https://www.youtube.com/embed/hlKDY7vybT0
(vibrant drum music) (consistent techno drum songs) - Well played, guy, well played. There'' s a great deal of power in that. - Thank you. - Ladies and also gentlemen, Mr. Peter Szendofi. - Hi. - Ya. Welcome to Drumeo. - Thank you. It'' s a wonderful satisfaction to be here.- Peter has come right of Hungary, Budapest, deal with?- Yes.-'And he ' s joining us right here for a live lesson, undoubtedly, on drum as well as bass and jungle grooves, so it ' s an honor to have you out. We ' ve really chatted rather a bit over the last couple years. -Yet if you individuals put on ' t. recognize who Peter is, I ' m delighted to present you to him and hopefully you become a follower due to the fact that his drumming. He ' s done a whole lot'of. things in his life. You ' ve remained in over 130 cds, you ' ve done a great deal of stuff with, you ' re a visiting teacher,. I think you could claim, at the Drummer'' s Collective.- You ' ve additionally won what. Honor in 2003 and also 2004, which resembles best. drummer in Hungary. - Wow, yes. - Which is a substantial honor, male. - Yes, that''
s it.- So you recognize your things. You also play in a. couple bands, also. Now the first song you. simply played for us currently, what ' s the tale behind that? Is that your band?- This is a brand-new. track which will certainly appear on my upcoming solo CD which will certainly release. in some weeks, I think in 21st of March. - Okay. - So, that'' s my brand-new and. Very amazing. have some wonderful musicians, like Will Lee on bass as well as. George Whitty on keyboards, and numerous other Hungarian. great artists. So I'' m so delighted. to introduce that CD and play this studio. as a very first intro tune. - Ya, provide us a little. preference of what'' s
comin '. - Ya, ya, ya, ya. - If you guys are. viewing this'on YouTube it ' s most likely already released. so go and also check it out And if you wish to adhere to Peter, your primary method of interacting is through Facebook you claimed, your Facebook web page. - Ya, ya. - Which is just. facebook.com/szendofi, I believe. - Yes, ya. - So make sure you go as well as. follow him on there also. As well as a significant thanks. to the enrollers for. aiding bring you out.We obtained Remo, we got Tama, Regal. Pointer, Humes & & Berg ' s situations. So ya, a big many thanks to you men for assisting with. this lesson too. The kit sounds incredible. - Ya, ya, ya, ya, ya I like it. It'' s a stunning kit. - You obtained two actually trendy entrapments. - Ya, thanks. - Really, very cool. And also if you people. are enjoying this on Facebook or you'' re. watching this on YouTube as well as you like what you'' re seeing, we do this type of. things all the time inside of Drumeo Edge. We likewise are mosting likely to be recording an one-of-a-kind training course just. on drum as well as bass and also jungle grooves with Peter that'' ll be exclusive. just to Side members, as well as a meeting. asking him some concerns, as well as a Q & & A session. So if you guys like. this, head on over to Drumeo.com as well as subscribe. You can get a totally free trial. at Drumeo.com/ test and also have a look at what. we have within. But, let'' s get to the lesson.- Okay.- Forest grooves and also drum and bass. Currently there ' s a PDF. you people can download that has a bunch. of little workouts or a lot of grooves. that he'' s gon na teach.Also, the amazing thing. about this lesson is all the tunes you'' re. gon na listen to Peter play today are gon na be available. as play-alongs in Drumeo in the future. So it'' s extremely amazing,. thank you for that. - Sure, my pleasure. - Yet let'' s begin out. by, what is drum and also bass and jungle groove? What is the interpretation of that? - You know, it'' s interesting. It ' s a rather new thing. There are two different means where the drum and also bass. The initial is from the late '' 60s. type of funk grooves with various kinds of accents, not just to play. the 2/4 backbeats, however they began to play, they began to. change the accents.And after that the other
. side came from the intelligent DJ culture when about the late. ' 80s as well as the early '' 90s, the DJs started to. usage noise software program to make many distinctions on the old taped recording. And they began to put a particular groove. into a computer system and they started to speed it up, and afterwards they try to cut the grooves away. As an example, if we have a two-bar expression, it has like, the first bar is 16 of 60 notes, the 2nd bar is the very same. And they started to cut like the initial fifty percent. of the initial groove, and after that again and also once again. So they did, generally,. 5, six different cuts from a two-bar phrase, as well as. That ' s why they got. This, the groove with the same elementsAspects but yet were soundingAppearing - Ya, since it ' s cut. as well as reduce and also reduce up. - Ya, so they. altered the accents on the kick drum as well as the. That'' s why when we listen. That ' s why they call. it forest grooves due to the fact that you can hear. a two-bar expression or a four-bar expression. or eight-bar expression, however the accents are. much like a drum solo. It sounds like there is no, any type of clear system,. like exactly how to do it. In fact, when I. play forest things, my forest playing, for example, in the first song what you might listen to, those. are 95% of improvisation in between these accents. and also the 16th notes and also ghost notes and also 8--.- No kidding? Ya, ya, fine.- Ya, ya, ya. So, since it gives me a great deal of freedom, however the other point is initially of all, I had. to invest a whole lot of time with the sluggish time practicing, with actually simple. drum and also bass grooves.So the difference between the. drum and bass as well as the forest resembles the drum as well as bass. grooves are basic, basically, one-bar expression, two-bar phrase. Like, I would say--. - Ya, show us an example. - If I play a basic drum as well as. bass groove, it'' s like ...( steady drum songs) Right? It ' s like one, 2, 3,. 4, 2, two, 3, four. (constant drum songs) In the slower pace, like.
one, two, three, four.( slow-moving drum music )Right? If I would certainly claim like, okay,. I wan na alter the accents, I wan na transform the accent. of the 2/4 backbeats and also maybe I'wan na place the notes of the kick. drum to an additional place, so I ' m simply gon na. replay the entrapment and the kick part. It seems like this with. an exact same aspect, like ...( steady drum songs) Right? So I play basically. the very same, like ...( consistent drum songs )- Gotcha, ya.- Right? So, this'is the distinction. If I play drum and also bass. BPM, up till like 220, 230, I wear ' t recognize. That ' s a large obstacle to maintain the correct time. playing constantly throughout six, seven, 10. minutes within one song in rapid pace. So, allow me give you individuals. The first groove,. -Advanced, ya, fine. (slow-moving drum songs)?( steady drum songs) A bit much more quicker. (quickly drum music) A bit more faster. ( lively drum music )A little bit a lot more quicker. (quick drum songs )Right? So, that was the very first. groove which is fairly basic. For me, when I begin to practice the drum with jungle things, I had two points what I. needed to identify a great deal. The very first was the dynamic level. When I play, for. example, funk fusion or Latin or jazz points I was exercising during last three years to play as vast. dynamic array as is possible. When I play ghost. notes, that need to be simply an actually a. small little notes since we have no outright notes, absolute. pitch on a drum set, yet we have a substantial dynamic. degree what we can use. So, to make music in the other designs, we really need to make use of. a massive dynamic variety. But when we play the drum. and bass forest points, it'' s not feasible since if I would certainly. play the same groove what I demonstrated prior to with the dynamic. level and also wording, if I play, for instance,. a normal funk song, it seems like ... (sluggish drum music) (moves right into stable drum songs) It appears even more like. cool something, not like a drum as well as bass.If I alter, if I. compress the dynamic degree like this ... (consistent drum music) That seems like a real. drum and also bass jungle groove because this sort of electronic songs, we have totally. various approach and also the feature of. the drum set having fun in this sort of songs. is entirely various. That'' s why I counted on this kind of. music regarding ten years back, due to the fact that I can find a. completely different course for my playing and also. they were so interesting to be in an entirely. different component, be in the music,. than if I played funk or blend things. As well as likewise, so when I play these things I have less vibrant. possibilities on a drum set, yet I can make use of a lot of. impacts, a whole lot of audios and likewise a whole lot of. When I play a jungle groove, it'' s generally, a drum solo can be, due to the fact that I alter. So I attempt to produce fascinating. That ' s why I use. I do studio recordings I use in fact four snare drums. That ' s why I try to use various heaps. actually needs these things.Okay, let me provide you. the 2nd example which is a very same kind of groove, however a little bit harder. There ' s a little variant'in the second fifty percent. of this groove. It sounds like ... (slow drum music )Right? A little bit much faster.( steady drum songs )A little bit extra much faster.( vibrant drum songs )A little bit extra much faster.( fast drum music) I likewise can play the exact same groove, in for instance, a. various entrapment drum.( quick drum music) Or. Or. So I have numerous, lots of,. lots of opportunities to alter the area of the. right hand and the left hand. Okay, this groove is a. little similar than, for example, if you pay attention to the late ' 60s as well as. early ' 70s recordings from James Brown or Allman. Bro or these bands, I used to listen to a whole lot of Clyde Stubblefield stuff.You know, I ' m certain. It seems like ... (slow-moving drum songs) Alright? This is basically. a funk groove, yet Clyde changed the accents and additionally, he played. different points on a hi-hat, not just 8th notes or otherwise only 16th notes, however he transforms the accents. in between the kick and the snare and the hi-hat. To ensure that ' s why it ' s. so intriguing stuff. The other thing from. Clyde Stubblefield, what I used to pay attention. to a lot which is a regular break beat or. fundamental of the forest grooves since he repeats. once again, the accents in between the entrapment. drum and also the kick. This is the groove of the song Anxiety which is a well-known. James Brown song which seems like ...( steady drum music) Right? So he did essentially. the same things while the DJs did later. So he was definitely wizard in terms of the groove having fun as well as this kind of balanced part. So allow ' s see the next groove which is a two-bar. phrase in fact, and also it likewise consists of a little altering in regards to accents,. so it seems like, in slow-moving tempo like this ...( slow-moving drum songs) Right? So when you people. listen to it initially, that can be a. little complicated since the place. of the 2/4 backbeats are gon
na be transforming. So it seems like one,. 2, three, four, and ... So I place the second snare drum accent, really for the one,. two, 3, 4, and. So like ...( slow-moving drum songs )Right? So this part, like, it ' s duplicating 3. times, like ... (slow drum songs) Right?- Okay, I get it. Ya, ya, ya. -So that ' s a sort of, if I can say a. three versus 4. Like if I dip into. a faster tempo, that'appears great, like ... (constant drum music) Right?- Extremely great. - Ya.( consistent drum music) - That ' s so awesome. - Likewise, the other. recommendations for every one of you guys'who. intend to start to practice the drum as well as bass. forest things is to be actually, truly patient. Due to the fact that typically in this songs we use a lot of various other loops and also programming and also. the side of the grid. Otherwise, in a quicker tempo. there will certainly be a big disorder--- I can see it, ya. -In regards to the time having fun. So think it or not, I invested like 95 %of. all of my practicing, when I practiced. drum and also bass things, with really straightforward points. and also in actually sluggish tempo. And I keep my. focus frequently to play each notes. Ya, make sure. that spacing'' s there. - And this lengthy time. practicing at sluggish pace, we truly need to reach the quicker tempos. As I experienced, the rapid tempo having fun. will come automatically when we invest a little bit of time with the different. grooves in a slow tempo. - Cool. - So that'' s why I would truly advise you. If you guys would certainly be unpatient as well as after like 20 mins simply. intend to quicken the pace to 100 to 180, your. muscle mass would certainly be tight, your concentration. would resemble tricky, as well as you guys will obtain low.So that'' s why I actually invested two or 3 years. from the beginning to exercise drum. and bass things, when I did the first. cd, when I played actually a real drum. and also bass jungle grooves since it--. - Takes time. - It truly requires time to focus on the beats. as well as the focus and also the technological. - Which makes sense. It'' s a rather detailed. little notes there. Let'' s have a look at number 4. -Okay, alright. Let'' s do it. So, that ' s a little. bit much more challenging, not excessive, simply a little bit. So, allow me play it. once more, a little bit slower. Like one, two, three, 4. (slow drum songs) Right? A little
faster. (consistent drum music) A little bit faster. (lively drum music) Right? -That is a cool beat. The displaced. downbeat on the as well as of the 2nd bar of line one actually makes it sound on schedule. a bit yet it ' s not.- Ya, as well as likewise it ' s seeming a little bit like if I would certainly play a. type of half-time. oriented thing like ...( steady drum music) So that ' s a type of combination of half-time sixteenth. note oriented groove than an easy jungle groove. - So can you show us an example, possibly do it in just a. right in advance time, and afterwards going into that, so we can hear the. difference and feel? - Yes. - Something really simple. - Ya, ya, ya. I also could transform a little for instance, the hi-hat part.I can play eighth notes. continuously on a hi-hat. For instance, like ... (constant drum songs) Right? So I played generally. the exact same groove, but if I transform. the hi-hat parts, that would certainly be a totally. different appearing groove. So that'' s why I normally. use improvisation. There are some common. drummer bass licks or movements, yet I primarily, I pay attention to a lot of. this kind of music which primarily doesn'' t. consist of real-time drumming. Because if I pay attention. to it from DJs, the mind of the DJs. are totally various as well as that'' s refreshing of my mind and also offers me a. great deal of fresh ideas since they put on'' t think. regarding the right-hand man as a hi-hat part,. the left hand is-- - Completely guy, ya, ya. - plays three notes.It ' s
excessive. No, they just programming and also. attempt to locate perfect equilibrium between the set drum. components and the other parts. I received really, a lot. of wonderful suggestions from DJs. To make sure that'' s why it ' s. so interesting to. Allow'' s do number 5. - Ya, the last one, the number 5 is a little bit, looks like kind. of a straight thing. So, I stop to play the. 8th notes constantly. So it seems in sluggish pace. like one, 2, three, 4 ... (sluggish drum songs) Right? Once more in an additional--. - Do it again actually sluggish, '' cause this is a. wonderful seeming beat. - Okay, one, 2, three, 4. (slow drum songs) To play this sort of direct beat oriented. drum and bass grooves, it'' s a lot more hard. than when I play a drum as well as bass. groove for instance, with a straight. eighth notes like ...
( consistent drum music) Because similar to this, I have my click track. actually on the appropriate side. So I can hear frequently. the downbeats, yet similar to this, it'' s not feasible because I play nearly continuously. the sixteenth notes in between the. kick as well as the snare, as well as the entrapment as well as the hi-hats, so it'' s changing regularly. So it seems like this,. a little bit faster. Like one, two, 3, 4. (consistent drum music) A bit much more much faster. (dynamic drum songs) Or possibly here. (vibrant drum songs) A little bit a lot more much faster. I'' m trying. (laughs) (quick drum songs) Right? - That is so amazing. (laughs) - To make sure that'' s why I stated like these type of grooves in truly rapid tempo, for me, is far more. difficult for my brain, not like my hands and feet.So, I believe to play. quickly tempos as well as by the hand side or feet side, that'' s. possible in 200 BPM if you are just. need to play like solitary stroke rolls. in a pad or something. Yet to play this kind. of linear grooves-- - Oh, it'' s so difficult. I was gon na say it ' s. deceptively hard. Like, you don'' t. assume it ' s that hard, however you take a seat, not only. to get the patterns taking place however to get the right. room in between the notes and after that likewise to get the right. sound that you desire from it, due to the fact that it'' s an one-of-a-kind. kind of appearance that you have taking place there. Do you mind playing. us one more track? - Yes, certain, sure. - I would love that. '' Reason I obtained a pair. These beats are terrific .- You people, make certain. You have to see it over again, that'' s absolutely cool down ' cause. Let ' s obtain you to. a few of the inquiries like how do you. create that speed, how do you tune your drums. to seem like drum as well as bass.I got a few questions. from the participants too. So what song do you want. to play for us next? - The following song called Take One, that'' s. an actually quick one. That tune I assume is 220 BPM. - Hoo! - Which groove. has basically just. solitary stroke rolls since it'' s too quick to play, I mean for me. - No question. (laughs) - Also fast to play. any kind of various other variations.
- Awesome. Well that'' s appears--. - It'' s fun.- Let ' s examine out Take One. - Ya, ya, Take One. - Alright, cheers. ("" Take One"") That was incredible. - Thanks. - You had to be so loose. to be able to play that at 220 beats per minute. You seemed like you were rather. chill the entire time, man. - Ya, you recognize, as I said, it'' s a lot more hard for me to keep the perfect balance. in between the 16th notes. - No question. -But if you people don ' t. recognize that Peter is, I ' m happy to introduce you to him and also hopefully you end up being a fan since his drumming. You ' ve been in over 130 albums, you ' ve done a great deal of stuff with, you ' re a checking out teacher,. That ' s why it ' s. so interesting things. Like, you don'' t. think it ' s that hard, however you sit down, not onlyJust You have to watch it over once again, that'' s absolutely cool ' cause.I have a difficult sufficient time doing that at 180 beats per minute, you'' re doing it at 220. - Thanks.
- But I got a number of inquiries for you if you wear'' t mind.- Sure, certain, certain. - Something simply for myself, for those who are curious about this style, I understand it'' s not like there ' s a great deal of top 40 drum and bass tracks available. So what kind of bands do you suggest we have a look at if we want to dive right into this design a lot more? Or musicians, or drummers also, too? - I would offer you two examples.The first is Jojo Mayer ' s. playing, obviously. As well as after one of the programs we went to a nightclub. As well as Jojo claimed to. me, he was cigarette smoking, and he paid attention to. that type of songs which during that time. for me was so boring.Like a( mimics drum rhythm). This kind of point,. and afterwards he stated to me, he really feels something. with this music as well as he will do. something truly fresh with this kind of songs, and I absolutely. didn ' t understand it. Like'what do you indicate,. what do you intend to perform with this sort of music. However then when I paid attention. to his recording I decided to begin. to play these things. That was around 2005, 2006 as well as atrioventricular bundle is called Nerve. They play the exact same. kind of points with a DJ, a keyboard. player, a bass gamer, and the drums and that'' s. an actually dynamic, hard-edged, electronic. blend music. - Sort of tribal. based, tribal stuff.So Jojo Mayer,
the band Nerve. - Ya, he'' s superb.- Perhaps one other suggestion, one other band that you understand of? - Ya, the other one is. in fact a bass gamer. His nickname is Square Pusher. - Okay, can you lead to that? - He'' s a fantastic. DJ and bass player. He does live programs. with a great deal of laptops and bass guitar. As well as he does the cutting of the. loops and editing and enhancing as well as to play bass in real-time. circumstance, in genuine time.That '
s great. - What'' s his name once more? - Square Pusher. - Square Pusher? - Ya, Square Pusher'. - Okay, got it.- He ' s great. I bought virtually 20 different. recordings from him. He ' s rather preferred given that. the late ' 80s, early ' 90s. So he has at the very least. 25 recordings, and I genuinely recommend. every one of you guys to pay attention to Square Pusher because in his albums there'' s no any pre-created. or downloaded and install loopholes. Each of the notes was created by Square Pusher. - Very great. - To ensure that'' s great. - Extremely great. Most definitely take a look at. those two teams. I recognize I'' ve paid attention. to a great deal of Nerve and Jojo'' s an. unbelievable drummer. With any luck we'' ll have him. on Drumeo eventually, however a couple extra. There'' s a lot of. that are all extremely similar and the one concern. I keep seeing a great deal of so I'' ll ask you is what kind. of strategy are you making use of to obtain that type of speed while. you still look really loose? Can you just perhaps. talk a bit, or perhaps provide a. pair pointers of just how drummers that intend to. enter this design can maintain their tension down and. to get these type of rates? - Really, I wear'' t use any kind of difficult things.I wear ' t usage primarily,. a Moeller or a push-pull or this example. I play basically, easy. That'' s it. I never play by muscles. very loosened and relaxed. Otherwise, like 85. of my focus would be to play out in some way. the important things by muscle mass, by arms. So I try to play with wrist and fingers as long as is feasible. I play really with these beats basic stickings,. like singles, doubles, some paradiddle things. I likewise did practicing. like to play right-hand man simple eighth notes, as well as throughout this. playing I tried to transform the solitary and dual. Simply like, if I would claim like, like I play 8 eighth notes. (slow-moving drum music)? these little slices are the really basics of the really speed tempo. Additionally, I'' m sure if you. men invested enough time with the slow time practicing as well as you would be additional mindful of your hands and also feet.Like no any kind of
stress,. I like that. would be a trap. - It'' s possibly feasible, however. I would be experiencing a whole lot if I would certainly have. to play by muscle mass in these quick paces. - Which makes feeling. It'' s really loose grasp, especially due to the fact that you do it. And also if you guys seeing this, we ' re gon na do a Q & A tomorrow so you can dive in to. The various other concern. I obtain a lot of is your tuning as well as. concerning having four snares on your recordings in the house. Can you discuss why you. have your setup like this and also maybe why you picked the. tunings for your snares? - Because I think in. this kind of songs we need to utilize different. type of snare drums because a lot of the. time, such as this music doesn'' t have. any kind of long drum solos or something similar to this. I did a drum solo right. now in the initial song and also I will certainly do one. a lot more in the last tune. That'' s why I make use of. 3 toms below. But in fact, when I. play these sort of beats, I imply,'it ' s not necessary. to use 3 toms since this songs. demands a lot more like even more appropriate cymbal audios. as well as extra hi-hat sounds and also even more snare drum sounds.Maybe more kick audios. I also utilize some triggers throughout. the recording sessions to blend it , the electronic trigger noise with the acoustic kick. sound as well as a snare too. So, essentially this. is the factor. So I typically play. like one snare drum, two and 3 and 4 when I do drum bass recordings. And also just one flooring. tom right here, that'' s it. -Very cool,'ya. Well, I ' m delighted to see what you ' re gon na. -Okay.- A great deal even more concerns came, however we'' ll do that. every person for seeing. Hope you got something from it. I certainly obtained. motivated to intend to obtain right into this design of songs more. - Thanks. - You know, each time I'' m. on your electronic drum established, you scroll to the. drum as well as bass thing and also you'' re like oh , I. desire I can play this, however I can'' t so I got ta. method it a lot more. So really cool beats,. thanks quite. - Many thanks quite. for having me right here. That was a terrific. pleasure to'be below. It ' s a stunning location. as well as every little thing is perfect. -Well, thanks. You ' re always welcome,. always welcome back below. Ensure you follow him. on Facebook if you place'' t, simply facebook.com/szendofi. as well as his name is S-Z-E-N-D-O-F-I. - Yes, that'' s right.- Yes! I did it!- You obtained it! -Yes, alright so'we ' re gon na. leave you with another song.What '
s the track called? - This song is called. Shotgun Approach. - Shotgun Approach? - Ya, Shotgun Method because I have a band,. it'' s called Loop Medical professionals. That ' s really a dual formation with an excellent key-board player. as well as rap artist person from Hungary. And also we did our last recording which was tape-recorded in Brooklyn. a pair of years before as well as we took like. As well as all of the takes contain some big blunders. As well as we stated, to the sound man, okay, allow'' s do one even more take. shotgun approach."" And we much like it. - There ya go.
- So that'' s why this is it.- Those are sometimes the best stories when it comes. to the studio, recording. - Ya, ya, ya, definitely. - So, once more, thanks. everybody for watching. If you people such as this go. to Drumeo.com as well as register. Likewise, for those. that are enjoying, all the tracks that he played,. or Peter played, sorry, in this lesson are gon na be. available as a play-along so you can attempt what he'' s. doing on them as well. So, hi. - Thanks really a lot. - No, thank you. - Many thanks.
- We'' ll see you guys later on. ("" Shotgun Technique"". by Loophole Physicians) ♪ Just pay attention to the groove. of the bass and the drums ♪ Defeating a sonic. course, currently here it comes ♪ The art of preparing. sound to the limitation ♪ Thin airwave design. within a 5- minute plan ♪ Forbid the aesthetic ♪ Free your mind, allow. go of the usual principle ♪ See the music grow. graphics in your mind ♪ A special individual blind ♪ Now all you. need is creative imagination ♪ Some inspiration, organization ♪ Noise is open to. analysis, a. sonic experience ♪ Step up to the abstract plate ♪ Open the gateway, never undervalue ♪ The mental power. of important ♪ Intercontinental songs ♪ Which aspect is essential (vibrant drum music). - He ' s great. - Really, I don'' t utilize any type of complicated things.I wear ' t use generally,. Well, I ' m thrilled to see what you ' re gon na. It ' s a stunning place. And also we stated, to the sound person, fine, let'' s do one even more take.
