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I involved Cuba to know every little thing about rumba. It is a complex topic. And also if I ever before desire to obtain there, I'' m going to need to go back to essentials. And it starts with 2 wooden sticks. The only thing that will never ever alter in rumba is the clave, due to the fact that the clave is the trick. All Cuban music originates from it. Cuban songs in general is clave Rumba without a clave. is unthinkable. The clave is the rhythmic pattern that guides the rumba from beginning to end. All the other instruments, the vocals, the vocals, and also the method the drums interact with each other, it '' s all based upon the clave.The rumberos bring the clave in their hearts. Fail to remember trumpet sections as well as complex arrangements. This songs is of raw rhythmic intricacy. This instrument reverberates detailed, as well as we can just feel it. It comes from a tree, as well as the tree is a living thing. It has a skin, and also the skin lives also, due to the fact that it comes from a pet. It is therefore a mix of skin, tree and also somebody. It ' s the perfect'combination. That'' s why it makes you really feel a lot. These three points offer power and power. I think the essence of percussion is energy. We understand that the tool is a tube covered with a skin. It is a way of moving power. The method you play with energy in time. That'' s percussion. It is the component that conjures up the tune ...
The dance ... it is the major guide, the physical expression ... of the wishes ... of the objectives ... It is a means of sharing our society. In typical rumba, everything begins with the clave. This is the trick. This is what keeps every person in time. Then we include the kata, whose shuffle is over every little thing, a little bit like the hi-hats. Then come the three percussions: The quinto, the 3-2 ... and also the tumbadora. The last 2 play basic rhythms, which in themselves are not very interesting. But grouped with each other, they engage as well as develop an ariose groove on which the quinto can improvise and also play solo. Add the kata to the mix, as well as you'' re collection. On my means to Matanzas, Crispin brought me to La Marina, one of the areas most closely linked to the birth of rumba. In the shanty towns, on the old docks, it'' s a remarkable area. It'' s unlike any type of other location I'' ve seen.Crispin had actually taken us there to satisfy his friend Kolé and also pay attention to some actually typical tunes. The rumba in the house. Not traditional rumba, homemade rumba. When it involves homemade rumba, a few of the tools looked homemade as well. However it ' s all part of the tradition. As not to damage it.Rumberos are lively. They can also play on the wall. Due to the fact that in the end, They will play on the wall. When I was bit, when a rumbero died, they used the coffin.They were playing rumba straight on the coffin. Regarding anything, you understand? The rumba is sublime! Mentally rich, yet very simple at the same time. With very little, you can do excellent points. Kolé is the nobility of the rumba. As well as within, he showed me family members prizes. He was the direct offspring of among the owners of the Muñequitos de Matanzas. -That is Chacha?- My great-uncle! Chachá is the beneficiary to the earliest batá percussion set in America . They are called" Aña Bi", which indicates" Aña was birthed". As well as Aña is the Orisha of audio, the Orisha of batá. As Well As these Percu Aña Bi were made by an African, born in Africa, transferred in chains to the Americas. And also today Kolé is their guardian. Kolé, show him. These percus more than 200 years of ages. This is just how we interact with Olofin. By noise, we chat to Olofin, via Aña.These are fabulous percussions. It is hefty. All would certainly have danced on these percussions as well as would have played them. So they consist of the spirits of a a great deal of individuals as well as ... Chano Pozo existed. In this home, right below. -Actually?- Yes, he involved visit. There is also a publication. Chano Pozo estuvo en esta casa con Chachá. And right here we are, so thank you very a lot . I was thrilled to come. These percussions are undoubtedly. There is a spiritual aspect to all of this. In the next episode, we will see howExactly how and we will certainly have the opportunity of being obtained within the African secret culture. of Abakua. The rumba at house. They can even play on the wall surface. Since in the end, They will certainly play on the wall. The rumba is superb! Kolé is the aristocracy of the rumba.
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