https://www.youtube.com/embed/8fCKYcdtGaM
"" Universal Rhythms for drumset"" out of this book, this good-looking publication, wanderfully crafted book, on web page 21 lesson 5, I'' m mosting likely to show all of the exercises on that web page with steps 1, 2 and 3 which you will discover on web page 12 and also 13, ok? steps 1, 2 as well as 3 subdividing with the voice and clapping simultaneously, so beginning on exercise 1, I'' ll 4 bars each one of the most vital feature of this, I didn'' t write a ste 0 in this publication, but I should have, and I should have said simply service you articulate, have the ability to make these figures groove with your voice and afterwards include your hand clap and line them up, you understand? so, you recognize, just the partitioning of note is a challenge for a great deal of people, you recognize, to differ levels to most to differ levels it'' s a challenge, and I advise simply working with that alone so taking it from workout 4, which the scalature number is just quarter notes I'' m just mosting likely to finish ...
I'' ll do 4 skeletal system figures with my voice just one of the vital things is legato, make it really feel legato, articulate the melody, the skeleton number and extremely low with the ghost neighborhoods allright, from ewxercise 5 I'' ll show step 1 once again, unisons: step 2would leave my voice on universal rhythm which is exercise 1, and also universal rhythm in this lesson, lesson number 5, is global rhythm number 1, 1 bar clave my voice is now mosting likely to stay there and also I'' m mosting likely to clap the skeleton numbers Allow me do numer 8 and 9 like that, take a look at this, they dance wonderful, number 8: when you'' re partitioning in global rhythm, you understand, you see to it you go AND-a, AND-an also tho you'' re going 2 solid notes in the melody put on'' t gio AND-A when your voice is intended to remain on global rhythm allright, step 3, I'' ll begin in unisone, workout 1, now i'' m mosting likely to divide and also I'' m going to slap the global rhythm as a constant split with my voice, so here we go You understand, just how much can you hear? that'' s type of what this is amining at as well as I really feel, for instance like, when I play time, if I play time with absolutely nothing in my mind you know, it'' s not ... it'' s never as compelative or cool as when there'' s something in my mind and these skeleton figures offer you something musical to be in your mind and also the nature of this self-control, this steps on web page 12 and also 13 is that it'' s basically context as well as web content or theme and variation as well as being able to listen to the 2 points concurrently much like we have to do ... precisely what we have to perform in the real world as artists so currently I'' m mosting likely to the exact same regimen that I simply finished with voice as well as hand slap, today I'' m going to translate these skeletal system figures Allright so here'' s work out 1, step 1 You obtain the picture, that'' s step 1, voice as well as bass drum as a unison as well as I'' m simply doing the skeletal system figures, I'' m not playin my interpretations of these skeletal system figures, on page 21 I'' m reinterpretating the skeletal system figures, which is a method that I highly suggest that you finish with this book, there more than 500 numbers in this publication that are based around these 5 universal rhythms as well as nothing is random, every number in the book is constantly based around a clave exercise 1 step 2 Step 3, so now my ...
the drums are mosting likely to remain on the global rhythm and also the voice is going to move this is a great self-control for dealing with your capability to play time and listen to outside of what you'' re having fun, hear what you'' re accompanying Below it is a solo by Dave DiCenso.
No comments:
Post a Comment