https://www.youtube.com/embed/VOwZ5HzVguM
(drum music playing) - Holy fuck!- In all of these ... - Yeah.
♪ Musicians, react ♪ -Welcome back to Specialist Musicians React.
He ' s. a multi-instrumentalist. He ' s a solo artist. He has 5 outstanding albums out, as well as he'' s one of my ideal friends.
- I just think that it ' s really groovy.- It ' s like it ' s coming at you at a thousand miles an hour. - It'' s like Muhammad Ali just mauling somebody in.
It'' s. the ride icon?- Is it the flight sign that.
makes it seem like that? Just the ... - Yeah. It'' s everything. I indicate, he'' s doing the ...( bass drum battering) he ' s going that continuously. with the bass'drum, and afterwards he ' s additionally got like ghost keeps in mind going below during.( cymbal playing )And after that he ' s got
these going. in between all the fractures, like doing little like funky little - Ghost notes. - Train rhythms ... Ghost notes! - Yeah. - Specifically. (cymbal and arrest drum having fun) He'' s obtained that going the whole time, yet it'' s like kind of. refined and it ' s like a, you recognize, old recording,'so you put on ' t have a great deal.
of that irritating treble. - .- It ' s simply like pure groove regularities. - And after that that on all four. - Yeah. (drum package having fun) Nobody'' s got this.( high hat slapping) Much like every limb is just ... - Do it. Do it entirely. - Can you do it entirely? Come on. - I'' ll try, yeah. - Begin. Begin. -Yo. Pump me up, man. (laughing) (drum set playing)- I dunno.- Yeah, and afterwards he does some ...( drum rolling) - Civil Battle fills.- What he ' s doing is,
like,. the accents get on the ands, like all of the (scatting),- Yeah, precisely.- On the snares and the kicks. He ' s hitting
the focus on those ands and it makes it just feel. like you ' re falling down.
Like you ' re tipping over,. you understand, it ' s never, he ' s never ever hitting the one.
- So just to zoom out, what. makes Pal Rich unique?- For me, it'' s just, I mean, he ' s
. Yeah, you could talk regarding. him being'an innovator. I mean, he ' s among the, like,. you constantly become aware of him, like, the fastest drummer,.
his one hand role.I wear ' t understand.
He had like a. one hand duty, evidently. (Friend Rich drumming) I'' m not a lot like, so pumped. on the total speed blast, which are amazing, I ' m so. right into the funkiness of it. - Yes.- It ' s so grooving to me that. nobody else has that groove. - It'' s like cool, big band drummer. -Specifically. It ' s some of one of the most fashionable'drumming I ' ve ever before listened to in my life. - Mm-Hm-'As well as that ' s why I like it so a lot.- Just how does he get that feel? Can you imitate that seem like if you ... - Obviously not. (Jack laughing) - Thanks for joining us today. - Yeah. - Obtained Louis with us. - Like what sort of beat.
would certainly Friend Rich play on, like, on a big band tune? That'' s cool. Like you claimed, it ' s. funky huge band drumming. Like, what does that indicate? - Well, that would certainly be it. - Okay.- To me that would certainly be it. There ' s
much more instances of that. It ' s generally when he ... I. mean, his point is swing. I mean, later'in the. seventies he ' s doing like some, perhaps like halfway kinda. like, boogaloo funk beat, and also it ' s like, it ' s great, yet this is actually where. the groove is for me'. It ' s just when he ' s playing a swing beat, but it'' s similar to,
( scatting) you know, and it ' s much like, -Is it ...- I can ' t not like that.- Is it the way? Okay. Louis Cole swing, is like. Sibelius, like 97 % swing. Right? -( laughing) You talking the swing slider?-
Yeah. The swing slider. -Like the spacing in between. eighth notes. Yeah.-' Yeah.- Yeah.- What ' s Buddy Rich ' s?- 69.
No', I put on ' t understand.
( laughing) So, I wear ' t know.
Possibly,. it ' s not a hundred. -Right. He has kind.
of like'a legendary ... -Yeah. It ' s not like, it ' s. not incredibly straightened. It ' s like( scatting). and it ' s not (scatting) like a cell phone calling and. you have an amp beside you. -
- Yeah, it doesn ' t feel metronomic. It doesn ' t feel, I suggest, he ' s. obtained remarkable time, however it ... - Exactly how attempt you? -No, it ' s a human being, right up, 3 dimensional meat match, simply really killing it,.
- Should we go to the following clip? -Allow ' s do it.- Okay.
DeJohnette ' s possibly like, in general in
my life may. Just because, like, his. It'' s just like.
- Yes.- I ' m not gon na use words.
You know what I imply? - It ' s like the impact up points. beyond vehicle dealerships. (everybody laughing)- Yeah.-'He ' s so, like, sloshy.- Yeah. -Yeah, exactly. It ' s just like his grid,. as opposed to it being like,( mouth slurping )it ' s like, (mouth slurping )you
know, it just ... Yet it really feels'so excellent. It ' s like, it still has. this just like reflective ... -Yeah. It'' s introspective, natural, slushy ... -
- It ' s obtained this, it ' s. got this meditative ... -Which is not just how ... It ' s so funny that he ' s one. I don ' t. think of you as slushy. You are secured into the grid.
- Well I. You should. listen to me in high institution. I seemed specifically like Jack DeJohnette, I was simply trying to tear him. off every day of my life, that I practiced. And I utilized to play like that. It resembled, (scatting). - Can you play like that now, or is it ... -I don ' t also understand if I could. (drums playing) I imply, I can( indistinct). -Wow', however that ' s more. like Jack DeJohnette than it is like Louis Cole. I believe that was a good replica.- Yeah. That ' s much more like what I sounded like when I was like 18 or something. - Yeah. And also just how would. you play that'beat currently?( drums playing )- A bit a lot more like,. you understand, like( slurping) - Yeah.- Vacuum cleaner sealed. - Right. Vacuums ... -Since that ' s what jobs much more wherefore I ' m composing currently, I think.
That ' s why I sort of, I intended to like straighten. down my grid at one factor, you recognize? And I had to avoid. trying to play
like that.- When you hear this document. and also these like drum tones ... Cause I also ... those tones. are different than Louis Cole, drum tones.- Yeah.- I feel like your drums seem various.- Yeah.- I guess where do your drums ... Who are your drum audio influences? Forget groove momentarily, whose drums appear the way. you want your drums to sound
? Or whose affected to you?- The biggest one that it. begun with was Jim black as well as he would detune his base. drum, like nearly all the means, as well as it would roar when he would hit it.It ' d be like (roaring) when he'' d hit it, it was truly cool. So I resembled, I need to do that. - You do an 18, is it.
18 with an extremely detuned, - Yeah.
- Like, type of floppy. - 18 Or 20 often. Yeah. - Yet is the back head detuned and also no ... or a front head is detuned.
In the no back head? - This head is detuned it'' s. tuned up like tool sort of, and after that I detuned 2.
of the bolts right. - Wait ... - After that this side is detuned totally. - Okay. Wait. Let'' s have you play the same beat twice. The very first time, allow ' s leave.
Second time, allow'' s have. (Louis drumming) - Currently do your crap.
- I'' ll obtain my key. -Yeah. Get your trick, obtain your secret.
- We ' ll wait right here. - It ' s a good suggestion. -Yeah. -' I ' m detuning this powerful head basically completely. - These resemble ... Actually, you can relocate these. - The important things is that if there resembled an actual slim head on this, you would actually listen to the difference. This is a little thicker, so it'' s not gon na be an enormous distinction. -What would certainly you do to the entrapment? - I put a little icon on it. - I wonder if we could ... - Or a little piece of metal, do you have a little.
That'' s excellent.- Let ' s listen to that exact same beat, now (Louis drumming) -You play your kick. - Yeah.
back beats you play loud. - Yeah. - That makes the ghost.
- Yeah. - I additionally really feel like your kicks are hefty, yet it'' s practically like every.
kick coincides quantity. It'' s like a sampled kick drum. - That'' s huge.
( scatting) it ' s (scatting)- Yeah. -That ' s the point, and. And also I ' m just like, you understand, yet that ' s real, if you.
drummer I'' ve ever before dealt with, - Oh, many thanks. -when you rest down on a set, maybe any package in the globe, and I recognize that'' s Louis Cole having fun.
- Wow. - So, we lived together in university, complete disclosure and Louis, you had a toy set in our home. - Yeah. - That you obtained from the.
Where where'' d you obtain that set? - Yeah, from eBay.
was a youngsters'' s drum established. Which to me is your audio. You always simply seem like.
you'' re like you ' re playing on a children ' s drum established. - That ' s a great indicator.
- Let ' s listen to Tony. Wilmans ... Tony Williams. To Wilmans( laughing). - Who ' s that? Yeah.
- Tony Wilmums. (laughing).
Tony Williamton. - The wonderful British. drummer. Tony Wilingmonton.
- All. Fuck you all.
It'' s quite cool down.- It ' s actually cool. - It'' s just like energy.
to your heart. It'' s.- Specifically. -Yeah. Which is like your playing.- Many thanks.- Yeah.- What makes Tony Williams, Tony Williams?- Yeah, certainly the 11. out of 10 relentless energy. - He was like a youngster prodigy? - Yeah for certain. - Like started for.
having fun with Miles Davis. - Yeah, he was like 17 or maybe more youthful, put on'' t quote me on that, I wear'' t bear in mind the. age, yet actually young. - Yeah.- And he would certainly resemble, going up, I believe this is what I heard, increasing to the gazebo as well as be like, yo, let me have fun with you, to Miles Davis
, and Miles resembles, who the hell. is this young adult, you know?( laughing) And afterwards he. played and it was like, wow, this is the best.
drumming ever before, you know? To ensure that, yeah, that'' s pretty epic.
- Where does he sit on.
the DeJohnette like, loosened to swashy to like.
metronomic spectrum? - He'' s absolutely a little.
a lot more ruled in grid smart. I would state it'' s a little bit much more.
even grid, but also he still, he has some, some wave in there and also some, some flop, which I really enjoy, however it'' s his very own specific kind. - As well as so he type of like, he got on the train with Miles.
Davis kind of pushing the envelope from more straight.
ahead into like the seventies and also eighties. - Yeah. As well as I'' ve really heard. Trigger I simulated a, I needed to do a paper when I.
was in songs school regarding like Tony Williams. And I keep in mind like analysis.
on the internet that he was in fact the guy kind.
of promoting like the step into the, like, the rock world from like the strictly jazz.
world into the rock globe. He resembled, I love the Beatles, as well as I enjoy, you understand, electrical.
guitar and also all this stuff.I ' m pretty sure, like he was the man type of.
pressing initially in a great deal of methods. - Louie, when you listen to this, when you listened to this music.
in high school as well as college, and you know, when you were.
in music institution, and so on, did you like, put it on.
earphones as well as play in addition to it? Or like just how did you allow it affect you? - Yeah, initially I.
would just listen to it. Like, I paid attention to this album.
and after that the cd before. Tony Williams, like his.
very own, you know, task. And I would certainly just be like, I.
would put it on and I'' d be like, what is taking place? I had no.
And also I was simply like, however I like it. - Exactly how'' d you figure it out? - Just sufficient paying attention to.
it. As well as I resembled, wait, he'' s doing a, you understand,( high hat having fun) the whole time. - Do you ever before sluggish things down? - No.
- Okay. So you simply pay attention to it and also.
Okay, the hat'' s doing.- Precisely. Yeah.
I understand the songs'' s ridiculous, yet I loved it. It ' s. like still my favored, some of my preferred songs. I would certainly just be regularly, you know, placing that via my ears.
- I didn'' t truly begin like. - When you'' re discovering something new or when you made use of to find out brand-new stuff. Do you like play beats slow.
and after that speed them up? - Yes. - You would start obtaining the.
sychronisation together and after that speed it up. - Certainly. - Exactly how much did you.
experiment a metronome? - Oh man, not enough, I imply,.
my drum instructor resembled, you got ta experiment the.
metronome and after that I'' d be like, yeah, totally.And after that he would certainly go and also.
after that I would just, you know, do it without the metronome, you understand, I kind of remorse that, actually. I want I did much more. I utilized to walk with.
a metronome when I resembled, okay, my metronomic time draws. I need to repair it. So I made use of to like, I such as recompensed as well as I.
would like walk about with a metronome as well as I would such as.
(laughing) - Oh my gosh.- You rested with a ticking.
metronome under your pillow? - Yeah. - For how much time? - This was probably like six months. - 6 months? Yeah. With a metronome under.
- I'' m not saying it worked, yet ... - I assume it did. (laughing) - I indicate, you likewise used to, you'' d go to the technique.
- And you'' d record yourself for hrs, as well as then you ' d pay attention
. - Yeah, that'' s real. That ' s maybe my least preferred point.
at your drums on a grid. Cause, I'' m trying to picture exactly how you reached where you are in terms of capability to use tempo.
and also on metronome and also on grid, when you would play in.
a Pro Devices session, or whatever, garage band or whatever, would you zoom in as well as check out.
where your person struck'' s at got on the grid? -Guy, we utilized to videotape tracks.
like video tunes together.And we would do
that (indistinct), similar to this doesn'' t'really feel as good,. allow ' s focus as well as see why. And that really allowed for me. I resembled, whoa, you can do that? I believe you were the. Man to show me that.
Pro Equipment and be like, below'' s how you suck.( Jack laughing) It'' s verified, you understand? And also then I was like, damn, that'' s actually kind of useful.
regarding previously on the show is recompensing for the grid.
rather of letting your time be your time. And you'' re so concentrated on the grid, are you not fretted.
regarding adding a, whatever, a lot more human feeling to your having fun.
or do you want it to be, you understand, ideal on the, on the ticks? - Yeah. The point is like, the songs I started creating.
finished up being so grid oriented that it resembled, I require to be able to play like.
this at all times, you know, and also, and also truly nail that.So there
are particular.
circumstances currently where it'' s like, I put on ' t want to'play like that. As well as often it ' s actually. hard to like enter into that like looser way of thinking, however it ' s like, yeah, sometimes I will certainly want it to.
resemble an actual squishy odd beat that'' s like
not. connected to any type of sort of grid, or metronome or anything like that. - I keep in mind asking you as soon as,.
You know what I suggest? - I probably was like, no,.
I was probably some like, snot headed ... - No, you stated, yes, go.
- Oh really? (laughing) - Since he'' s so metronomic,.
and precise, as well as fashionable. - Yeah. - But you can kind ... but then there'' s
the. other end of the spectrum.It ' s like DeJohnette is. like no place near a grid. - Right. - And he ' s fashionable as hell. - Yeah. It ' s like, which. one ' s more groovin '? You can ' t state. - What makes something funky? - It'' s an immediately guttural.
- It is, or it isn'' t. - I dunno. -It is,'or it'isn ' t.- As well as it ' s a feel thing.
are in touch, have that sense, and they can kind of sense.
like if something is or isn'' t, but it ' s not like you. have an unique capacity. - Is it kind of like, when we are paying attention to.
that DeJohnette point, a drummer will certainly kind of.
make their very own grid.You understand what I
imply? Like he ' s sort of betting himself. And is it possibly that communication. like between all of his limbs,
like he ' s type of developing a grid, like with his hat, and afterwards playing versus. it with the other stuff.
I indicate, he'' s doing the ...( bass drum pounding) he ' s going that constantly. It ' s not like, it ' s. not incredibly corrected the alignment of out.- It ' s got this, it ' s. got this introspective ... -Which is not how ... It ' s so amusing that he ' s one. Vacuums ... -Since that ' s what jobs more for what I ' m composing currently, I guess.
And also I ' m just like, you understand, however that ' s true, if you.Which interaction is
sort of like, what makes it, what supplies like the
point to push versus? - A whole lot of drumming I discover is like, what really feels comfy in your body? Like I had to exercise so
numerous hours just to be like, what makes good sense for
my like, octopus legs? You recognize, it'' s like ...
And also I play open hand, I play inaccurately, you know, it'' s like I. needed to figure that out. So it'' s a great deal of the feel has. to do with like what similar to lays well with like the
weight. of your body and also the length of your arm or legs and all this stuff. - That'' s such a good point. -It ' s all weird like, physiological ... - Yeah. - Details, as well as it, I put on'' t know. I put on ' t comprehend it. I much like ... I just understand that that is an. important component of the drums.- Throughout the pandemic, I took place a deep dive in.
just exactly how people hold choices. And also I simulated hrs.
as well as hours of similar to, finding videos of my.
preferred guitarist, and trying to see exactly how they.
And everyone ' s, I really feel like it ' s kind of that. What just really feels right for my. -What works'for DeJohnette ' s. not gon na function for you, ' Reason you have various percentages.
- I wan na zoom in on that.- You play high hat faster.
than practically anyone, I assume, in the world, probably. - Oh, I wear'' t know.
Let ' s not make these cases on.
a legitimate professional podcast. - Simply gon na ask you to.
impact our minds for a second. - Sure. - Can you play like a. very drum and bassy? - Quick high hat? - Blast beat,
quickly high hat? - You wan na do this crap?- Yeah.Yeah. -Party techniques?- Do that crap, and afterwards I wan
na see just how. you ' re holding your stick.
No, perhaps not the double. one since that ' s. yet like a single ...- Unfaithful. - It ' s dishonesty?- Solitary high hat. Well, it ' s not ripping off. You ought to do that too. - Should see me do it with a pen. -Yeah.- Begin. Allow ' s see solitary high hat, like rapid drum based blast. And after that I wan na isolate the. high hat and also just see just how you'' re holding your stick.
and also how you'' re playing
it.( Louis drumming )That ' s ridiculous. And your snare.
hand is moving so quickly, too. It'' s playing like upbeats.
as well as ghost notes, as well as stuff. - Have individuals been doing the.
dual point like for life? Is that like a point.
that'' s just been around? Or did somebody like promote? - I in fact came ... I'' m. the creator of the, no, I really did come. up with it on crash by myself before I saw like infinity individuals on YouTube doing it. So I'' m, obv ... I didn'' t.-
You stumbled upon it. -Yeah. I came up with it, you.
understand, without seeing it. - Independent creation. - Yeah, like my method was so poor. I was much like, I was.
playing and after that I resembled, my arm'' s tired, I ' m. gon na play on this side.
And afterwards the stick. began going like this. And also after that I started doing that. and also I'was like, wait a minute. This is remarkable, I ' m the very best ever before.
( Jack laughing) -I'just designed a new. means of playing drums.
I ' m a genius.- I know the thing you ' re.-'No, it doesn ' t appearance like it.
There ' s a beat on that track. I do has that it ' s like ... (Louis drumming) - Yeah, so it ' s like ... - Can you isolate your left? Let ' s pay attention to
Kneebody.Let ' s listen pay attention ... - Kneebody, this is Nate.
- Very same individuals that I'' m influenced by ... - Jim Black? - However that'' s not why I appear like him.
I seem like him since I ' m. trying to tear off Nate timber.- He enjoys Jack DeJohnette. It ' s not like a mid-rangey drum sound.
Yeah. - Where every little thing simply. It ' s like broad range.
- Yeah.- Each drum audios extremely separate to me. Unlike other drummers where'.
This is like, there ' s a kick drum. There ' s the snare drum.
They ' re these extremely distinctive ... -Like Matt Chamberlain. You understand what I indicate?
- Louie, can we hear you. play this Kneebody beat or something like it?- Oh god, this is a negative suggestion. - What do you got, Louie? (Louis drumming) - You hear these points.
You'' re increasing this icon hand with the kick many of the time? - Could you play simply these with each other? (Louis drumming) - And do the kick pattern.
(Louis drumming) - Include the hat. (Louis drumming) - Oh, it'' s so awesome. It'' s like pretty machiney.
- Last one?- So this is simply like an online clip. He understands exactly how.
to project pure power. - Yeah. - It'' s amazing. - When you record drums, are you recording that loud.
when you'' re recording for your records? - I attempt not to personally. - Why? - I don'' t audio as excellent. if I strike that hard. - Just how hard do you tape when.
you'' re recording drums for beats? -Most likely what I was playing in the past.
( Louis drumming) Something like that. - Yeah. Okay. The various other thing I saw.
regarding that recording is he is, you stated like anatomical, you recognize, being in your body and also like.
the setting of your arm or legs and also the shapes and size of your arms.
and all that kind of things. He is smacking about like an octopus. - Yes. - When you play drums, among the particular.
features of you is you play drums such as this? Yeah. Like you'' re like. absolutely nothing, you'' re so calm.
- You'' re a nonemotional machine. - Yes. - I'' m dead within. Yeah. - There are these Instagram.
clips that, you know, that you set up where.
- As well as you'' re, you'' re just, you ' re still,( Louis drumming) But the beats are in-fucking-sane. Do you just, you wear'' t feel it, like he feels it in his complete.- How much of it is the waffle.
and also just how much of it is you? - Yeah. It'' s all waffle. - No, guy. I attempted to play like that. I used to be like, damn, that looks cool. Like Keith Carlock as well as.
Brian Blade, they'' re like, you know, they ' re like fuckin, anytime he does that, like, (Louis drumming) I can'' t do that with my,
. I literally can'' t do that. I'will, I ' ll shred my arms.
when you'' re drumming? - Oh yeah. - So, so although you'' re. not really moving that much, it still takes a great deal.
And also I think that'' s one of the.- A lot of individuals on the. I feel like you.
were made to play drums. - Well, I wear'' t recognize. I indicate,.'I believe in my mind, I was, it'' s just having long arm or legs.
It'' s like, it ' s odd, man.It ' s just a various ... I mean, Keith Carlock is
high, yet his, his facility gravity ' s. different than mine. He ' s simply a various construct than'me. And I just couldn ' t really.
I imply, it ' s just like, I can ' t do that. I wear ' t think. I ' ve just had to come up.
- I just, I listen to them all the time. Do you do scooching in message production, or are those real-time takes completely, and perhaps not those documents in particular, your recordings in basic. I understand you do a lot of online synth job, also the stuff that sounds.
like it'' s configured in as MIDI notes is really you playing it. - Yeah. - Do you do scooching in post production, or is it mostly live tape? - Allow'' s state when you ' re recording songs, you unintentionally play. something'that ' s out of time, out of sync with everything else.
What you can do is literally. take that area and scooch it over. So whatever ' s in sync.
This is terrific innovation. Previously, we couldn'' t do this. You ' d have to go in on like, tape, as well as literally like cut.
it since that is, you can sort of spoil the human feeling. You know, if there is like, you understand, a moment where it'' s like, whatever was ideal.
after that like you similar to, your stick is sweaty or I don'' t understand, like someone else like just.
has a go crazy, you know? And there'' s like one, you understand, one point right here or there that, that is off, after that I ' ll resemble, let ' s run. that due to the fact that it ' s similar to, it takes you out of it, you know? I actually, I try to stay clear of that due to the fact that it does kind of denting up the, the human feel of it. What I do is I try to do a great deal of takes and in some cases we ' ll cut in between takes. - The number of takes do
you?- Nevertheless numerous it takes,. sometimes 9 or 10.
- All with each other you'' ll do nine or 10. - As well as after that you'' ll cut. Like, fine, allow ' s make use of the first half of take 4.
I wear ' t attempt to,. like, it ' s like, we ' ve, we ' ve invested so much time attempting. to get like the most effective people to play, you understand, rhythms with each other. As well as we attempt to obtain the. best scenario where like, we'' re vacuum cleaner packed right into a corridor where we can actually hear each other or something like that.And it ' s like, let ' s try to. like actually do it,
you know, as well as attempt not to such as, you understand,.
post production it also a lot, - Right. - To the point where.
It kind of sheds its ... -. - So we have ... - Create if you listen to those things, like where it does speed up.
up and reduce in mar. You can hear it. - Yeah. - Yeah. - So just to bring it.
- Yeah, yeah, yeah. What'' s his sort of like.
distinct point or innovation? - To me, he has some of the.
vibe of my favorite drummers, like Tony Williams and Jack DeJohnette, however he kind of did his.
own thing with it and also he'' s got a really strong grid.I dunno, it ' s simply his feeling.'It ' s simply, whenever I hear.
him play it simply like, it just takes over and.
i simply, I really feel, I dunno, calmed or discharged up or pumped.
with it at the exact same time. - Is his audio, like.
Like it appears like he'' s playing. - Yeah, I think he has very open tunings, yet it'' s not like, he ' s not. He'' s, he ' s obtained like an.
paying attention to lately. - Kyrie A by Mozart. (Mozart music playing) Those guidelines that he complies with rigidly, I seem like that'' s kind. of what makes this tune, it'' s much like it ' s ideal.
The tune, the counter. melodies, the bass motion, the chordal movement.
It ' s simply.- It'' s Music of the Balls. Allow'' s be close friends.
Wilson, crazy unusual thing going. It maintains transforming keys and simply.
And also I just think it'' s. such an awesome structure. - I like that person. He'' s also a terrific individual.
- Yeah, he'' s great. - What do you got Ryan? - Praise the Institution. Simon Dawes. (Simon Dawes music playing) Simon Dawes.So this is.
Simon is Blake'' s middle name. As well as on this record, I think it'' s called carnivore.
is where Blake satisfied Tony. Sean Everett engineered it. I believe he could have mixed it. And it'' s among my.
preferred records this song Praise the Establishment. Oh, and also Louis, would certainly you authorize wall surface Simon? - Yeah, certain. - The red diamond wall surface Simon. - Wall Simon. The red diamond. - We started this tradition. That'' s quite negative preference.
Really few individuals ... - I mean, I am possibly the coolest guy. - Yeah, you like that? - Yeah, I like that.
- Yeah, that is ... - Gorgeous. Thank you, Louie. Terrific to have you.
you everybody for watching. If you similar to this, see to it to subscribe.
and leave a remark. Inform us what we need to listen.
to and speak about following. And we will see you following week.
on specialist musicians react.
- See you next week.
And everybody ' s, I feel like it ' s kind of that. Let ' s pay attention to
Kneebody.Let ' s listen to ... - Kneebody, this is Nate. It'' s like, it ' s weird, man.It ' s just a various ... I imply, Keith Carlock is
tallHigh but his, his center gravity ' s. different than mine. And also there'' s like one, you recognize, one point here or there that, that is off, then I ' ll be like, let ' s run. - Yeah, I think he has really open adjustings, yet it'' s not like, he ' s not.
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