https://www.youtube.com/embed/SCpfKXh-lA8
the picture is really developing nicely i proceed using structure to the ear with the dart and as with the remainder of the elephant i use a limited round activity to produce the appearance of the skin this can be extremely recurring as well as time consuming but you still must concentrate when doing this as it is very simple to become complacent and afterwards the pattern can end up being also loose i currently make use of a sharp 2b pencil to freehand in some of the finer wrinkles switching to a blunt 4b for thicker darker locations once more this is all regarding making patterns this procedure is after that duplicated over the remainder of the year slowly building it up i now intend to offer a harder a lot more defined edge to the ear so to do this i use the sharp 2b pencil and this will certainly develop a bit much more separation between the animal as well as the history as the image is obtaining nearer to conclusion i can now start to use 9b to include the last little bit of contrast this only makes a refined distinction yet it does nevertheless make a difference to the total look of the photo much more tone as well as information are then added over the task now this area is in shadow and this will certainly likewise assist to produce more deepness in between this part and also the lighter tusk by rolling a factor on completion of the kneadable eraser locations that show up as well dark can be lightened by just drawing the tone back out alternatively if a structure looks too harsh the appearance can be softened by just brushing the blending stump over the leading giving a softer appearance to develop the appearance of the tusk i first used the 4b to use a few of the darker tones then switch over to the sharp 2b for the better information this is purely done freehand as appearance is not required over this area again i study the reference photograph prior to starting as well as just work in little areas at a time i currently wish to develop some prominent highlights so to do this i use an electrical eraser as i actually want these to stand apart for the locations below the tusk just like the previous parts texture is applied with tone after that being included over the top as well as to complete the elephant i continue applying 9b for that last little comparison the impact of the dirt behind-the-scenes looks a bit too soft so to strengthen it i begin by utilizing a piece of cotton wool that is ingrained with graphite randomly using more tone this offers rather a soft edge so to define it a little bit a lot more i utilize the mixer to reinforce some of the sides the cotton woollen can also be made use of to move graphite around that is currently on the paper it is then just a case of simply persuading the background to produce the hazy messy look that is needed as i said in the previous component cotton wool and blenders can be loaded with graphite by using 2 or 4b pencil to an item of scrap paper and afterwards working the graphite in conversely you can do this with a graphite powder i just recently made a video clip on exactly how to make this and also i have placed a web link in the description after functioning on all the detail this is an actually nice part of the image to work on as you can work very freely over a large location currently that i'' m happy with just how the picture looks i can get rid of the mask from the outside the just various other point entrusted to do is to authorize the photo and after that it is ended up i hope that you have discovered this collection valuable so why not attempt something such as this on your own if you have any type of questions really feel free to ask in the remark section listed below and also thanks for watching you
https://howtoplaythedjembedrums.com/how-to-draw-an-african-elephant-part-7-finishing-touches/
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