https://www.youtube.com/embed/hlKDY7vybT0
(dynamic drum songs) (constant techno drum music) - Well played, guy, well played. There'' s a great deal of energy because. - Thanks. - Ladies and gents, Mr. Peter Szendofi. - Hi. - Ya. Welcome to Drumeo. - Thank you. It'' s a great enjoyment to be below.- Peter has come completely of Hungary, Budapest, deal with?- Yes.-'And he ' s joining us right here for a real-time lesson, certainly, on drum as well as bass and jungle grooves, so it ' s an honor to have you out. We ' ve really talked a fair bit over the last couple years. We met up at PASIC 2016 and also that has resulted in this. Guy, Hungary ' s obtained a. whole lot of wonderful drummers. You'' re not the initial Hungarian. drummer we'' ve had on Drumeo. -( laughs )Awesome, cool. -But if you people put on'' t. know that Peter is,'I ' m delighted to present you to him and ideally you come to be a follower due to the fact that his drumming. is very energetic; it'' s extremely, very. well-played,'too. He ' s done a great deal'of. things in his life. You ' ve remained in over 130 cds, you ' ve done a whole lot of things with, you ' re a going to teacher,. I guess you might say, at the Drummer'' s Collective.
- Yes'.- You ' ve also won what. they call in Hungary The Golden Drumstick. Award in 2003 and also 2004, which is like ideal. drummer in Hungary. - Wow, yes. - Which is a big honor, male. - Yes, that'' s it.- So you know your stuff. You additionally play in a. couple bands, as well. Currently the initial track you. just played for us currently, what ' s the story behind that? Is that your band?- This is a brand-new. song which will show up on my upcoming solo CD which will certainly release. in some weeks, I assume in 21st of March. - Okay.
- So, that'' s my brand-new and also. initial composition. - Extremely amazing. - And also on this album, we will. have some wonderful artists, like Will Lee on bass as well as. George Whitty on key-boards, as well as many various other Hungarian. fantastic artists. So I'' m so delighted. to launch that CD and play this workshop. as an initial introductory track. - Ya, give us a little. preference of what'' s comin '. - Ya, ya, ya, ya. - If you people are. enjoying this'on YouTube it ' s most likely currently released. so go and also inspect it out And if you intend to comply with Peter, your main means of interacting is through Facebook you claimed, your Facebook web page. - Ya, ya. - Which is simply. facebook.com/szendofi, I believe. - Yes, ya. - So see to it you go as well as. follow him on there too. And a massive thanks. to the sponsors for. helping bring you out.We got Remo, we obtained Tama, Regal. Suggestion, Humes & & Berg ' s instances. So ya, a massive many thanks to you people for assisting with. - Ya, ya, ya, ya, ya I like it. It'' s a gorgeous package. - You obtained two actually trendy snares. - Ya, many thanks. - Really, extremely amazing. And also if you men. are viewing this on Facebook or you'' re. enjoying this on YouTube and also you like what you'' re seeing, we do this sort of. things at all times within Drumeo Side. We also are going to be shooting a special course just. on drum and also bass and also forest grooves with Peter that'' ll be special. only to Side participants, along with a meeting. asking him some inquiries, and a Q & & A session.So if you people like. this, directly over to Drumeo.com as well as sign up. You can obtain a complimentary test. at Drumeo.com/ test and also examine out what. Let'' s obtain to the lesson.- Jungle grooves and drum as well as bass. Currently there ' s a PDF. of little exercises or a lot of grooves. that he'' s gon na show. Also, the amazing thing. about this lesson is all the'songs you ' re. gon na listen to Peter play today are gon na be available. It'' s very cool,. - Yet allow'' s start out. - You know, it'' s interesting.It ' s a rather new thing. The very first is from the late '' 60s. kind of funk grooves with different types of accents, not just to play. the 2/4 backbeats, however they started to play, they began to. alter the accents. And afterwards the other. side originated from the intelligent DJ society when concerning the late. '' 80s and the very early '' 90s, the DJs started to. use sound software application to make many distinctions on the old taped recording. And also they started to place a certain groove. into a computer as well as they began to speed it up, and after that they attempt to reduce the grooves away. For example, if we have a two-bar expression, it includes like, the initial bar is 16 of 60 notes, the second bar is the same. And they began to reduce like the initial fifty percent. of the very first groove, and after that once more and also again.So they did, generally,. five, 6 different cuts from a two-bar expression, as well as. after that they transformed up the order. So they actually place. it once more with each other simply like in a random order. That'' s why they obtained. finally, this, the groove with the very same elements, however they were seeming. completely different. - Ya, because it'' s cut. as well as reduce and also reduce up .- Ya, so they. transformed the accents on the kick drum and also the.
hi-hat and also the snare drum.That ' s why when we listen. to a groove similar to this, it seems like a huge turmoil,. simply'like a huge forest. That ' s why they call. it jungle grooves since you can hear. a two-bar expression or a four-bar phrase. or eight-bar phrase, yet the accents are. just like a drum solo. It appears like there is no, any clear system,. like just how to do it. In fact, when I. play forest things, my jungle playing, as an example, in the first song what you can listen to, those. are 95% of improvisation in between these accents. - No joking? Ya, ya, okay.- Ya, ya, ya.So, due to the fact that it gives me a whole lot of flexibility, but the other thing point first initially all, I had. So the distinction in between the. -If I play a basic drum and also. It ' s like one, two, 3 ,.( constant drum music )In the slower pace, like. ( sluggish drum songs) Right? If I would state like, fine,. I wan na alter the accents, I'wan na change the accent. of the 2/4 backbeats as well as maybe I wan na put the notes of the kick. drum to an additional location, so I ' m simply gon na . replay the snare as well as the kick part. It sounds like this with. a same aspect, like ...( consistent drum music) Right? So I play basically. the very same, like ...( steady drum music) -Gotcha, ya. - Right? So, this is the difference. in between the jungle and the drum as well as bass. If I play drum as well as bass. beats, that ' s easy because we have 2/4. backbeats, some ghost'notes, rather basic points, but it ' s tough to play. because the drum and also bass beats pace starts from one to 60, 70. BPM, up till like 220, 230, I put on ' t know. That ' s a huge difficulty to maintain the correct time . playing continuously during 6, seven, 10. minutes within one track in fast tempo.So, let me offer you people. a number of examples what I brought. The very first groove,. what I wan na play, it ' s a simple drum. as well as bass groove. I try to pick five different grooves from the fairly extremely. beginning level to the up like even more advancement degrees. -Advanced, ya, fine. - So, the very first. sounds like this. Let me show you in. slow-moving tempo initially. Like one, 2, three, four. (slow-moving drum music) Right? A little bit faster. (constant drum songs) A bit much more quicker.
( fast drum songs) A little bit much more faster. ( lively drum songs )A bit a lot more quicker. (fast drum songs )? For me, when I begin to practice the drum with forest things, I had two things what I. had to figure out a lot. pitch on a drum collection, however we have a substantial dynamic. level what we can use.So, to make music in the other styles, we actually have to utilize. a massive dynamic range. But when we play the drum. and bass forest things, it'' s not feasible since if I would certainly. play the same groove what I demonstrated before with the dynamic. degree as well as wording, if I play, for instance,. a normal funk tune, it sounds like ... (sluggish drum music) (moves into steady drum music) It appears more like. cool something, not like a drum and bass. If I change, if I. compress the vibrant level such as this ... (constant drum music) That sounds like a real. drum and also bass forest groove due to the fact that this sort of digital music, we have entirely. various technique as well as the feature of. the drum set having fun in this kind of music. is totally different. That'' s why I resorted to this kind of. music regarding one decade earlier, because I could find a. totally different path for my having fun and. they were so interesting to be in a completely. different part, remain in the songs,. than if I played funk or combination stuff.And likewise, so when I play these points I have much less dynamic. opportunities on a drum set, however I can utilize a great deal of. impacts, a great deal of noises as well as additionally a lot of. rhythmic variations. So when I play a forest groove, it'' s primarily, a drum solo can be, because I alter. constantly the accents, the components of the right-hand man. and also left hand and also whatever. So I attempt to develop intriguing. That ' s why I use. In fact, at residence when.- No means. - For this type of music.Like one, two,. 3, there ' s this arrest drum here and here. And I utilize only one floor tom due to the fact that this music needs a great deal of. different snare sounds, a great deal of different cymbal sounds due to the fact that the DJs create. this kind of music with a whole lot of pre-created. patterns as well as loops as well as drum beats with. various effects. So if I would just use one. hi-hat as well as one ride cymbal, maybe there wouldn ' t suffice.'So that ' s why I try to use various stacks. and various cymbals, 2 trip cymbal since, since that sort of music. really needs these points. Okay, let me offer you. the second instance which is a very same kind of groove, however a little bit extra difficult. There'' s a little variation in the second half. of this groove. It sounds like ...( sluggish drum music) Right? A bit faster. (steady drum music )A bit extra much faster.( lively drum songs) A little bit much more quicker. (fast drum songs) I also can play the very same groove, in as an example, a. different snare drum. (rapid drum music) Or. Or. So I have lots of, many,. several possibilities to transform the location of the. right-hand man and also the left hand.Okay, this
groove is a. little bit similar than, for example, if you pay attention to the late '' 60s as well as. early ' 70s recordings from James Brown or Allman. Sibling or these bands, I used to pay attention to a great deal of Clyde Stubblefield things. You recognize, I'' m sure. the majority of you men understand the really well-known groove, this is the cool. drummer groove, which is actually a really preferred. lick for the DJs to reduce away and also. accelerate the tempo and develop a completely various chaos-oriented groove by the simple elements. of this groove. So it seems like ... (slow-moving drum music) Alright? So this is basically. a funk groove, but Clyde changed the accents and likewise, he played. different points on a hi-hat, not just 8th notes or otherwise only 16th notes, however he transforms the accents. in between the kick as well as the entrapment as well as the hi-hat.
To ensure that'' s why it ' s. so fascinating things. The other thing from. Clyde Stubblefield, what I utilized to listen. to a lot which is a common break beat or. standard of the jungle grooves because he repeats. once again, the accents between the entrapment. drum and also the kick. This is the groove of the tune Anxiety which is a well-known. James Brown song which seems like ... (consistent drum songs) Right? So he did basically. the exact same things while the DJs did later.So he was definitely brilliant in regards to the groove playing and this sort of balanced part. So let ' s see the next groove which is a'two-bar. phrase in fact, and it likewise includes a little changing in regards to accents,. so it seems like, in slow tempo similar to this ...( slow drum music) Right? So when you guys. listen to it initially, that can be a. little bit confusing because the area. of the 2/4 backbeats are gon na be transforming. So it appears like one,. 2, 3, four, as well as ... So I put the 2nd snare drum accent, in fact for the one,. two, 3, four, and.So like ... (slow drum music )Right? So this part, like, it ' s repeating 3. times, like ...('slow-moving drum music) Right?- Okay, I obtain it. Ya, ya, ya. - To ensure that ' s a sort of, if I can claim a. 3 versus four. Like if I dip into. a quicker tempo, that appears amazing, like ... (constant drum music) Right? - Really awesome. You obtained ta reveal us that. on the other entrapments also. - Ya. (constant drum music) - That'' s so cool. - Also, the other. suggestions for every one of you individuals that. desire to start to exercise the drum as well as bass. forest points is to be truly, truly person. as well as spend a great deal of time with the slow time practicing, since in this kind of songs we have to be added careful. of the time playing.So it ' s
not possible. to play the beats a bit behind or for instance, a. bit rushed from the initial as well as second as well as 3rd and fourth. quarter notes. Because normally in this music we make use of a whole lot of various other loops and also programs as well as. arpeggios from the keyboards. So we have to. spend a great deal of time with slow time exercising, and play each note to. the edge of the grid. Or else, in a faster tempo. - In terms of the time playing. Believe it or not, I invested like 95% of. every one of my practicing, when I exercised. drum and also bass things, with actually basic things. and also in actually slow tempo. And I keep my. concentration regularly to play each notes. Ya, make certain. that spacing'' s there. - And also this long period of time. practicing at slow pace, we really need to reach the much faster tempos. As I experienced, the fast pace playing. will come automatically when we spend a little bit of time with the various. grooves in a sluggish pace.
- Cool. - To make sure that'' s why I would really recommend you. If you men would certainly be unpatient as well as after like 20 mins just. intend to quicken the tempo to 100 to 180, your. muscular tissue would certainly be limited, your concentration. would certainly be like complicated, as well as you people will get reduced. So that'' s why I really invested 2 or three years. from the starting to practice drum. and also bass points, when I did the very first. album, when I played really a real drum. and also bass forest grooves due to the fact that it--. - Requires time. - It truly takes time to concentrate on the beats. as well as the focus and also the technical. side and everything. - That makes sense. It'' s a pretty intricate. design of music to play-- - Absolutely. - With all those. Allow'' s do it. That ' s a little.- Ya, as well as also it ' s appearing a little bit like if I would certainly play a. kind of half-time. note oriented groove than a straightforward jungle groove. - So can you show us an instance, perhaps do it in simply a. directly ahead time, and afterwards entering into that, so we can listen to the. distinction and also feel? - Yes. - Something very easy. - Ya, ya, ya. I likewise can alter a little bit as an example, the hi-hat component. I can play 8th notes. regularly on a hi-hat.
For instance, like ... (steady drum music) Right? So I played basically. the exact same groove, yet if I transform. the hi-hat parts, that would certainly be an absolutely. various seeming groove. So that'' s why I generally. use improvisation. There are some typical. drummer bass licks or motions, however I generally, I listen to a great deal of. this kind of songs which generally doesn'' t. contain real-time drumming. Since if I listen. to it from DJs, the mind of the DJs. are totally various and that'' s rejuvenating of my mind as well as provides me a. great deal of fresh concepts since they put on'' t think. regarding the appropriate hand as a hi-hat component,. the left hand is-- - Totally dude, ya, ya. - plays 3 notes. It'' s also much. No, they just programs and also. search for best balance in between the programmed drum. parts and also the other parts. I got actually, a great deal. of excellent suggestions from DJs. So that'' s why it ' s. so intriguing to. Let'' s do number 5.- Ya, the last one, the number five is a little bit, looks like kind. of a straight point. So, I quit to play the. 8th notes frequently. So it appears in sluggish pace. like one, 2, 3, four ... (slow-moving drum songs) Right? Once more in an additional--. - Do it once again really slow-moving, '' cause this is a. wonderful sounding beat. - Okay, one, 2, 3, four. (slow-moving drum songs) To play this kind of straight beat oriented. drum and bass grooves, it'' s a lot a lot more tough. than when I play a drum as well as bass. groove as an example, with a straight. eighth notes like ... (constant drum music) Due to the fact that similar to this, I have my click track. actually on the right side.So I can listen to constantly. the downbeats, yet similar to this, it'' s not possible because I play nearly constantly. the sixteenth notes in between the. kick and the snare, as well as the entrapment and the hi-hats, so it'' s switching constantly. So it seems like this,. (stable drum music) A little bit extra much faster. (dynamic drum music) Or maybe below. I'' m trying. - That is so great. (laughs) - So that'' s why I claimed like these type of grooves in really quick pace, for me, is far more. difficult for my mind, not like my hands and also feet. So, I think to play. quick paces and also by the hand side or feet side, that'' s. feasible in 200 BPM if you are simply. have to play like solitary stroke rolls. in a pad or something. However to play this kind. of linear grooves-- - Oh, it'' s so difficult.I was gon na state
it ' s. deceptively hard. Like, you put on ' t. think it ' s that hard, however you take a seat, not just. to obtain the patterns taking place but to obtain the right. space in between the notes and after that likewise to get the right. sound that you want from it, due to the fact that it ' s a special. kind of structure that you have going on there. Do you mind having fun. us one more tune?- Yes, sure, sure. - I would certainly enjoy that. ' Cause I got a couple.- You men, make certain. you exercise these. You have to watch it over once more, that ' s completely cool down ' cause. Allow'' s get you to. a few of the inquiries like exactly how do you. establish that speed, how do you tune your drums. to seem like drum as well as bass. I obtained a couple of concerns. from the members too. So what track do you desire. to bet us next? - The following tune called Take One, that'' s. a really rapid one. That track I believe is 220 BPM. - Hoo! - Which groove. contains essentially just. single stroke rolls due to the fact that it'' s also quickly to play, I imply for me. - No question.
( laughs) - Too quickly to play. any kind of other variants. - Awesome. Well that'' s appears--. - It'' s enjoyable.- Allow ' s have a look at Take One. - Ya, ya, Take One. - Alright, joys. ("" Take One"") That boggled the mind. - Thank you. - You had to be so loose. to be able to play that at 220 beats per min. You appeared like you were rather. chill the entire time, guy. - Ya, you understand, as I claimed, it'' s a lot more difficult for me to maintain the perfect equilibrium. in between the 16th notes. - No question. You ' ve been in over 130 albums, you ' ve done a lot of stuff with, you ' re a visiting trainer,. - You understand, it'' s interesting.It ' s a quite new thing. That'' s why it ' s. so interesting things. Like, you don ' t. believe it ' s that hard, but you sit down, not just. You have to see it over once more, that ' s totally cool down ' reason.I have a difficult enough time doing that at 180 beats per min, you'' re doing it at 220. - Thanks. - Yet I obtained a number of concerns for you if you wear'' t mind.- Sure, sure, certain. - Something just for myself, for those that are - I would give you two examples.The first is Jojo Mayer ' s. playing, of program. We are great friends with. Jojo considering that more than 20 years, and it was fascinating since there was a couple of. drum festivals in Hungary in 1994, 1995 really, as well as we played together. And also after one of the programs we went to a nightclub. And Jojo said to. me, he was cigarette smoking, as well as he listened to. that sort of music which during that time. for me was so boring. Like a (mimics drum rhythm). This kind of thing,. and afterwards he said to me, he feels something. with this music and he will certainly do. something actually fresh with this kind of music, and I definitely. didn'' t comprehend it.Like what do you mean,. what do you intend to perform with this sort of songs. Yet after that when I paid attention. to his recording I determined to begin. to play these things. That was around 2005, 2006 and his band is called Nerve. They play the same. kind of points with a DJ, a key-board. player, a bass gamer, and the drums as well as that'' s. a really modern, hard-edged, electronic. combination music. - Kind of tribal. based, tribal stuff. So Jojo Mayer, the band Nerve. - Ya, he'' s amazing.- Perhaps another tip, another band that you recognize of? - Ya, the various other one is. actually a bass player.His label is Square Pusher. - Okay, can you mean that? - He'' s a wonderful. DJ as well as bass gamer. He does live programs. with a great deal of laptop computers and bass guitar. And also he does the cutting of the. loopholes and editing and also to play bass in live. scenario, in actual time. That'' s fantastic.-'What ' s his name once again? - Square Pusher. - Square Pusher? - Okay, obtained it.- He ' s wonderful. He ' s fairly preferred because. the late ' 80s, early ' 90s. So he has at least. 25 recordings, and also I truly suggest. every one of you men to pay attention to Square Pusher due to the fact that in his cds there'' s no any pre-created. or downloaded and install loops. Each of the notes was developed by Square Pusher. - Very cool. - To ensure that'' s fantastic. - Extremely cool. Definitely take a look at. those 2 groups.I understand I ' ve listened. to a great deal of Nerve as well as Jojo'' s an. extraordinary drummer. Ideally we'' ll have him. on Drumeo at some point, but a pair extra. inquiries for ya before we conclude, '' reason. we ' re obtaining near to completion. There'' s a lot of. inquiries in below from different participants. that are all extremely similar and the one inquiry. I maintain seeing a lot of so I'' ll ask you is what kind. of method are you using to obtain that kind of rate while. you still look extremely loose? Can you simply perhaps. chat a bit, or possibly give a. couple suggestions of how drummers that intend to. get involved in this design can keep their tension down and. - In fact, I put on'' t use any type of complicated points. I put on'' t use basically,. That''
s it.The just thing is I constantly try to locate the excellent balance between the drum collection as well as myself. I never ever play by muscle mass. very loosened as well as relaxed. Or else, like 85. of my concentration would certainly be to play out somehow. I try to play with wrist and fingers as much as is possible.I play really with these beats simple stickings,. I also did practicing. like to play ideal hand straightforward 8th notes, as well as throughout this. playing I attempted to transform the solitary and dual. Just like, if I would certainly state like, like I play eight eighth notes.( sluggish drum music)? these little pieces are the really basics of the truly speed pace. Also, I'' m certain if you. guys invested sufficient time with the sluggish time practicing and you would be added cautious of your hands and feet. Like no any kind of pressure,. wear'' t choke the sticks since that would certainly be a catch. It'' s not feasible ... - I like that. would be a catch. - It'' s maybe feasible, but. I would be experiencing a lot if I would have. to play by muscular tissues in these rapid paces.
- That makes feeling. It'' s extremely loose grasp, particularly due to the fact that you do it. We'' ll dive more. And if you people watching this, we'' re gon na do a Q & A tomorrow so you can dive in to. the a lot more technical side of your strategy in there. However the other inquiry. I get a great deal of is your tuning and also. your established for this. You chatted a bit. concerning having four entrapments on your recordings at home.Can you speak about why you. have your arrangement like this and also possibly why you picked the. adjustings for your entrapments?- Due to the fact that I think in. this kind of music we have to use different. kind of entrapment drums due to the fact that most of the. time, such as this music doesn ' t have. any kind of long drum solos or'something similar to this. I did a drum solo right. currently in the very first song and also I will do one. extra in the last tune. That ' s why I make use of. three toms here. But actually, when I. play these sort of beats, I suggest, it ' s not needed. to utilize three toms because this music. demands far more like more right cymbal audios. and also more hi-hat noises and even more snare drum audios. Maybe even more kick audios. I likewise utilize some triggers throughout. the recording sessions to mix it , the digital trigger audio with the acoustic kick. noise and also an entrapment as well. So, essentially this. is the reason. So I normally play. like one entrapment drum, 2 as well as three and 4 when I do drum bass recordings.And just one flooring. tom below, that ' s it. - Really trendy, ya. Well, I'' m excited to see what you'' re gon na. bring to us tomorrow and also I'' m thrilled to see. It is virtually five so we'' re. - Okay. - A whole lot even more questions came, yet we'' ll do that. everybody for viewing. Hope you obtained something from it. I absolutely obtained. influenced to desire to enter into this style of music a lot more. - Thank you. - You recognize, whenever I'' m. on your digital drum established, you scroll to the. drum and also bass thing and you'' re like oh , I. dream I could play this, however I can'' t so I got ta. method it a lot more. So really amazing beats,. thank you quite. - Many thanks extremely much. for having me below. That was a terrific.
enjoyment to'be here.It ' s an attractive location. as well as whatever is perfect. - Well, thank you. You'' re constantly welcome,. constantly welcome back below. Ensure you follow him. on Facebook if you sanctuary'' t, just facebook.com/szendofi. and his name is S-Z-E-N-D-O-F-I. - Yes, that'' s appropriate.- Yes! I did it!- You got it! -Yes, alright so'we ' re gon na. leave you with one even more song. What'' s the song called? - This tune is called. Shotgun Method. - Shotgun Method? -Ya, Shotgun Method due to the fact that I have a band,. it ' s called Loophole Doctors. That ' s actually a dual formation with a fantastic keyboard gamer. and also rap artist man from Hungary. And we did our last recording which was recorded in Brooklyn. a couple of years prior to and we took like. 2 or 3 takes from this song. And all of the takes have some big mistakes. As well as we stated, to the audio individual, all right, allow'' s do another take.And he claimed,
" Okay, ". shotgun technique."" And we similar to it. - There ya go. - To make sure that'' s why this is it.- Those are in some cases the best stories when it comes. to the workshop, recording. - Ya, ya, ya, absolutely. - So, once more, many thanks. every person for viewing. If you guys such as this go. to Drumeo.com as well as authorize up. Likewise, for those. that are viewing, all the tunes that he played,. or Peter played, sorry, in this lesson are gon na be. offered as a play-along so you can attempt what he'' s. doing on them also. So, hi. - Many thanks significantly. - No, thank you. - Thanks. - We'' ll see you guys later on. ("" Shotgun Approach"". by Loop Doctors) ♪ Just pay attention to the groove. of the bass as well as the drums ♪ Beating a sonic. path, currently below it comes ♪ The art of preparing. noise to the limit ♪ Thin airwave style. within a five- minute blueprint ♪ Ban the visual ♪ Free your mind, allow. go of the usual idea ♪ See the songs expand. graphics in your mind ♪ An unique individual blind ♪ Now all you. requirement is imagination ♪ Some inspiration, organization ♪ Sound is open to. interpretation, a. sonic experience ♪ Action up to the abstract plate ♪ Open the entrance, never undervalue ♪ The mental power. of important ♪ Intercontinental songs ♪ Which element is fundamental (vibrant drum songs). - He ' s amazing. There'' s a great deal of. In fact, when I. play these kind of beats, I suggest, it ' s not needed. What'' s the tune called? That ' s in fact a double formation with a wonderful key-board gamer.
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