first knot here involves three ropes   so the next step we're gonna prepare three rope  as well okay it doesn't matter now whether the   next three rope is part of the same column or  different column basically the next three vertical   ropes okay so again underneath three ropes sorry  three vertical ropes i'm gonna pull off slack   over the third one okay and then  back up again over the first one over the first rope and then underneath the  second rope and on top of the third rope   all right and then i pull again all right  so the second technique basically is to make   sure that every knot has a certain amount of  tension being applied onto the djembe skin   also coming back to the tools we can  use our bare hands we can use our   wooden stick okay now i also want to show another  tool i have here it's a very common tool that   djembe players in djembe commonly use all over the  world it's called the Clamcleat Power Grip   Clamcleat Power Grip all right actually there're two  version of it the first version is a smaller one   where the width is about this long and this is  the bigger version for bigger hands okay so i'm   gonna prepare the next three vertical ropes again  now i'm gonna use this to help me pull the slack right remember back over the third rope and  all the way to the first rope for your slack   very important over the first  rope underneath second rope   and on top of third rope same thing pull  your slack first and then pull your knot see here okay nice groups of three  what they grouped together okay so   i'm gonna continue through the uh rest  of the ropes okay one complete round   and then later we're gonna check how to tuning this is a djembe that's  being tuned with the second   tuning technique where we have the rope  go under three vertical ropes and have the   first rope and the third rope flipped  together this is the end result   now we're going to explore the third type  of tuning technique for rope-tuned djembe   now the third tuning technique is to apply  on djembe that's in this case as you can see   not just the vertical ropes are quite close to  one another but it is also very loose okay see   it's so loose that whether you're gonna use the  first tuning technique to apply knot or the second   tuning technique where you do not with a three  vertical rope that's not going to contribute   any tension to the djembe skin okay so the  third tuning technique will not be doing any not   simply the strategy is to make sure we pull out  or rather minimize all the slacks here okay so i   mentioned earlier before for every rope-tuned djembe  all this vertical rope that you see actually   belongs to one long rope so in this case okay the  starting point for this long rope starts from here   and then down and up and down and up and down all  the way through one complete round and to here   okay so if you're gonna pull the slack okay this  is a tedious job all right we have to start   from the first column all right so you see i'm  gonna the idea here is i'm gonna pull this slack   okay have this slack pass over this slack to here  and push the slack here so as we push the slack   in each column we're going to be accumulating  the slacks and until one whole big round   that accumulated slack will contribute to this  remaining rope and then thereafter we can start   tying knot with the first technique or the  second technique okay so in this case it's   almost impossible to use bare hands to pull  off the slack okay so we need special tools so the first type of tools i'm going  to be using to pull off all the slacks   from the djembe ropes is our djembe puller bar  but this has to be used together with the clipper okay so first djembe puller bar you see this little  thing here it's for us to hook up the slack okay   hook up the slack so this is the first column all  right so this is the first rope now see i'm gonna   hook up here and then this part is for you to  support all right on this part of the djembe okay   put my both legs up and as i pull this slack okay  i'm able to apply tension on the drum skin now   but i have to make sure i can transfer this slack  onto the subsequent column right so to hold the   rope at this slack this way i use a clipper to clip  it here okay so the slack won't return back to its   original position okay so i'm gonna clip here  okay it's not tight enough so i need to adjust okay so clipper in position if i clip it  it's gonna stay there see now we can hold   the slack here so we're gonna pull this  slack out and transfer to the next column   and on to here for our puller bar to pull again  but that's the thing you see sometimes the rope   has so much friction it's hard to transfer  the slacks over so what do we do we need   something like a normal screwdriver okay now this  is very useful all right so i'm gonna kind of just   hook yes hook out the slack so that it  can loosen up and lessen the friction   and then transfer the slack yes to  the next column and next column here   okay now the opening for the next column is here  same thing use the puller bar to hook it all right   now we still don't want to let go of the clipper  first we pull first then let go clipper all right   see slowly the slack is transferring over  bit by bit so likewise clip next part again okay see the slack is building up slowly  all right slowly but surely now transferring   okay slacks over transferring here again now  this djembe i have here is a Bali made djembe   i haven't been touching this djembe for a long  time so the friction here is really really tough   okay again i'm gonna hook right so this process  basically repeats itself for every vertical column   all right make sure i pull first and let go clipper okay so as you can see the slack is  getting more and more each time   okay so that's what i meant  by accumulating the slack now there comes a point in time right when our slack is too much okay this the space is too  much until you know even before i apply tension on   the puller bar i'm already at this position  so i would have left very little space for   me to actually apply strength to pull up the  slack so in this case that's what this fella   is useful for all right so at this point we won't  be using this anymore in fact we'll clip it here   okay here all right now we have enough yes space  to use this guy here and also have the bottom of   the puller bar all right uh anchor against this  part of the djembe and pull let go of clipper   yes so henceforth we'll be using this  to hold the slack instead of this so as you can see even with the tools here i'm  still a bit panting right i still require a   lot of strength so at this point um if  you have these two tools here the clipper   and the djembe puller bar you're all set to  go but now i want to share with you another   tool which i think it's more convenient  and less hectic okay now is this tool here   it's a new invention by one of my friends uh in  China uh actually this product has been around   for quite some time okay now this two fellas here  these two guys here basically uh do the same   thing as what the puller bar and the clipper does  i'm gonna show you so at this point we wanna be   transferring the slack until here and  pull this guy right so to give you a idea   this fella basically the function is like what the  puller bar is doing its function is like what the   puller bar can do and this little animal looking  creature will be replacing the clipper so as you   can see i'm trying to transfer the uh slack  to this part and ideally to this part so we can   pull off the slack and let go of the clipper  now usually in this step we will be using the   uh djembe puller bar to hook up the slack right  but now instead of the puller bar i will use this   tool here so this part of the tool is used to anchor  at this part of the djembe right now make sure   so this is we can open up like this but first  we'll keep it closed first this part anchor here   all right and this is the part that's gonna  kind of grip the rope okay so anchor actually anchor grip the rope okay and then i start  pulling see it's gripped here and i actually   can pull now that's it i don't have to use the  hook anymore all right so after i pull one whole   uh round here i can right take it out  again and prepare for the next close it up bite the rope again okay and pull again  so you see now i let go my clipper and i pull i don't have to be using the  puller bar anymore okay and i pull i'm not   using any strength okay see so and pull all  the way down okay so at this part we wanna   the clip usually will use a clipper to clip  on the tension right so that the slack won't   go back right so we'll use this little creature  here to kind of park our creature right here   okay let the creature sit on the rope and  push all the way up then we let go okay that's it the tension it doesn't go back  because it's stuck here this fella here   helps us to hold the slack all right so now i'm  going to transfer this here right it's going to   be painful if i use my finger to hook this up  so what do we do okay this new invention here   lock it here anchor the point   here let this part bite the rope okay okay this   is what it looks like here so there's groove here  it can easily just bite on our rope okay and then   that's it okay and i start pulling right do a  second time so basically if you have a lot more   slack ready you have to do this a few times for a  single column okay but you know not much strength   being used and uh it's relaxing  it's pulling it's pulling now   i use my little creature here to tuck it  here to stop it the slack from going back see yes now this is the djembe that's being tuned with  the third tuning technique where we pull all the   slack off the vertical ropes okay that means  no knots okay as you can see no knots on this   djembe but simply pulling off the slack uh from  all the vertical rope and this is how it sounds so these are the three different types of tuning  techniques we can use on rope-tuned djembe after   you have tuned your djembe my advice would be  to always keep your djembe in a dry environment   now i come from singapore singapore is near the  equator so our country has very humid condition   it is almost impossible to be in a dry environment  so what i do is i try to have a dehumidifier at   the place where i store my djembe also have my  djembe be kept in a bag if i'm bringing my   djembe out for class or for performance and  if you ever drive don't leave your djembe in   the car overnight all the best to your djembe  playing let me know what you think about this   video and uh tell me any questions if you  have all right post in the comment section   remember to like and subscribe to our  channel and see you at our next video

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Africa's Elephant Queen | Kenya

TIM NOONAN: This is Tsavo, Kenya's largest national park, 11,000 square kilometres big, home to the largest land animals on earth. It's a privilege to see the herds of African elephants roaming free. But these baby elephants almost didn't make it. They're all orphans. And in this orphanage near Nairobi, they're being taught the skills they'll need if they're to have any chance of returning to the wild. Dame Daphne Sheldrick: Elephants have all the same emotions as humans and that we've learned over 50 years. They can read your heart and your mind, they really can. They can. TIM NOONAN: Some of these youngsters will soon be ready to be released into the national park. Thanks in no small way to the woman they call the 'Elephant Mother' - Dame Daphne Sheldrick.

Dame Daphne Sheldrick: All the elephants that we've saved, not one of them would have lived without us. TIM NOONAN: Dame Daphne was born in Kenya to English parents. She has raised two daughters and 130 orphaned elephants and counting. They really are like babies, aren't they? Dame Daphne Sheldrick: They really are, yes. But, you know, it's very important that they sleep soundly at night. And you know that there are no tummy aches, no problems. It's very important to keep tabs on what goes in the front end and what comes out of the back. TIM NOONAN: Dame Daphne's love affair with elephants began when she worked as a warden with her husband, David, in Tsavo National Park. When David died of a heart attack in 1977 she opened a centre in his name to protect the baby elephants. TIM NOONAN: Why are these elephants being orphaned? Dame Daphne Sheldrick: Mainly it's poaching for ivory, it's the ivory trade.

And as long as there is a demand for ivory, particularly in the Far East, there's going to be people in Africa that will be killing elephants for money. The wild animal trade is as big as the drugs trade and the arms trade now. TIM NOONAN: As many as 35,000 elephants every year, 100 a day, are killed for the ivory trade. This is the heartbreaking scene being played out all too often - a mother's leg has been shattered by a poacher's gun, and her baby refuses to leave her side.

She knows only that she has to protect her dying mother. The rescuers from Daphne's orphanage have come to try to save the baby. TIM NOONAN: If you didn't step in, how long would they survive? Dame Daphne Sheldrick: Probably two weeks, max. TIM NOONAN: The mother cannot be helped and will have to be euthanised. Her baby is starving and exhausted but still fights to stay with her mum. She's eventually flown back to Daphne's orphanage where for the first time since her mother was shot by poachers, she drinks milk.

(SLURPS) Dame Daphne Sheldrick: The way to turn them around is to bring the other orphans that are already settled in the nursery around them, and they can see the reaction that the other orphans have with their keepers. TIM NOONAN: You become their father, you become their mother, you become their best friend. Edwin: We become everything to them. TIM NOONAN: Head keeper Edwin leads a team of 50 elephant handlers. Edwin: If you don't love them, then you have a lot of problems with them. Especially elephants because elephants are very intelligent animals. They can reason like we do. They can figure what is in your mind and they can tell if you are thinking negative or positive about them and that can make them become your friends or your enemies. So you need to have a positive heart, you need to love them so that you can become a keeper.

That is the most important thing. TIM NOONAN: Caring for a baby elephant is a full-time job. The keepers sleep in the same shelter as the orphans. And before dawn, the day begins again. Good morning. Somebody's already awake. One by one, the little elephants rush to join the other kids. The morning routine starts with brekky in the bush. But one of the orphans is proving to be a handful for one of the keepers - Amos. Amos: That one.....is a very naughty one. TIM NOONAN: He's the troublemaker? Amos: The keepers give him a nickname. We call him 'al-Qaeda' because he's in trouble all the time, pushing others down. TIM NOONAN: You call him al-Qaeda? Amos: Yeah. TIM NOONAN: A vital ingredient in the healing process is milk. C'mon. For years, Daphne struggled to get the milk formula right. Dame Daphne Sheldrick: They cannot digest the fat of cow's milk. And actually, the nearest thing to the fat in elephant's milk - and it's not perfect - is coconut.

And it took a long time to actually figure that out. TIM NOONAN: And if the milk feeding time at the orphanage is any guide... (GROWLS) ..Daphne's milk hits the spot. (ALL GROWL) (KEEPERS TALK) TIM NOONAN: You thirsty, mate? You're walking them into this truck here, disguised. What's the purpose of it? Edwin: The purpose of this is to get them used to getting in the truck and feeding them from there.

So that one morning, when they're ready, we take them in and we close the doors and we start our journey to Tsavo where we're introducing them back into the wild. TIM NOONAN: Today, three of Daphne's orphans are going to be released. It's a 4-hour drive to the Tsavo National Park. This is their new home - thousands of square kilometres of wilderness, a second chance at life. And while there's no way of knowing whether or not they'll survive down there, this time, it's nature's call. But first, they arrive at a halfway house. A transition stop where they're introduced to a herd of other elephants who were also saved. (GROWLS) (TRUMPETS) This moment here is what it's all about. Every single one of these elephants were orphans rescued from almost certain death. (ALL GROWL AND TRUMPET) OK, bye-bye. Dame Daphne Sheldrick: We've had quite a lot of critics that say, "This is a bunny-hugging thing, "you're a lot of bunny huggers." You know, that's what they throw at you all the time.

And I say to them, "It's better to be a bunny hugger than a butcher." TIM NOONAN: The orphan elephants may be free but for the next few years they will rarely stray from the safety of this watering hole. The hope is that they'll eventually find wild elephants to live with. But incredibly, while we were there, nature pitched in to help. A wild herd - including several large bulls - finds the orphans. (GROWLS) The return to the wild is a step closer. At the end of the day, what's in it for you? Dame Daphne Sheldrick: The satisfaction of knowing that you've actually raised a herd of elephants.

And to see them playing and happy and living their normal wild life again back where they rightfully belong, that's the joyful part of it. (TRUMPETS) You can't just abandon them, that's not an option. So for better or worse we'll be around..

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An Empty Dancing Structure | African Voodoo Dance (Zangbeto)

foreign an empty structure that can dance talk walk on water do police work and is worshiped this is Zangbeto from the coastal beaches of Accra Ghana Togo and Benin wood is the main religion here and this is the main police force of the voodoo religion yes the police This Tall mask made of tiny strands of hay are also known as the Guardians of the night more like Batman they are Supernatural possessed beings and this dance guarantees villagers protection against evil spirits and the malicious people The spinning movement of the Mask symbolizes the spiritual cleaning of the village and is also a show of strength so what is really inside the Zangbeto well let's find out it's empty nothing is inside it it's totally empty from the inside everything down come on foreign So how does it do all the dancing and police work if it's empty well according to the Voodoo People the thing inside is making it do all the work is the spirit of the night Watchman So does this mean Spirits actually exists well the Zangbeto magical demonstrations are Beyond human understanding it assures everyone that the Zangbeto is the master of the night and the villagers protector like the time when people are cutting down mangrove trees and overfishing along the Benin Coastal lines this is what the night card had to say the deity has spoken from now on it is forbidden to cut down mangrove trees fishing in our cudges is forbidden Nets are forbidden too in the area that we're going to make sacred anyone found breaking the rules will be arrested and tied up yeah tied up they'll have to donate a sheep or a pig they'll have to pick up a basket of nuts and a basket of mosquitoes and on top of all that they will have to pay a 120 000 Franc fine or eighty thousand no depending on the mood of the deity After the Zangbeto has spoken his followers Mark out sacred areas using smaller representations of Zangbeto around the mangrove swamp which is to be protected as they dance in a spinning motion scaring away evil spirits they are worshiped and in turn they give villagers gifts like candy small representations of themselves foreign crabs snakes and even toys apart from being good dancers they can also walk on water So what do you think is inside the Zangbeto? feel free to leave a comment and a like it really helps the channel

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Samuel Brinton photographed in clothes that fashion designer says were stolen | LiveNOW from FOX

https://www.youtube.com/embed/GtNE4p7-Cp8

bizarre. story out of Houston. a fashion designer. has accused of former Biden official of wearing her. custom-made clothing, which she says went missing. in 2018 for more on this. We want to go out to Fox 26 has Matt seedorf Matt a very interesting story Help us break this all down, Yeah. definitely interesting. Basically, this fashion designer makes one of a kind seen the clothing for about five years and went clothing, for about five years and went missing from a Czech bag in Washington, d.c. about five years ago. But now she's starting to have some confidence.

I'll wear those clothes ended up. from a fashion designer in Houston. Now claiming these, well documented in photographed close of former Department of energy, officialsSam Britain are actually hers from a suitcase reported missing from an airport five years ago, when I just Googled him. I saw my outfits on him after home soon and her first TV interview speaking with us from a phone in Tanzania. ocean been working for years, her husband and Houston flipping through. a she is handmade clothing. collection. So custom-made She? she does it herself, you know like, all this, you know. there's no label, you say, you know, you can see know, you 2018, Asha have been on a trip to Tanzania. for the lady red fashion show. on a layover at Reagan Airport in d.c. She's has her check bag full of One of a Kind clothes. vanished. and that is in my blood. We try to look to the camera. and we found I think we found the bag was on the machine there but it was We didn't know who took it Also find all the lost luggage complaint with Delta Airlines five years ago and hadn't received any new information.

until December. while watching Fox News. Former Department of energy officials Sam Brenton, the then famous non-binary, nuclear waste Experts am Britain arrested accused of stealing suitcases from baggage Carousels in Minneapolis and Las Vegas. I Google everything and like so many clothes. my jewelleries. some of my jewelleries, my blouses. And the collection is with the same prints shocking side-by-side images show. What a she thinks or her missing clothes and jewelry on Sam a missing bag of items. She estimates cost 11 thousand dollars in a Priceless piece of her work. Maybe he like The designs in these and that part away. why? somebody Clovis And I don't know how we go though. clothes. Houston Police Department is now involved with this case. The FBI could not confirm or deny.

If they're investigating We're live in Houston, tonight. in seedorf, Fox 26 news. so I actually saw the fashion designer tweet on Twitter, and she's overseas right now. So it was a little hard but we got on in touch over WhatsApp actually and made it happen today. despite the time change. All right. Yeah, very interesting story in a great interview there as well Fox 26 is Matthew seedorf with that report, we appreciate it. .

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German's Eating Africa Food / Semo and Egusi Soup (Nigerian Food) For The First Time

https://www.youtube.com/embed/KKywwX7Gpwg

Hi everyone welcome back to my channel, welcome back to Gifty and Martin. as you can see i am turning Grieß you can call it Semo or Grieß, this is what I'm trying to make Grieß so Martin`s friend visited us and he's going to be trying swallow for the first time and I'm going to be serving him with a Egusi Soup so let's see how he's going to enjoy the meal for the first time because he have never eaten Egusi before so let's see what happened I'm just making the Semo.

So as you can see i finished turning it, I'm going to reduce this to the low heat. so it's cooking for a while, when it`s cook for a while I'm gonna turn it for the last time again and it's ready. you see so this is semo i just finished cook and i cant wait to see how he reacts to this Egusi Soup with Grieß. you know this food you have to eat it with your finger yeah do you want to eat Erik so this is your first time eating this Marc right? yes this is Egusi you see and this is Grieß or Semo ah okay..... Um this is a Melon Seeds of English, i don't know the name of Deutsche well it's melon right there somewhat there's no melon in there no it's granded Melon Seeds you grand it and you use a lot of it's, it one of his favorite soup so if i'm making soup i make two pots one will be chili and the other one will be without chili.

Yes this is soup yeah we call it a Egusi Soup in africa it's called soup it's not like soup in Germany that makes with um...........Eintopf???... Erik let me come and feed you. Is a little strange to eat it with the hands yeah it's better, you want fork? maybe i don't know yeah maybe Although you try for the first time, you really tried it tastes good I mean Martin told me you can eat it with Grieß or with Rice exactly i think i would prefer rice rice right i think you want that tomorrow? the same dish no the same Egusi but Rice, do you always cook Africans dishes or no i cook both everything cookable. This is his first time of trying a Egusi Soup and believe me guys he tried, been that is his first time and he ate like this, it sounds like i didn't like it i like it but why did you finish it because I'm full or because it's strange for you no.. no.. because I'm full and then am a little sick so i don't eat that much well maybe when you eat it for the second time I'm sure you will lick everything, did you see Martin plate? yeah nothing is left....

just an explanation this ball has been divided in three people Martin, Erik and Gifty this was just me what i wasn't eating i was just feeding the baby i wasn't even eating, i wasn't even eating yeah it's just you and daddy right. well look how much he eat he's very full do you see that, Yeah well you did a good job i think the mistake is from me i would have make a smaller portion for you, yes for a try it's my mistake guys i would have make a smaller portion for him, to see how he's gonna like it he's not use to it. it was really really delicious Thank you. Don't forget to thumb up thumbs up, Subscribe, share it with everyone. Thank you very much for watching and we say goodbye see you soon on our next video bye......

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Bob Marley & The Wailers - Could You Be Loved (Official Music Video)

https://www.youtube.com/embed/1ti2YCFgCoI

FALSE:: MISTAKE: UNSUPPORTED ENCODING

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