https://www.youtube.com/embed/hlKDY7vybT0
(vibrant drum music) (constant techno drum music) - Well played, man, well played. There'' s a great deal of energy because. - Thanks. - Ladies as well as gents, Mr. Peter Szendofi. - Hi. - Ya. Invite to Drumeo. - Thanks. It'' s an excellent enjoyment to be here.- Peter has come right out of Hungary, Budapest, fix?- Yes.-'And also he ' s joining us here for a real-time lesson, clearly, on drum and also bass and also forest grooves, so it ' s an honor to have you out. We ' ve really talked rather a bit
over the last couple years.We fulfilled up at PASIC 2016 which has brought about this. Guy, Hungary ' s got a. great deal of terrific drummers. You'' re not the very first Hungarian. drummer we'' ve carried Drumeo. -( laughs )Trendy, great. -Yet if you people put on'' t. understand who Peter is,'I ' m glad to present you to him and also ideally you come to be a follower due to the fact that his drumming. is really energetic; it'' s really, extremely. well-played,'as well. He ' s done a lot'of. things in his life. You ' ve remained in over 130 cds, you ' ve done a great deal of stuff with, you ' re a visiting instructor,. - You ' ve likewise won what. Honor in 2003 and 2004, which resembles finest. drummer in Hungary. - Wow, yes. - Which is a big honor, guy. - Yes, that'' s it.- So you know your stuff. You likewise play in a. couple bands, as well. Currently the initial tune you. simply bet us currently, what ' s the tale behind that? Is that your band?- This is a brand name brand-new. track which will show up on my forthcoming solo CD which will certainly release. in some weeks, I believe in 21st of March. - Okay. - So, that'' s my brand-new and also. initial composition. - Really cool. - As well as on this album, we will. have some great artists, like Will Lee on bass and also. George Whitty on keyboards, and also several various other Hungarian. excellent artists. So I'' m so pleased. to launch that CD and also play this studio. as an initial intro tune. - Ya, give us a little. preference of what'' s comin '. - Ya, ya, ya, ya. - If you guys are. watching this'on YouTube it ' s most likely currently released. so go and also inspect it out As well as if you desire to adhere to Peter, your primary way of communicating is with Facebook you stated, your Facebook web page. - Ya, ya.
- Which is just. facebook.com/szendofi, I believe. - Yes, ya. - So ensure you go as well as. follow him on there as well. And also a big many thanks. to the enrollers for. aiding bring you out. We obtained Remo, we got Tama, Regal. Idea, Humes & & Berg ' s cases. So ya, a substantial many thanks to you people for assisting with. this lesson as well. The package sounds incredible. - Ya, ya, ya, ya, ya I enjoy it. It'' s an attractive kit. - You obtained 2 really great snares. - Ya, many thanks. - Extremely, really great. And also if you individuals. are seeing this on Facebook or you'' re. viewing this on YouTube and you like what you'' re seeing, we do this type of. things all the time inside of Drumeo Edge.We also are going to be filming a special course just. on drum as well as bass as well as jungle grooves with Peter that ' ll be unique. just to Side members, as well as a meeting. asking him some inquiries, as well as a Q & A session. So if you men like. this, directly over to Drumeo.com as well as register. You can get a cost-free trial. at Drumeo.com/ test and have a look at what. Let ' s obtain to the lesson.- Jungle grooves and also drum and also bass. Currently there ' s a PDF. The trendy point. as play-alongs in Drumeo in the future. So it'' s very awesome,. thank you for that. - Sure, my enjoyment. - But let'' s begin out. by, what is drum and bass as well as forest groove? What is the definition of that? - You understand, it'' s fascinating. It ' s a quite new thing.There are two various means where the drum as well as bass. drumming originated from. The first is from the late ' 60s. as well as very early ' 70s when the most 'well-known. funk and also Motown drummers like Clyde Stubblefield as well as Steve Jordan started to play a certain. kind of funk grooves with different kinds of accents, not just to play. the 2/4 backbeats, yet they began to play, they started to. alter the accents. ' 80s and the early '' 90s, the DJs started began. And also they started to place a particular groove. If we have a two-bar phrase, it has like, the first bar is 16 of 60 notes, the 2nd bar is the same.And they started to reduce like the very first fifty percent. 5, six various cuts from a two-bar expression, and. after that they altered the order. So they really put. it once more together just like in an arbitrary order. That'' s why they obtained. lastly, this, the groove with the very same elements, yet they were sounding. - Ya, due to the fact that it'' s cutReduced- Ya, so they. That ' s why when we listen. to a groove such as this, it seems like a big turmoil,. similar to a huge forest. That ' s why they call. it jungle grooves since you can listen to. a two-bar phrase or a four-bar expression. or eight-bar phrase, but the accents are. In fact, when I. play forest points, my jungle having fun, for instance, in the first tune what you could hear, those. as well as the sixteenth notes as well as ghost notes as well as 8--.- No joking? Ya, ya, alright.- Ya, ya, ya. So, because it gives me a great deal of freedom, but the various other thing is initially of all, I had. -If I play a straightforward drum and. It ' s like one, 2, 3 ,.( consistent drum songs )In the slower tempo, like. ( sluggish drum songs) Right? If I would certainly state like, all right,. It seems like this with. a same element, like ...( steady drum music) Right? So I play basically. the exact same, like ...( stable drum music) -Gotcha, ya. - Right? So, this is the difference. between the forest as well as the drum as well as bass. If I play drum and also bass. beats, that ' s straightforward due to the fact that we have 2/4. backbeats, some ghost'notes, fairly
easy things, yet it ' s difficult to play. due to the fact that the drum as well as bass beats pace begins with one to 60, 70. BPM, up till like 220, 230, I wear ' t know.That ' s a huge difficulty to maintain the correct time. playing frequently during 6, seven, 10. mins within one track in fast pace. So, let me offer you men. a pair of examples what I brought. The very first groove,. what I wan na play, it ' s a straightforward drum. as well as bass groove. I try to select five various grooves from the quite extremely. ( slow drum songs)?( stable drum music) A bit a lot more faster. (fast drum songs) A little bit extra faster. ( vibrant drum songs )A little bit a lot more faster. (quick drum music )? For me, when I begin to practice the drum with jungle points, I had two points what I. had to figure out a whole lot. pitch on a drum collection, yet we have a significant dynamic. level what we can use.So, to make songs in the various other designs, we actually have to make use of. a huge dynamic range. But when we play the drum. and also bass jungle things, it'' s not feasible due to the fact that if I would. play the same groove what I demonstrated before with the dynamic. level and phrasing, if I play, for example,. a normal funk tune, it appears like ... (sluggish drum songs) (relocations right into steady drum music) It sounds more like. cool something, not like a drum and also bass. If I change, if I. compress the dynamic level such as this ... (consistent drum songs) That seems like a real. drum and also bass jungle groove due to the fact that this kind of digital songs, we have entirely. various method and also the feature of. the drum set playing in this kind of music. is entirely different. That'' s why I relied on this type of. music about 10 years earlier, due to the fact that I could discover a. entirely various path for my having fun and. they were so exciting to be in a totally. different part, be in the songs,. than if I played funk or blend stuff.And likewise, so when I play these things I have less dynamic. possibilities on a drum set, but I can use a whole lot of. results, a great deal of sounds as well as likewise a great deal of. rhythmic variants. So when I play a forest groove, it'' s generally, a drum solo can be, since I change. always the accents, the components of the ideal hand. as well as left hand as well as everything. So I attempt to develop intriguing. That ' s why I make use of. Actually, at home when. I do workshop recordings I make use of actually four snare drums. - For this kind of songs. Like one, two,. As well as I utilize only one floor tom because this songs requires a great deal of. really requires these points. Okay, let me give you. There'' s a little variant in the second half. It appears like ...( slow drum songs)? (rapid drum music) I likewise can play the same groove, in for example, a. different snare entrapment. numerous possibilities to change the location of the. right hand as well as the left hand. Okay, this groove is a. little bit comparable than, for instance, if you listen to the late '' 60s and also. early ' 70s recordings from James Brown or Allman. Bro or these bands, I utilized to pay attention to a great deal of Clyde Stubblefield stuff. You recognize, I'' m sure. the majority of you men know the truly renowned groove, this is the funky. drummer groove, which is actually a truly prominent. lick for the DJs to remove and also. speed up the pace and also produce a totally various chaos-oriented groove by the simple aspects. of this groove. So it seems like ... (slow drum songs) Alright? So this is primarily. a funk groove, however Clyde transformed the accents and also, he played. various points on a hi-hat, not just 8th notes or not only 16th notes, yet he alters the accents. in between the kick as well as the entrapment and also the hi-hat.
To make sure that'' s why it ' s. so interesting stuff. The other thing from. Clyde Stubblefield, what I utilized to listen. to a lot which is a normal break beat or. basic of the forest grooves due to the fact that he repeats. again, the accents between the snare. drum as well as the kick. This is the groove of the tune Fear which is a popular. James Brown tune which seems like ... (constant drum songs) Right? So he did primarily. the very same things while the DJs did later on. So he was absolutely wizard in regards to the groove playing and also this kind of balanced component. So allow'' s see the next groove which is a two-bar. expression actually, as well as it additionally consists of a little altering in regards to accents,. so it seems like, in slow pace such as this ... (slow drum music) Right? So when you individuals. listen to it initially, that can be a. little bit confusing since the location. of the 2/4 backbeats are gon na be changing.So it sounds like one,. 2, three, four, as well as ... So I place the 2nd snare drum accent, actually for the one,. two, 3, four, and also. So like ... (slow drum music) Right? So this part, like, it'' s repeating three. times, like ... (slow-moving drum music) Right? - Okay, I obtain it. Ya, ya, ya. - So that'' s a kind of, if I can claim a. 3 versus four. Like if I dip into. a much faster pace, that sounds awesome, like ... (stable drum music) Right? - Very trendy. You got ta show us that. on the other snares too. - Ya. (stable drum music) - That'' s so amazing.- Likewise, the various other. referrals for every one of you guys who. desire to begin to practice the drum and also bass. forest points is to be actually, really person. as well as invest a whole lot of time with the slow-moving time exercising, since in this kind of music we need to be extra cautious. of the time playing. So it'' s not possible. to play the beats a little behind or for instance, a. bit hurried from the initial as well as second and also third and fourth. quarter notes. Due to the fact that generally in this music we make use of a great deal of other loopholes and programming and. arpeggios from the keyboards. So we need to. spend a lot of time with slow time practicing, and play each note to. I can see it, ya. -In terms of the time playing. Believe it or not, I spent like 95 %of. drum and bass things, with truly easy things. as well as in actually slow-moving tempo. And I maintain my. concentration continuously to play each notes. to the correct place. - Ya, ensure. that spacing'' s there. - And this long time. practicing at sluggish pace, we really need to get to the quicker tempos. As I experienced, the rapid tempo having fun. will certainly come instantly when we spend a little time with the different. grooves in a slow-moving tempo. - Cool. - So that'' s why I would truly recommend you. If you men would certainly be unpatient and also after like 20 mins just. intend to quicken the pace to 100 to 180, your. muscle would certainly be tight, your concentration. would be like challenging, as well as you guys will get low.So that'' s why I in fact invested 2 or 3 years. from the starting to practice drum. and bass things, when I did the initial. album, when I played in fact an actual drum. as well as bass forest grooves because it--. - Takes some time. - It truly requires time to concentrate on the beats. and also the concentration as well as the technical. - Which makes sense. It'' s a quite detailed. little notes there. Allow'' s have a look at number four. -Okay, alright. Allow'' s do it. So, that ' s a little.
bit more difficult, not excessive, simply a little bit.So, let me play it. once more, a little bit slower. Like one, two, three, four. (slow drum songs) Right? A little faster.( constant drum songs ) A little bit quicker. (vibrant drum music) Right? -That is a great beat. The displaced. downbeat on the and also of the second bar of line one actually makes it appear promptly. a little bit however it ' s not.- Ya, and additionally it ' s sounding a little like if I would play a. sort of half-time. oriented thing like ...( constant drum music) To ensure that ' s a sort of blend of half-time sixteenth. note oriented groove than an easy jungle groove. - So can you reveal us an example, possibly do it in just a. directly ahead time, and afterwards going into that, so we can hear the. distinction and feel? - Yes. - Something extremely basic. - Ya, ya, ya. I likewise might transform a little bit for example, the hi-hat part.I can play 8th notes. constantly on a hi-hat. For instance, like ... (stable drum music) Right? So I played generally. the very same groove, yet if I transform. the hi-hat components, that would certainly be a completely. different sounding groove. To make sure that'' s why I generally. usage improvisation. There are some typical. drummer bass licks or motions, however I primarily, I listen to a great deal of. this type of music which essentially doesn'' t. contain live drumming.Because if I listen. to it from DJs, the mind of the DJs. are completely different and that ' s rejuvenating of my mind as well as offers me a. lot of fresh concepts since they put on ' t think. concerning the appropriate'hand as a hi-hat component,. the left hand is--- Completely man, ya, ya.- plays three notes. It ' s also much. No, they simply programs and. try to discover ideal balance in between the set drum. components as well as the other components. I received actually, a lot. of terrific suggestions from DJs. To make sure that'' s why it ' s. so intriguing to. practice these points. - Ya, that makes good sense. Let'' s do number 5. and afterwards we'' ll get you to play some even more songs for us.
- Ya, the last one, the number 5 is a little bit, resembles kind. of a straight thing. So, I quit to play the. eighth notes constantly. So it sounds in slow-moving pace. like one, two, 3, four ... (slow drum music) Right? Once more in an additional--. - Do it once more really sluggish, '' cause this is a. pleasant seeming beat. - Okay, one, 2, 3, four. (slow-moving drum songs) To play this sort of straight beat oriented. drum and bass grooves, it'' s far more difficult. than when I play a drum and also bass. groove as an example, with a straight. 8th notes like ...
( steady drum songs) Due to the fact that similar to this, I have my click track. in fact on the ideal side. So I can hear regularly. the downbeats, but such as this, it'' s not feasible because I play almost frequently. the 16th notes in between the. kick and the snare, and also the entrapment as well as the hi-hats, so it'' s switching regularly. So it sounds like this,. (stable drum music) A little bit much more much faster. (lively drum music) Or maybe right here. I'' m attempting. - That is so trendy. (laughs) - So that'' s why I said like these kind of grooves in really fast pace, for me, is a lot more. tough for my brain, not like my hands as well as feet. So, I believe to play. quick tempos as well as by the hand side or feet side, that'' s. feasible in 200 BPM if you are just. have to play like solitary stroke rolls. I was gon na state it ' s. deceptively hard. Like, you don ' t. believe it ' s that hard, but you rest down, not only. To obtain the patterns occurring yet to obtain the. Area in between the notes and also then additionally to obtain the. ' Cause I obtained a couple. These beats are great .- You men, make certain. You have to watch it over again, that ' s absolutely cool ' cause. Allow ' s obtain you to. I obtained a few concerns. from the participants as well . So what tune do you want. to play for us next?- The following tune called Take One, that ' s. a really rapid one. That song I think is 220 BPM.- Hoo! -Which groove. consists of essentially just . solitary stroke rolls because it ' s also quick to play, I mean for me. - No uncertainty. (laughs) - Also quick to play. any type of other variations. - Awesome.Well that ' s appears--.- It ' s enjoyable. - Allow ' s have a look at Take One. - Ya, ya, Take One. - Alright, cheers. ("" Take One"") That boggled the mind. - Thanks. - You needed to be so loosened. to be able to play that at 220 beats per minute. You appeared like you were rather. chill during, male. - Ya, you recognize, as I said, it'' s a lot more difficult for me to keep the best equilibrium. in between the sixteenth notes. - No question. You ' ve been in over 130 albums, you ' ve done a great deal of stuff with, you ' re a seeing instructor,. BPM, up till like 220, 230, I wear ' t know.That ' s a huge obstacle to maintain the appropriate time. That'' s why it ' s. so fascinating stuff. Like, you wear ' t. think it ' s that hard, however you sit down, not just. You have to watch it over again, that ' s totally cool ' reason.I have a difficult sufficient time doing that at 180 beats per minute, you'' re doing it at 220. - Thanks. - Yet I obtained a lot of inquiries for you if you don'' t mind.
- Sure, sure, sure. - Something simply for myself, for those that are - I would certainly provide you 2 examples. The first is Jojo Mayer'' s. playing, of program. We are excellent good friends with. Jojo because even more than twenty years, and it was intriguing due to the fact that there was a number of. drum events in Hungary in 1994, 1995 actually, and we played with each other. And after among the shows we went to a nightclub. And also Jojo said to. me, he was cigarette smoking, and he paid attention to. that kind of music which during that time. for me was so uninteresting. Like a (mimics drum rhythm). This example,. and also then he claimed to me, he feels something. with this music and he will certainly do. something truly fresh with this sort of music, and also I absolutely. didn'' t comprehend it.Like what do you suggest,. what do you intend to finish with this kind of music. However after that when I paid attention. to his recording I chose to start. to play these things. That was around 2005, 2006 as well as his band is called Nerve. They play the same. example with a DJ, a key-board. gamer, a bass gamer, and also the drums which'' s. a truly progressive, hard-edged, electronic. blend music. - Type of tribal. based, tribal stuff. So Jojo Mayer, the band Nerve. - Ya, he'' s fantastic.- Maybe one other tip, another band that you know of? - Ya, the various other one is. in fact a bass player.His nickname is Square Pusher. - Okay, can you spell that? - He'' s a wonderful. DJ and bass player. He does live shows. with a great deal of laptop computers and also bass guitar. And he does the cutting of the. loopholes and modifying and also to play bass in live. That'' s superb.-'What ' s his name once again? - Square Pusher? - Okay, obtained it.- He ' s fantastic. He ' s quite popular given that. the late ' 80s, early ' 90s. So he has at the very least. 25 recordings, and I really recommend. every one of you men to listen to Square Pusher because in his cds there'' s no any pre-created. or downloaded and install loopholes. Each of the notes was created by Square Pusher. - Really cool. - To ensure that'' s amazing. - Extremely trendy. Definitely take a look at. those 2 teams. I understand I'' ve listened. to a great deal of Nerve and Jojo'' s an. unbelievable drummer. Ideally we'' ll have him. on Drumeo at some point, yet a pair much more. There'' s a whole lot of. that are all very comparable as well as the one concern. I keep seeing a great deal of so I'' ll ask you is what kind. of method are you utilizing to obtain that sort of speed while. you still look very loose? Can you simply perhaps. speak a little, or maybe offer a. couple pointers of just how drummers that want to. enter into this style can keep their stress down and. to obtain these kind of speeds? - Really, I wear'' t make use of any difficult things.I wear ' t usage generally,. a Moeller or a push-pull or this example. I play basically, basic. That'' s it. I never ever play by muscles. extremely loosened and also loosened up. Or else, like 85. of my concentration would certainly be to play out in some way. the things by muscles, by arms. So I attempt to play with wrist and also fingers as high as is possible. I play actually with these beats simple stickings,. like songs, increases, some paradiddle points. I likewise did practicing. like to play appropriate hand easy eighth notes, and also during this. playing I tried to transform the single and double. (slow-moving drum music)? These little components,. these little slices are the actually fundamentals of the actually speed up pace. Additionally, I'' m sure if you. guys invested sufficient time with the slow-moving time exercising and also you would be additional mindful of your hands and also feet. Like no any type of stress,. I such as that. would be a trap. - It'' s maybe possible, however. I would be suffering a lot if I would have. to play by muscles in these quick tempos. - That makes feeling. It'' s really loosened hold, especially because you do it. all in standard hold too, which is really insane. But we'' ll dive extra. into your strategy in the course that we'' re gon na. be recording for Drumeo Edge. And also if you guys watching this, we'' re gon na do a Q & A tomorrow so you can dive in to. I obtain a lot of is your adjusting and. You chatted a little bit. regarding having four snares on your recordings in the house. Can you discuss why you. have your configuration such as this as well as maybe why you selected the. tunings for your snares? - Because I think in. this type of songs we have to utilize different. kind of snare drums due to the fact that many of the. time, similar to this music doesn'' t contain. any long drum solos or something like this.I did a drum solo right. currently in the very first tune and I will do one. a lot more in the last song. That'' s why I use. three toms here. However in fact, when I. play these kind of beats, I indicate,'it ' s not needed. to utilize three toms due to the fact that this songs. demands a lot a lot more like more right cymbal noises. I likewise use some triggers throughout. So, generally this. is the reason. So I generally play. like one snare drum, two as well as 3 as well as 4 when I do drum bass recordings. As well as just one flooring. tom here, that'' s it. -Extremely trendy,'ya. Well, I ' m thrilled to see what you ' re gon na. give us tomorrow and I ' m excited to see. you play one more song for us if you don ' t mind. It is almost 5 so we ' re. gon na wrap it up there.- Okay.- A whole lot more concerns came, but we'' ll do that. tomorrow for the Q & & A. Simply want to thank. everybody for viewing. Hope you got something from it. I definitely got. motivated to want to enter into this design of music extra.
- Thank you. - You recognize, whenever I'' m. on your digital drum established, you scroll to the. drum and bass thing as well as you'' re like oh , I. desire I could play this, but I can'' t so I obtained ta. method it more. So extremely great beats,. thanks significantly. - Many thanks quite. for having me here. That was a terrific.
pleasure to'be here.It ' s a lovely location. and everything is ideal. - Well, thanks. You'' re constantly welcome,. constantly welcome back below. Make certain you follow him. on Facebook if you haven'' t, simply facebook.com/szendofi. as well as his name is S-Z-E-N-D-O-F-I. - Yes, that'' s correct.- Yes! I did it!- You obtained it! -Yes, alright so'we ' re gon na. leave you with one more tune. What'' s the track called? - This song is called. Shotgun Technique. -Ya, Shotgun Strategy due to the fact that I have a band,. That ' s really a double development with a terrific key-board gamer. and also rap artist man from Hungary. And we did our last recording which was tape-recorded in Brooklyn. a number of years prior to as well as we took like. 2 or three takes from this tune.And every one of
the takes contain some big blunders. As well as we stated, to the sound individual, fine, allow'' s do one even more take. As well as he said, "" Okay,. shotgun strategy."" And we much like it. - There ya go. - So that'' s why this is it.- Those are occasionally the very best stories when it comes. to the studio, recording. - Ya, ya, ya, absolutely. - So, once again, many thanks. everyone for enjoying. If you individuals such as this go. to Drumeo.com and also register. Additionally, for those. that are enjoying, all the songs that he played,. or Peter played, sorry, in this lesson are gon na be. offered as a play-along so you can attempt what he'' s. doing on them as well. So, hi there. - Thanks extremely a lot. - No, thanks. - Many thanks. - We'' ll see you guys later on. ("" Shotgun Strategy"". by Loop Doctors) ♪ Simply listen to the groove. of the bass and the drums ♪ Beating a sonic. course, currently below it comes ♪ The art of arranging. noise to the restriction ♪ Thin airwave architecture. within a five- minute plan ♪ Restrict the visual ♪ Free your mind, allow. go of the common principle ♪ See the music grow. graphics in your mind ♪ An exclusive individual blind ♪ Now all you. requirement is creativity ♪ Some inspiration, organization ♪ Sound is open to. analysis, a. sonic sensation ♪ Step up to the abstract plate ♪ Open the gate, never ever underrate ♪ The psychological power. of instrumental ♪ Intercontinental music ♪ Which aspect is fundamental (lively drum songs). - He ' s great. - Actually, I wear'' t use any difficult things.I wear ' t use primarily,. Well, I ' m excited to see what you ' re gon na. That ' s really a dual development with a terrific keyboard gamer. As well as we claimed, to the audio man, okay, allow'' s do one even more take.
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